{"id":36202,"date":"2022-09-21T20:16:35","date_gmt":"2022-09-21T20:16:35","guid":{"rendered":"https:\/\/encartes.mx\/?page_id=36202"},"modified":"2023-11-22T17:27:18","modified_gmt":"2023-11-22T23:27:18","slug":"vol-5-num-10-2022","status":"publish","type":"page","link":"https:\/\/encartes.mx\/pt\/vol-5-num-10-2022\/","title":{"rendered":"Vol. 5, No. 10 (2022)"},"content":{"rendered":"<div class=\"cat-title\"><h1>Vol. 5, No. 10 (2022)<\/h1><\/div>\n\n\n\n<div class=\"portada-pdf\">\n    <a class=\"complete-pdf\" href=\"https:\/\/revista.encartes.mx\/index.php\/encartes\/issue\/view\/15\/10\">\n        <div>\n            <img decoding=\"async\" class=\"lazy loaded\" style=\"max-width:280px\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/10-portadavol5num10.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/10-portadavol5num10.jpg\" data-was-processed=\"true\">\n            <p>Ver edi\u00e7\u00e3o completa em PDF<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"wp-block-group ms-item editorial gutenslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h1>nesta edi\u00e7\u00e3o<\/h1>\n\n\n<div class=\"n2-section-smartslider fitvidsignore  n2_clear\" data-ssid=\"6\"><div id=\"n2-ss-6-align\" class=\"n2-ss-align\"><div class=\"n2-padding\"><div id=\"n2-ss-6\" data-creator=\"Smart Slider 3\" data-responsive=\"auto\" class=\"n2-ss-slider n2-ow n2-has-hover n2notransition\">\n\n\n\n<div class=\"n2-ss-slider-wrapper-inside\">\n        <div class=\"n2-ss-slider-1 n2_ss__touch_element n2-ow\">\n            <div class=\"n2-ss-slider-2 n2-ow\">\n                                                    <div class=\"n2-ss-background-animation n2-ow\"><\/div>\n                                <div class=\"n2-ss-slider-3 n2-ow\">\n\n                    <div class=\"n2-ss-slide-backgrounds n2-ow-all\"><div class=\"n2-ss-slide-background\" data-public-id=\"1\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"51\" data-y=\"77\" data-alt=\"\" data-title=\"\" style=\"--ss-o-pos-x:51%;--ss-o-pos-y:77%\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/postal-num-9-1.webp\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"2\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"51\" data-y=\"79\" data-alt=\"\" data-title=\"\" style=\"--ss-o-pos-x:51%;--ss-o-pos-y:79%\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/postal-num-9-2.webp\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"3\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/postal-num-9-3.webp\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><\/div>    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data-href=\"https:\/\/encartes.mx\/curiel-amaranto-alimento-indigena-patrimonio-activismo\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-23\"><div role=\"note\" class=\"n2-ss-slide--focus\">postal-num-9-2<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-YgARLikgrXLQ\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"24\" data-slide-public-id=\"3\" data-title=\"postal-num-9-3\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/ensayos-fotograficos\/alonso-tijuana-muro-intervenciones-artisticas-memoria-migrantes-muertos\/\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-24\"><div role=\"note\" class=\"n2-ss-slide--focus\">postal-num-9-3<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-vjFT76r602NV\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div>                    <\/div>\n\n                                    <\/div>\n            <\/div>\n        <\/div>\n        <div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-right-top\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget n2-style-f17ddbf2d8ed14421f9093b94b93b8a9-heading nextend-autoplay n2-ow-all nextend-autoplay-image\" role=\"button\" aria-label=\"Jogar autoplay\" data-pause-label=\"Pause