Entrevista de Renée de la Torre con el psicoanalista Fernando M. González sobre un artículo inédito, rechazado por razones éticas, que comparaba la confesión católica con la terapia psicoanalítica. La charla explora las tensiones entre religión y academia y las narrativas culturales del pecado.

Entrevista con el antropólogo Paul Stoller sobre etnografía sensorial y vulnerabilidad: sus 17 años de aprendizaje con el sanador songhay Adamu Jenitongo en Níger, la «antropología compartida» de Jean Rouch y cómo narrar con los sentidos humaniza la escritura etnográfica.

Entrevista al filósofo José Luis Barrios sobre imagen, deseo, curaduría y cine naturalista mexicano.

Diálogo epistolar entre Karla Covarrubias y Daniel Bertaux sobre genealogías culturales y habitus educativo en familias de Oaxaca.

In this interview, Melchor Peredo y García, recognized as the last representative of Mexican muralism, reflects on the historical and cultural significance of his mural. A new breed open to the futurelocated in La Antigua, Veracruz. Maestro Peredo addresses the importance of representing Mexican identity through muralism and shares his vision of the relevance of mural art in education and cultural identity in Mexico. He also discusses its purpose of challenging historical lies and fostering a deeper understanding of history, highlighting the role of art as a means of cultural resistance and the search for truth.

The interview "Intellectual challenges for the political imagination" presents a dialogue with Alejandro Grimson, a prominent Argentine anthropologist known for his analysis of identities and borders in Latin America. Alina Peña Iguarán highlights his contributions on cultural configurations and the concept of frontier as a dynamic space of interaction and conflict. The conversation addresses three moments: the Latin American debates of the 1990s, the genesis of his book "The Limits of Culture", and the analysis of the rise of the extreme right. Grimson reflects on nationalism, crisis of representation, and the urgency of building alternatives to the current political "mess" that weakens democracy.

Jorge Alonso or "Doc Alonso" is a researcher committed to social movements and anti-capitalist struggles, noted for his work with communities.

Toni Kuhn's work is a continuity and part of this great tradition of Mexican cinematographers, such as Gabriel Figueroa, Alex Phillips, Jack Draper, Agustín Jiménez, to name a few. They were his teachers, his references, although they did not give him - as he tells us - a visual, photographic eye, because whether you are born with it or not, it is almost a substitute for the language itself, for the multiple languages, which, he says, he learned in his native Switzerland and which he knew, in one way or another, how to translate into images and capitalize it with a reality that Mexico imposed on him. In this interview, Toni tells us about the beams of light that he has captured throughout his long-lived work.

The article exposes a progressive somatic learning process aiming at the production of a sensitive body capable of interacting with non-human agents promoted in spiritual practices of New Age and neo-pagan inspiration. Contemporary rituals performed at the archaeological site of Carnac, France, are taken as ethnographic and empirical basis by considering them as sensory learning spaces where participants develop their bodily attention to verify the efficacy of the implemented techniques. The analysis shows that the main elements that compose the applied somatic pedagogy are the learning of an alternative sensory language, the execution of body techniques, the practice of visualization and the incorporation of somatic imaginaries.