{"id":40482,"date":"2026-03-20T15:00:00","date_gmt":"2026-03-20T21:00:00","guid":{"rendered":"https:\/\/encartes.mx\/?page_id=40482"},"modified":"2026-04-26T14:05:51","modified_gmt":"2026-04-26T20:05:51","slug":"vol-9-num-17-2026","status":"publish","type":"page","link":"https:\/\/encartes.mx\/pt\/vol-9-num-17-2026\/","title":{"rendered":"Vol. 9, No. 17 (2026)"},"content":{"rendered":"<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"412\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-1024x412.jpg\" alt=\"\" class=\"wp-image-40546\" srcset=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-1024x412.jpg 1024w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-300x121.jpg 300w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-768x309.jpg 768w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-1600x643.jpg 1600w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-1536x617.jpg 1536w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-18x7.jpg 18w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-1200x482.jpg 1200w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6.jpg 1632w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"cat-title\"><h1>Vol. 9, No. 17 (2026)<\/h1><\/div>\n\n\n\n<div class=\"portada-pdf\">\n    <a class=\"complete-pdf\" href=\"https:\/\/archive.org\/download\/encartes-17\/00-encartes-17-completo.pdf\">\n        <div>\n            <img decoding=\"async\" class=\"lazy loaded\" style=\"max-width:280px\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/03_potadano17_encartes20261.jpg\">\n            <p>Ver edi\u00e7\u00e3o completa em PDF<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"editorial ms-item\">\n    <h1>Editorial<\/h1>\n    <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/de-la-torre-editoria-tradiciones-disruptivas\/\">\n        <div class=\"text\">\n            <p class=\"has-drop-cap\">Em tempos de incertezas, a publica\u00e7\u00e3o da edi\u00e7\u00e3o 17 da revista Encartes \u00e9 motivo de comemora\u00e7\u00e3o e celebra\u00e7\u00e3o. Vivemos em uma \u00e9poca turbulenta, com enormes mudan\u00e7as nas regras pol\u00edticas, em que as institui\u00e7\u00f5es acad\u00eamicas enfrentam dificuldades para financiar seus projetos e as ci\u00eancias sociais enfrentam desafios como a relev\u00e2ncia do nosso trabalho diante das novas compet\u00eancias de sistematiza\u00e7\u00e3o de informa\u00e7\u00f5es oferecidas pela intelig\u00eancia artificial.<\/p>\n        <\/div>\n<p class=\"mas\">Clique aqui<\/p>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"cat-title\"><h1>Tem\u00e1ticas<\/h1><\/div>\n\n\n\n<div class=\"tematica\">\n<h1 class=\"tematica-title\">Tradi\u00e7\u00f5es perturbadoras da ordem cultural<\/h1>\n    <div class=\"tematica-content\">\n    <div class=\"coloquio-principal ms-item\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/dossier-carlos-hernandez-tradiciones-disruptivas\/\">\n            <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/17.1.442_Imagen-6_Renata-Menezes.jpg\" data-src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/17.1.442_Imagen-6_Renata-Menezes.jpg\" data-was-processed=\"true\">\n            <h1>Apresenta\u00e7\u00e3o<\/h1>\n            <div class=\"text\">\n                <h3><ul class=\"list\"><li class=\"list-item\">Carlos Arturo Hern\u00e1ndez D\u00e1vila<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Este dossi\u00ea aborda o papel transgressor das tradi\u00e7\u00f5es que passam por momentos de crise, censura, amea\u00e7as ou ataques antes de se consolidarem como novos espa\u00e7os formais. A crise das tradi\u00e7\u00f5es oferece um terreno f\u00e9rtil para a pesquisa social: rupturas e cismas s\u00e3o fen\u00f4menos que mant\u00eam a criatividade e a imagina\u00e7\u00e3o etnogr\u00e1fica ativas.<\/p>\n            <\/div>\n            <p class=\"mas\">Ver apresenta\u00e7\u00e3o completa<\/p>\n        <\/a>\n    <\/div>\n<div class=\"comentarios ms-item\">\n    <div class=\"comentarios-title\">\n        <h1>Dossi\u00ea<\/h1>\n    <\/div>\n        <div class=\"comentario ms-item\">\n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/ceriani-pueblos-indigenas-gran-chaco-celebraciones\/\">\n                <h2 class=\"title\">Desempenho social e transforma\u00e7\u00e3o hist\u00f3rica nas celebra\u00e7\u00f5es de anivers\u00e1rio de igrejas ind\u00edgenas no Chaco (Argentina).