autoplay\" data-play-label=\"Play autoplay\" tabindex=\"0\"><img decoding=\"async\" class=\"nextend-autoplay-play skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" 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n2-ss-slider-controls-absolute-left-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-previous  nextend-arrow-animated-fade\" data-hide-mobileportrait=\"1\" id=\"n2-ss-6-arrow-previous\" role=\"button\" aria-label=\"seta anterior\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMzIiIGhlaWdodD0iMzIiIHZpZXdCb3g9IjAgMCAzMiAzMiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMS40MzMgMTUuOTkyTDIyLjY5IDUuNzEyYy4zOTMtLjM5LjM5My0xLjAzIDAtMS40Mi0uMzkzLS4zOS0xLjAzLS4zOS0xLjQyMyAwbC0xMS45OCAxMC45NGMtLjIxLjIxLS4zLjQ5LS4yODUuNzYtLjAxNS4yOC4wNzUuNTYuMjg0Ljc3bDExLjk4IDEwLjk0Yy4zOTMuMzkgMS4wMy4zOSAxLjQyNCAwIC4zOTMtLjQuMzkzLTEuMDMgMC0xLjQybC0xMS4yNTctMTAuMjkiCiAgICAgICAgICBmaWxsPSIjZmZmZmZmIiBvcGFjaXR5PSIwLjgiIGZpbGwtcnVsZT0iZXZlbm9kZCIvPgo8L3N2Zz4=\" alt=\"previous arrow\"><\/div><\/div><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-right-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-next  nextend-arrow-animated-fade\" data-hide-mobileportrait=\"1\" id=\"n2-ss-6-arrow-next\" role=\"button\" aria-label=\"pr\u00f3xima flecha\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,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\" alt=\"next arrow\"><\/div><\/div><\/div><\/div><ss3-loader><\/ss3-loader><\/div><\/div><div class=\"n2_clear\"><\/div><\/div><\/div><\/div>\n\n\n\n<div class=\"cat-title\"><h1>Tem\u00e1ticas<\/h1><\/div>\n\n\n\n<div class=\"tematica\">\n<h1 class=\"tematica-title\">(In)seguran\u00e7a e g\u00eanero na Am\u00e9rica Latina: estrat\u00e9gias, pr\u00e1ticas e cultura<\/h1>\n    <div class=\"tematica-content\">\n    <div class=\"coloquio-principal ms-item\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/zamorano-capron-seguridad-genero-america-latina\/\">\n            <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/10-main_thumb-vol5num10.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/10-main_thumb-vol5num10.jpg\" data-was-processed=\"true\">            <h1>Apresenta\u00e7\u00e3o<\/h1>\n            <div class=\"text\">\n                <h3><ul class=\"list\"><li class=\"list-item\">Claudia C. Zamorano Villarreal e Gu\u00e9nola Capron<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">A quest\u00e3o norteadora deste dossi\u00ea procura entender como as mulheres lidam com a inseguran\u00e7a urbana, se protegem e lutam contra ela  na Am\u00e9rica Latina. \u00c9 uma pergunta que respondemos atrav\u00e9s de seis artigos, todos escritos por mulheres que, seja de sociologia, geografia, comunica\u00e7\u00e3o ou antropologia, mobilizam t\u00e9cnicas de observa\u00e7\u00e3o qualitativa.<\/p>            <\/div>\n            <p class=\"mas\">Ver apresenta\u00e7\u00e3o completa<\/p>\n        <\/a>\n    <\/div>\n<\/div>\n<div class=\"comentarios ms-item\">\n    <div class=\"comentarios-title\">\n        <h1>Dossi\u00ea<\/h1>\n    <\/div>\n            <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/soto-geografia-miedo-mujeres-mexico\/\">\n                <h2 class=\"title\">Uma estrutura anal\u00edtica para o estudo das geografias do medo das mulheres baseada em evid\u00eancias emp\u00edricas de duas cidades mexicanas<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Paula Soto Villagr\u00e1n<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/baustista-violencia-genero-autocuidado-mexico\/\">\n                <h2 class=\"title\">As meninas n\u00e3o querem mais se divertir: viol\u00eancia baseada em g\u00eanero e autocuidado nos sub\u00farbios da Cidade do M\u00e9xico<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">\tMiriam Bautista