<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">C\u00e9sar Ceriani Cernadas<\/li><\/ul><\/h3>\n                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n        <div class=\"comentario ms-item\">\n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/castro-carnaval-religion-cultura-simbolismo-samba\/\">\n                <h2 class=\"title\">A tematiza\u00e7\u00e3o do religioso nas escolas de samba do Rio de Janeiro (2016-2022): performances festivas e processos sociais.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Renata de Castro Menezes<\/li><\/ul><\/h3>\n                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n        <div class=\"comentario ms-item\">\n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/lara-etnofonias-patrimonio-biocultural-capital-sonoro\/\">\n                <h2 class=\"title\">Etnofonias: o patrim\u00f4nio biocultural do M\u00e9xico<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Jos\u00e9 Joel Lara Gonz\u00e1lez<\/li><\/ul><\/h3>\n                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n        <div class=\"comentario ms-item\">\n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/solis-sacerdotes-mexico-asesinatos-violencia-crimen-organizado\/\">\n                <h2 class=\"title\">Ecos da cristiada? Necropol\u00edtica e \u201cmart\u00edrio sacerdotal\u201d no M\u00e9xico do s\u00e9culo XXI<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Yves Bernardo Roger Solis Nicot<\/li><\/ul><\/h3>\n                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n        <div class=\"comentario ms-item\">\n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/hernandez-carnaval-otomi-transformacion-cuerpo\/\">\n                <h2 class=\"title\">O ng\u00e4d'i-dokwe: interrup\u00e7\u00f5es rituais, corpos alterados e altera\u00e7\u00f5es corporais no mundo Otomi<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Carlos Arturo Hern\u00e1ndez D\u00e1vila<\/li><\/ul><\/h3>\n                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n    <\/div>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Realidades s\u00f3cio-culturais<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/mora-strickland-economia-social-solidaria-jovenes-cafe-interculturalidad\/\">\n            <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/imagen_3_ximena_y_danielle-scaled.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n                <\/figure>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Caf\u00e9 Capeltic. Construindo uma ponte intercultural no sistema universit\u00e1rio jesu\u00edta do M\u00e9xico.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Ximena de la Mora Gonz\u00e1lez<\/li><li class=\"list-item\">Rebecca Danielle Strickland<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Este texto analisa o projeto de economia social e solid\u00e1ria das cafeterias Capeltic e seu potencial para fortalecer a interculturalidade no Sistema Universit\u00e1rio Jesu\u00edta. Ele se baseia em uma explora\u00e7\u00e3o das cooperativas envolvidas na cadeia de produ\u00e7\u00e3o do caf\u00e9 vendido no campus e nos imagin\u00e1rios sobre os diferentes est\u00e1gios desse processo. Os dados foram coletados por meio de observa\u00e7\u00e3o participante e entrevistas com produtores de caf\u00e9, membros de cooperativas e consumidores. Destaca-se o papel dos jovens como os principais criadores de pontes interculturais entre as comunidades de Tseltal, onde o caf\u00e9 \u00e9 cultivado, e as comunidades universit\u00e1rias, onde \u00e9 consumido.<\/p>\n                <p class=\"mas\">Clique aqui<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/vargas-ayora-sentidos-feria-sevilla-espana\/\">\n            <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Imagen-4_Steffan-y-Gabrielajpeg-scaled.