Arias<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/umana-transitar-ciudad-mujeres-jovenes-mexico\/\">\n                <h2 class=\"title\">Morar e se deslocar pela Cidade do M\u00e9xico: representa\u00e7\u00f5es sociais de jovens estudantes universit\u00e1rios<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Lorena Uma\u00f1a Reyes<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/garcia-icazuriaga-estrategias-digitales-mobilidad-mujeres-mexico\/\">\n                <h2 class=\"title\">Estrat\u00e9gias digitais para a mobilidade di\u00e1ria das jovens mulheres na Cidade do M\u00e9xico<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Gabriela Garc\u00eda Gorbea e Carmen Icazuriaga Montes<!--<\/li--><\/li><\/ul><\/h3>\n                                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n<div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/bertoni-estrategias-securitarias-sectores-populares-mujeres-argentina\/\">\n                <h2 class=\"title\">Estrat\u00e9gias de seguran\u00e7a das mulheres em setores populares da periferia urbana da cidade de La Plata<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">\tGimena Bertoni<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n<div class=\"comentario ms-item\" style=\"border-bottom:none\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/flores-estrategias-cuidado-violencia-espacio-publico-mexico\/\">\n                <h2 class=\"title\">Estrat\u00e9gias de cuidado diante da viol\u00eancia de g\u00eanero em espa\u00e7os p\u00fablicos na Cidade do M\u00e9xico<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">\tPaola Flores Miranda<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n            <\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/encartes.mx\/pt\/ensayos-fotograficos\/convocatoria-usos-contradicciones-infraestructura-urbana\/\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/05-10-concurso-fotografias-encartes.webp\" alt=\"\"\/><\/a><\/figure>\n\n\n\n<h2 class=\"titulo-seccion wp-block-heading\">Realidades s\u00f3cio-culturais<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/petit-etnografia-sonora-ciego-buenos-aires\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2022\/09\/petit-etnografia_sonora-imagen-thumb.jpg\" data-src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2022\/09\/petit-etnografia_sonora-imagen-thumb.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\" data-was-processed=\"true\">                <\/figure>\n<audio controls=\"\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/petit-etnografia_sonora-registro_sonoro-03.mp3\"><\/audio>\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">Voc\u00ea, talvez, n\u00e3o se d\u00ea conta disso. Etnografia sonora de um homem cego andando pela cidade de Buenos Aires<\/h2>\n<h3><ul class=\"list\"><li class=\"list-item\">Facundo Petit<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Este artigo explora o papel do som e da escuta na experi\u00eancia cotidiana de caminhar pelo espa\u00e7o urbano a partir da perspectiva da cegueira. Para este fim, \u00e9 apresentada uma etnografia sonora na qual s\u00e3o misturadas grava\u00e7\u00f5es sonoras, imagens e interpreta\u00e7\u00f5es antropol\u00f3gicas escritas, produzidas a partir de um passeio com uma pessoa cega. As rela\u00e7\u00f5es entre a experi\u00eancia urbana, a materialidade da cidade e os deslocamentos feitos a partir da sensorialidade cega s\u00e3o assim abordadas, propondo a possibilidade de estudos urbanos incorporando uma sensibilidade etnogr\u00e1fica alternativa ao visual. O trabalho come\u00e7a com uma breve contextualiza\u00e7\u00e3o da pesquisa, continua com uma conceitua\u00e7\u00e3o da metodologia da etnografia sonora, e depois passa a uma an\u00e1lise das sensorialidades cegas no tr\u00e2nsito urbano e a rela\u00e7\u00e3o entre o estado, a cidade e a cegueira na produ\u00e7\u00e3o de uma cidade acess\u00edvel.<\/p>                <p class=\"mas\">Clique aqui<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/curiel-amaranto-alimento-indigena-patrimonio-activismo\/\">\n                        <div class=\"ficha-material\">\n                <h2 class=\"post-title\">Amaranto como Alimento Ind\u00edgena: Produ\u00e7\u00e3o de Patrim\u00f4nio e Ativismo Alimentar<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Charlynne Curiel<\/li><\/ul><\/h3>\n                <h4><span class=\"before\">Palavras-chave: <\/span>heran\u00e7a, ativismo alimentar, amaranto, comida ind\u00edgena, indigeneidade.<\/h4>\n                            <\/div>\n                        <div class=\"resena-content\">\n                <p class=\"has-drop-cap\">Este texto analisa a patrimonializa\u00e7\u00e3o dos alimentos como um processo social que produz indigeneidade atrav\u00e9s do ativismo alimentar. Apresenta o caso do Grupo Enlace para la Promoci\u00f3n del Amaranto en M\u00e9xico, um ator na discuss\u00e3o sobre a soberania alimentar, que promove a produ\u00e7\u00e3o, transforma\u00e7\u00e3o e consumo deste gr\u00e3o. Ela ilustra suas a\u00e7\u00f5es, pr\u00e1ticas organizacionais e as narrativas que dotaram o amaranto de uma s\u00e9rie de valores associados ao seu lugar na dieta mesoamericana, que, atualizada como alimento ind\u00edgena e ancestral, levou \u00e0 sua designa\u00e7\u00e3o como patrim\u00f4nio intang\u00edvel da Cidade do M\u00e9xico. A relev\u00e2ncia deste tipo de ativismo para a produ\u00e7\u00e3o da indigeneidade no campo do patrim\u00f4nio alimentar \u00e9 demonstrada.<\/p>                <p class=\"mas\">Clique aqui<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/funes-nachon-maspero-politicas-culturales-diversidad-religiosa-buenos-aires\/\">\n                        <div class=\"ficha-material\">\n                <h2 class=\"post-title\">A celebra\u00e7\u00e3o das cren\u00e7as. Pol\u00edticas culturais e diversidade religiosa em um centro cultural p\u00fablico da cidade de Buenos Aires (Argentina)<\/h2>\n                <h3>\n                    <ul class=\"list\">\n<li class=\"list-item\">Mar\u00eda Eugenia Funes, Mercedes Nach\u00f3n Ram\u00edrez e Mercedes M\u00e1spero<\/li>\n                    <\/ul>\n                <\/h3>\n                <h4><span class=\"before\">Palavras-chave<\/span>Espiritualidade da Era Nova, espa\u00e7o p\u00fablico, pol\u00edticas culturais, diversidade religiosa, Argentina.<\/h4>\n                            <\/div>\n                        <div class=\"resena-content\">\n                <p class=\"has-drop-cap\">O objetivo deste artigo \u00e9 analisar a forma como a diversidade de cren\u00e7as foi definida e reconstru\u00edda em um ciclo organizado por um centro cultural p\u00fablico na cidade de Buenos Aires. Para isso, estudaremos os usos da categoria de cren\u00e7a e as refer\u00eancias espirituais feitas pelos agentes estatais participantes, artistas e especialistas religiosos e espirituais. N\u00f3s nos perguntamos sobre as defini\u00e7\u00f5es do religioso, do espiritual e da diversidade de cren\u00e7as que s\u00e3o mobilizadas fora das institui\u00e7\u00f5es tradicionalmente ligadas \u00e0 religi\u00e3o. Tamb\u00e9m pretendemos mostrar, com base em um caso espec\u00edfico, como a preocupa\u00e7\u00e3o com a diversidade na concep\u00e7\u00e3o de pol\u00edticas p\u00fablicas culturais latino-americanas pode coexistir com a sele\u00e7\u00e3o de express\u00f5es culturais espec\u00edficas que, neste caso, representam apenas uma parte da diversidade religiosa existente. Os dados foram constru\u00eddos a partir de uma estrat\u00e9gia qualitativa que incluiu a observa\u00e7\u00e3o dos participantes, entrevistas em profundidade e an\u00e1lise de documentos.