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n                <\/figure>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Os Sentidos da Feira e a Feira dos Sentidos em Sevilha, Espanha<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Gabriela Vargas Cetina<\/li><li class=\"list-item\">Steffan Igor Ayora Diaz<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Neste artigo, propomos que a Feria de Abril em Sevilha, na Espanha, \u00e9 uma experi\u00eancia multissensorial, sinest\u00e9sica e sinest\u00e9sica que reafirma a identidade sevilhana e destaca as fronteiras de identidade entre os habitantes locais e os visitantes, ao mesmo tempo em que ressalta as diferen\u00e7as sociais locais. Com base no trabalho de Paul Stoller e David Sutton, bem como em nosso trabalho de campo em Sevilha entre 2017 e 2025, descrevemos a experi\u00eancia sinest\u00e9sica e sinest\u00e9sica da Feria de Abril como dimens\u00f5es que invocam \u201co sevilhano\u201d. Argumentamos que o reconhecimento da experi\u00eancia sensorial contribui para uma abordagem antropol\u00f3gica complexa da dimens\u00e3o pol\u00edtica dos eventos locais.<\/p>\n                <p class=\"mas\">Clique aqui<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/encartes.mx\/pt\/ensayos-fotograficos\/imagenes-que-resisten-regimenes-de-visibilidad-y-otros-paisajes-posibles\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"419\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1024x419.jpg\" alt=\"\" class=\"wp-image-40506\" srcset=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1024x419.jpg 1024w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-300x123.jpg 300w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-768x314.jpg 768w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1600x655.jpg 1600w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-2200x900.jpg 2200w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1536x629.jpg 1536w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-2048x838.jpg 2048w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-18x7.jpg 18w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1200x491.jpg 1200w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1980x810.jpg 1980w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2.jpg 2500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Encartes multimedia<\/h2>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/mazariegos-culto-cuir-sinverguenza-lgbtq-performance-bautizo-trans\/\">\n            <h2 class=\"post-title\">The Shameless Cuir Cult: Reencena\u00e7\u00f5es Rituais da Performance<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Hilda Mar\u00eda Cristina Mazariegos Herrera<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">O objetivo deste ensaio \u00e9 apresentar um relato de uma das maneiras pelas quais as crentes feministas e lgbtq+, que pertencem ou foram socializadas em diferentes tradi\u00e7\u00f5es religiosas e espirituais, principalmente evang\u00e9licas, ressimbolizam o sagrado e o pol\u00edtico por meio da performance na estrutura do que o grupo Theology Without Shame chama de Cuir Cult. Ele aborda quest\u00f5es como ancestralidade feminina, batismos trans, cr\u00edticas \u00e0 ecossexualidade e \u00e0 liberdade sexual, em um contexto de crescente conservadorismo antifeminista e antig\u00eanero.<\/p>\n        <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl\">\n        <div class=\"ficha material\"><a href=\"https:\/\/encartes.mx\/pt\/ensayos-fotograficos\/culto-cuir-sinverguenza-performance\/\">\n            <h3>Ensaio fotogr\u00e1fico<\/h3>\n            <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/02\/imagen_6_cristina_mazariegos.jpg\" alt=\"\" class=\"wp-image lazy loaded\">\n            <p class=\"mas\">Clique aqui para ver a reda\u00e7\u00e3o<\/p>\n        <\/a><\/div>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/almasi-espinoza-medina-dos-almas-sanan-animitas-chile\/\">\n            <h2 class=\"post-title\">Onde duas almas se curam, um ensaio fotogr\u00e1fico sobre a animita como um artefato de cura na vida cotidiana no Chile.