<\/p>\n\n<p class=\"mas\">Clique aqui<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"titulo-seccion wp-block-heading\">Encartes multimedia<\/h2>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/alonso-tijuana-muro-intervenciones-artisticas-memoria-migrantes-muertos\/\">\n                        <h2 class=\"post-title\">O muro de fronteira em Tijuana. Tra\u00e7os fotogr\u00e1ficos das ofertas\/interven\u00e7\u00f5es art\u00edsticas em mem\u00f3ria de migrantes mortos 1999-2021<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Guillermo Alonso Meneses<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">A p\u00f3s-etnografia busca \"microeventos\" e descobertas visuais que ocorreram em Tijuana durante os \u00faltimos 28 anos. Estas fotografias mostram uma iconografia de cruzes brancas, caveiras, potes de \u00e1gua vazios e flores de cal\u00eandula. A p\u00f3s-fotografia nos permite redimensionar esta evid\u00eancia etnogr\u00e1fica. Assim, o ensaio fotogr\u00e1fico fala de uma luta de guerrilhas socioculturais e art\u00edsticas contra o esquecimento estrat\u00e9gico promovido pelos governos dos EUA e do M\u00e9xico diante da morte dos migrantes, e os muros fronteiri\u00e7os como necro-artif\u00edcios onde a arte, a solidariedade e a mem\u00f3ria convergem.<\/p>\n                    <\/a>\n    <\/div>\n<div class=\"multimedia-wrap media-xl\">\n       <div class=\"ficha material\"><a href=\"https:\/\/encartes.mx\/pt\/ensayos-fotograficos\/alonso-tijuana-muro-intervenciones-artisticas-memoria-migrantes-muertos\/\">\n<h3>Ensaio fotogr\u00e1fico<\/h3><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/meneses-muro_fronterizo-01.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/meneses-muro_fronterizo-01.jpg\" alt=\"\" class=\"wp-image-32026 lazy loaded\" data-was-processed=\"true\"><p class=\"mas\">Clique aqui para ver a reda\u00e7\u00e3o<\/p><\/a><\/div>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/de-la-torre-gutierrez-altares-muerto-patrimonio-tradicion-mexico\/\">\n                        <h2 class=\"post-title\">Altares dos mortos: a heran\u00e7a mut\u00e1vel de uma tradi\u00e7\u00e3o mexicana<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Ren\u00e9e de la Torre e Cristina Guti\u00e9rrez Z\u00fa\u00f1iga<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap translation-block\">O v\u00eddeo \u00e9 o resultado de uma investiga\u00e7\u00e3o sobre os efeitos, adapta\u00e7\u00f5es e deslocamentos experimentados pela tradi\u00e7\u00e3o do Dia dos Mortos no M\u00e9xico, em novembro do primeiro ano da classe <span>covid<\/span>-19 pand\u00eamica. Nessa \u00e9poca, as cerim\u00f4nias p\u00fablicas daquele dia, valorizadas como patrim\u00f4nio nacional intang\u00edvel, haviam sido canceladas. Fizemos uma pesquisa online para descobrir quais seriam os efeitos desta cultura de isolamento no Dia da Morte: a tradi\u00e7\u00e3o cessaria, ou mudaria ou mudaria para novos usos, lugares e express\u00f5es? E que novos usos criativos da tradi\u00e7\u00e3o surgiriam, em que novas m\u00eddias ela seria realizada? Com os dados obtidos de 720 question\u00e1rios e 280 fotografias recebidas dos altares dos mortos, fizemos um v\u00eddeo para explicar os deslocamentos f\u00edsicos, as mudan\u00e7as est\u00e9ticas e os novos significados com os quais a pr\u00e1tica desta tradi\u00e7\u00e3o foi renovada.