<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Lili Alm\u00e1si-Szab\u00f3<\/li><li class=\"list-item\">David Arturo Espinoza Zamudio<\/li><li class=\"list-item\">Pedro Pablo Medina Andrade<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Este ensaio fotogr\u00e1fico explora o fen\u00f4meno das animitas no Chile, pequenos altares populares erguidos para as almas dos falecidos tragicamente. Com o tempo, eles come\u00e7aram a ocupar um papel que vai al\u00e9m da comemora\u00e7\u00e3o. Eles n\u00e3o s\u00e3o visitados apenas pelos entes queridos dos falecidos, mas tamb\u00e9m por vizinhos e outros praticantes da religiosidade popular, o que lhes confere um lugar importante na cura do corpo e do esp\u00edrito.<\/p>\n        <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl\">\n        <div class=\"ficha material\"><a href=\"https:\/\/encartes.mx\/pt\/ensayos-fotograficos\/donde-dos-almas-se-sanan\/\">\n            <h3>Ensaio fotogr\u00e1fico<\/h3>\n            <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/02\/imagen_40_lili_almasi.jpg\" alt=\"\" class=\"wp-image lazy loaded\">\n            <p class=\"mas\">Clique aqui para ver a reda\u00e7\u00e3o<\/p>\n        <\/a><\/div>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Entrevistas<\/h2>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/covarrubias-familias-robles-dialogo-epistolar\/\">\n            <h2 class=\"post-title\">\u201cAs fam\u00edlias s\u00e3o como carvalhos com ra\u00edzes profundas...\u201d Di\u00e1logo epistolar com Daniel Bertaux do livro Genealog\u00edas comparadas. An\u00e1lise cultural do habitus educacional em fam\u00edlias de Oaxaca.<\/h2>\n            <h5><ul class=\"list\"><li class=\"list-item\">Daniel Bertaux<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Karla Yolanda Covarrubias Cu\u00e9llar<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Este texto \u00e9 o resultado de um \u201cdi\u00e1logo epistolar\u201d entre o professor Daniel Bertaux e Karla Covarrubias, cujo objetivo \u00e9 destacar a troca de ideias ao falar sobre hist\u00f3ria oral e seu v\u00ednculo com o estudo do \u201chabitus educacional intergeracional\u201d em quatro fam\u00edlias e suas genealogias ao longo do s\u00e9culo XX em Oaxaca.<\/p>\n        <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/covarrubias-familias-robles-dialogo-epistolar\/\">\n            <figure class=\"article-preview-image\">\n                <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Bertaux.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n            <\/figure>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/pensar-desde-fisura-curaduria-jose-luis-barrios\/\">\n            <h2 class=\"post-title\">Pensando a partir da fissura: est\u00e9tica, curadoria e cinema na obra de Jos\u00e9 Luis Barrios<\/h2>\n            <h5><ul class=\"list\"><li class=\"list-item\">Jos\u00e9 Luis Barrios<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Alina Pe\u00f1a Iguar\u00e1n<\/li><li class=\"list-item\">Anaeli Ibarra C\u00e1ceres<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">As contribui\u00e7\u00f5es de Jos\u00e9 Luis Barrios oferecem ferramentas para pensar sobre imagens al\u00e9m da representa\u00e7\u00e3o. Ao articular o desejo, a percep\u00e7\u00e3o e a experi\u00eancia do espa\u00e7o, ele mostra que a cr\u00edtica est\u00e9tica \u00e9 uma forma de entender como se configuram nossas maneiras de ver e habitar o mundo. Seu pensamento concebe a imagem como um campo em disputa onde significados, afetos e mem\u00f3rias s\u00e3o negociados.<\/p>\n        <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Entrevista com Jos\u00e9 Luis Barrios | Pensando a partir da fissura: est\u00e9tica, curadoria e cinema\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/oTda_WiMVdk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Discrepancias<\/h2>\n\n\n\n<div class=\"ms-item resena discrepancias\">\n    <div class=\"ficha-material\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/discrepancias-espejo-algoritmico-humanos-inteligencia-artificial\/\">\n            <figure class=\"article-preview-image\">\n                <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/52703180353_93ced0e72f_b-e1773524019758.