<\/p>\n                    <\/a>\n    <\/div>\n<div class=\"multimedia-wrap media-xl\">\n       <div class=\"ficha material\"><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Altares dos mortos: a heran\u00e7a mut\u00e1vel de uma tradi\u00e7\u00e3o mexicana\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/prN7997stxs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure><\/div>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"titulo-seccion wp-block-heading\">Entrevistas<\/h2>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/curley-trayectoria-decolonizacion-america-latina\/\">\n            <h2 class=\"post-title\">A trajet\u00f3ria intelectual de Rita Segato. O caminho do pensamento descolonial na Am\u00e9rica Latina<\/h2>\n        <h5><ul class=\"list\"><li class=\"list-item\">Rita Segato<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Robert Curley<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Segato prop\u00f5e que o patriarcado moderno organize o controle das mulheres com base em um mandato de estupro, uma pr\u00e1tica que forja a alian\u00e7a entre os homens como parceiros. No entanto, ela pergunta como o patriarcado estrutura as rela\u00e7\u00f5es sociais em diferentes tempos e espa\u00e7os, uma posi\u00e7\u00e3o metodol\u00f3gica que nos for\u00e7a a pensar historicamente.<\/p>\n                    <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n       <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"A trajet\u00f3ria intelectual de Rita Segato. O caminho do pensamento descolonial na Am\u00e9rica Latina\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/85yVtlera_E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/calvillo-gutierrez-alvarado-movimiento-historia-colsan\/\">\n            <h2 class=\"post-title\">O movimento da hist\u00f3ria, o movimento da vida interior<\/h2>\n        <h5><ul class=\"list\"><li class=\"list-item\">Tom\u00e1s Calvillo<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Arturo Guti\u00e9rrez del \u00c1ngel e Greta Alvarado Lugo<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Como analista de fatos sociais, Calvillo comenta suas reflex\u00f5es sobre a hipertecnologia em que vivemos hoje. Um coment\u00e1rio agudo se destaca: o que est\u00e1 em disputa hoje nos sistemas de poder \u00e9 o controle da mente; o que aconteceu para chegarmos a este ponto? Por que queremos ir mais r\u00e1pido? Quando isto come\u00e7ou?<\/p>\n                    <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n       <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Entrevista com Tom\u00e1s Calvillo. O movimento da hist\u00f3ria, o movimento da vida interior\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/zezZbbTQ96Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"titulo-seccion wp-block-heading\">Discrepancias<\/h2>\n\n\n\n<div class=\"ms-item resena discrepancias\">\n                     <div class=\"ficha-material\">\n                <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/griera-lerma-toniol-rabbia-patino-odgers-teorias-conspiracionistas-covid-religion\/\">\n                <figure class=\"article-preview-image\">\n                    <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.org\/download\/encartes-vol-5-num-10\/griera-lerma-toniol-rabbia-patino-odgers-teorias-conspiracionistas-covid-religion-image.thumb.jpg\" data-src=\"https:\/\/archive.org\/download\/encartes-vol-5-num-10\/griera-lerma-toniol-rabbia-patino-odgers-teorias-conspiracionistas-covid-religion-image.thumb.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"migrantes\" data-was-processed=\"true\" width=\"580\" height=\"213\"><\/figure>\n                <\/a>    \n            <\/div>\n                    <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/griera-lerma-toniol-rabbia-patino-odgers-teorias-conspiracionistas-covid-religion\/\">\n            <div class=\"resena-content\">\n<h2 class=\"post-title\">As matrizes religiosas e\/ou espirituais das teorias da conspira\u00e7\u00e3o no tempo da Covid-19<\/h2>\n                <h5><ul class=\"list\"><li class=\"list-item\">Mar Griera, Enriqueta Lerma, Rodrigo Toniol, Hugo H. Rabbia<\/li><\/ul><\/h5><h3><ul class=\"list\"><li class=\"list-item\"><span>moderadores<\/span> Olga Odgers e Mar\u00eda Eugenia Pati\u00f1o<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Neste documento, quatro especialistas da Espanha, M\u00e9xico, Brasil e Argentina discutem a rela\u00e7\u00e3o entre os movimentos conspirat\u00f3rios, suas liga\u00e7\u00f5es com os sistemas de cren\u00e7as religiosas ou espirituais, e suas implica\u00e7\u00f5es para as sociedades contempor\u00e2neas.