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"espejo algor\u00edtmico\" width=\"580\" height=\"213\">\n            <\/figure>\n        <\/a>\n    <\/div>\n    <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/discrepancias-espejo-algoritmico-humanos-inteligencia-artificial\/\">\n        <div class=\"resena-content\">\n            <h2 class=\"post-title\">O espelho algor\u00edtmico: perspectivas das ci\u00eancias sociais sobre a intera\u00e7\u00e3o homem-IA<\/h2>\n            <h5><ul class=\"list\"><li class=\"list-item\">Gabriela Sued, Gabriel P\u00e9rez Salazar, Marco Dehnert e ChatGPT-5<\/li><\/ul><\/h5>\n<h3><ul class=\"list\"><li class=\"list-item\"><span>moderado<\/span><br \/>  Arthur Temporal, Alina Pe\u00f1a Iguar\u00e1n e Ignacio Salvador Dur\u00e1n Ricardez<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Tr\u00eas especialistas e o ChatGPT-5 discutem a intelig\u00eancia artificial a partir de uma perspectiva da ci\u00eancia social: sua abordagem epistemol\u00f3gica, suas consequ\u00eancias para os v\u00ednculos sociais e seu impacto no trabalho intelectual. Essas tecnologias - \u201despelhos algor\u00edtmicos\u201d que refletem a cultura humana digitalizada - reconfiguram a economia emocional da intera\u00e7\u00e3o social e representam um grande desafio epistemol\u00f3gico.<\/p>\n            <p class=\"mas\">Clique aqui<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Rese\u00f1as cr\u00edticas<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/morales-resena-humanizando-deportacion-narrativas-digitales\/\">\n            <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/17_6_399_5_portada_loraine_morales.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n                <\/figure>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Reflex\u00f5es da fronteira: humanizando a deporta\u00e7\u00e3o por meio de narrativas digitais em Tijuana<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Loraine Morales Pino<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Esta resenha examina Humanizing Deportation: Digital Narratives from the Streets of Tijuana (2023), um trabalho coletivo coordenado por Robert McKee Irwin e Guillermo Alonso Meneses. O autor examina como o projeto, iniciado em 2016, usa a narrativa digital para ampliar as vozes dos migrantes deportados na fronteira entre os EUA e o M\u00e9xico, documentando o trauma, a dupla estigmatiza\u00e7\u00e3o e as dificuldades de reintegra\u00e7\u00e3o que eles enfrentam. Ele destaca seu valor como um arquivo de resist\u00eancia e uma contribui\u00e7\u00e3o para os estudos de migra\u00e7\u00e3o.<\/p>\n                <p class=\"mas\">Clique aqui<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/almazan-resena-videojuegos-ensenanza-historia\/\">\n            <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/17_6_441_5_portada_manuel_almazan_los_videojuegos_como_caballo_de_troya.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n                <\/figure>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Os videogames como um Cavalo de Troia no ensino de hist\u00f3ria.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Manuel Almaz\u00e1n<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">A resenha analisa o livro Les usages p\u00e9dagogiques des jeux vid\u00e9o Assassin's Creed (2023), editado por \u00c9thier e Lefran\u00e7ois, que re\u00fane as experi\u00eancias de professores de Quebec que incorporam essa saga em sala de aula para desenvolver o pensamento cr\u00edtico. Almaz\u00e1n valoriza o exerc\u00edcio, mas aponta limita\u00e7\u00f5es pedag\u00f3gicas e levanta quest\u00f5es sobre sua poss\u00edvel aplica\u00e7\u00e3o no contexto latino-americano.<\/p>\n                <p class=\"mas\">Clique aqui<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/rodriguez-cine-sindicato-estrella-dolores-rio\/\">\n            <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/17_6_463_5_portada_daria_rodriguez_del_cine_al_sindicato.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n                <\/figure>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Do cinema ao sindicato: \u201cUma atriz, uma estrela e uma parceira solid\u00e1ria: Dolores del R\u00edo\u201d.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Daria Sof\u00eda Rodr\u00edguez Olvera<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Esta resenha examina a biografia de acesso aberto Una actriz, una estrella y una compa\u00f1era solidaria: Dolores del R\u00edo, de Jehiely Hern\u00e1ndez Correa e Ana Salinas Alberdi, publicada pela <span class=\"small-caps\">inehrm<\/span>. A pe\u00e7a tra\u00e7a a carreira da atriz de Durango em Hollywood e no cinema mexicano da Era de Ouro, bem como sua faceta pol\u00edtica: sua filia\u00e7\u00e3o ao Sindicato Nacional de Atores, sua participa\u00e7\u00e3o na funda\u00e7\u00e3o do Festival Cervantino e da Cineteca Nacional, e seu trabalho \u00e0 frente do ber\u00e7\u00e1rio do <span class=\"small-caps\">ir para<\/span>.<\/p>\n                <p class=\"mas\">Clique aqui<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"credits col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n    <div class=\"wrapper\">\n        <img decoding=\"async\" class=\"simple-logo lazy loaded\" src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-was-processed=\"true\">\n        <p class=\"title translation-block\">Diretor de <em>Encartes<\/em>.<\/p>\n        <p class=\"name\"><a href=\"https:\/\/encartes.mx\/pt\/personas\/torre-castellanos-renee-de-la\/\">\u00c1ngela Ren\u00e9e de la Torre Castellanos<\/a><\/p>\n        <p class=\"title\">Edi\u00e7\u00e3o<\/p>\n        <p class=\"name\">Emilia D\u00edaz Corona Centeno<\/p>\n        <p class=\"title\">Corre\u00e7\u00e3o<\/p>\n        <p class=\"name\">Isabel Orend\u00e1in<\/p>\n        <p class=\"name\">Amparo Ram\u00edrez Rivera<\/p>\n        <p class=\"title\">Desenho e formata\u00e7\u00e3o<\/p>\n        <p class=\"name\">Veronica Segovia<\/p>\n        <p class=\"title\">Design e treinamento digital<\/p>\n        <p class=\"name\">Arthur Temporal Ventura<\/p>\n<p class=\"title\">\n            <a class=\"directorio\" href=\"https:\/\/archive.org\/download\/encartes-17\/directorio-17.pdf\">Ver diret\u00f3rio completo<\/a>\n        <\/p>\n    <\/div>\n<\/div>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Vol. 9, n\u00fam. 17 (2026) Ver n\u00famero completo en PDF Editorial En estos tiempos tan inciertos, es motivo de celebraci\u00f3n y festejo la publicaci\u00f3n del n\u00famero 17 de la revista Encartes. Vivimos una \u00e9poca convulsa con enormes cambios en las reglas pol\u00edticas, en la que las instituciones acad\u00e9micas experimentan dificultades para financiar sus proyectos y [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":40481,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"numerostemplate.php","meta":{"_acf_changed":false,"footnotes":""},"coauthors":[551],"class_list":["post-40482","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Vol. 9, n\u00fam. 17 (2026) &#8211; Encartes<\/title>\n<meta name=\"description\" content=\"En estos tiempos tan inciertos, es motivo de celebraci\u00f3n y festejo la publicaci\u00f3n del n\u00famero 17 de la revista Encartes.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/encartes.mx\/pt\/vol-9-num-17-2026\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vol. 9, n\u00fam. 17 (2026) &#8211; Encartes\" \/>\n<meta property=\"og:description\" content=\"En estos tiempos tan inciertos, es motivo de celebraci\u00f3n y festejo la publicaci\u00f3n del n\u00famero 17 de la revista Encartes.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/encartes.mx\/pt\/vol-9-num-17-2026\/\" \/>\n<meta property=\"og:site_name\" content=\"Encartes\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-26T20:05:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/03_potadano17_encartes20261.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1181\" \/>\n\t<meta property=\"og:image:height\" content=\"1772\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. tempo de leitura\" \/>\n\t<meta name=\"twitter:data1\" content=\"9 minutos\" \/>\n\t<meta name=\"twitter:label2\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data2\" content=\"Arthur Ventura\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/encartes.mx\/vol-9-num-17-2026\/\",\"url\":\"https:\/\/encartes.mx\/vol-9-num-17-2026\/\",\"name\":\"Vol. 9, n\u00fam. 17 (2026) &#8211; 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