<\/p>                \n<p class=\"mas\">Clique aqui<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n\n\n\n<h2 class=\"titulo-seccion wp-block-heading\">Rese\u00f1as cr\u00edticas<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/gaona-publicacion-libros-america-latina-siglo-20-sora\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/gaona-publicacion-libros-america-latina-siglo-20-sora.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/gaona-publicacion-libros-america-latina-siglo-20-sora.jpg\" data-was-processed=\"true\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">Uma Hist\u00f3ria da Edi\u00e7\u00e3o de Livros na Am\u00e9rica Latina Contempor\u00e2nea<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Gustavo Sor\u00e1<\/span>2021, Nova York, Routledge Taylor\/Francis Group, 245 pp.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Perspectivas Transnacionais da Publica\u00e7\u00e3o de Livros na Am\u00e9rica Latina, S\u00e9culo 20<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Juan Carlos Gaona Poveda<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">A hist\u00f3ria do livro e da publica\u00e7\u00e3o \u00e9 uma corrente historiogr\u00e1fica em processo de consolida\u00e7\u00e3o, na qual o desenvolvimento do capitalismo impresso est\u00e1 muitas vezes ligado ao surgimento de comunidades nacionais imaginadas, em um processo que remonta ao s\u00e9culo XIX (Anderson, 2006). Assim, o estudo da cultura impressa se desenvolveu dentro da estrutura de um nacionalismo metodol\u00f3gico que precisa ser superado (Bourdieu, 2002). Na Ibero-Am\u00e9rica temos trabalhos para pa\u00edses como Espanha (Mart\u00ednez, 2015), Argentina (De Diego, 2014) e M\u00e9xico (Bello e Garone, 2020). Entretanto, os fen\u00f4menos de produ\u00e7\u00e3o, circula\u00e7\u00e3o e recep\u00e7\u00e3o de id\u00e9ias atrav\u00e9s da m\u00eddia impressa v\u00e3o al\u00e9m das estruturas do Estado-na\u00e7\u00e3o, como apontado por Gustavo Sor\u00e1 (2003; 2017), Antonio Largo e Nicanor G\u00f3mez (2006) e Alejandro Dujovne (2014). Trata-se de uma abordagem transnacional, retomada em escala latino-americana no novo livro do antrop\u00f3logo argentino Gustavo Sor\u00e1, A History of Book Publishing in Contemporary Latin America, publicado em fevereiro de 2021.<\/p>                \n<p class=\"mas\">Clique aqui<\/p>\n                        \n            <\/div>\n         <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/villagomez-ciudadania-organizacioncrisis-ambiental-documental\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/villagomez-ciudadania-organizacioncrisis-ambiental-documental-el_mundo_manana.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/villagomez-ciudadania-organizacioncrisis-ambiental-documental-el_mundo_manana.jpg\" data-was-processed=\"true\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">O mundo de amanh\u00e3<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Patrick Boitet, Anthony Forestier e Samah Soula<\/span>, 2016, Paris, TF2, 2016.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Cidadania e organiza\u00e7\u00e3o social diante da crise ambiental global. O mundo de amanh\u00e3<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Yanga Villag\u00f3mez Vel\u00e1zquez<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">As quest\u00f5es ambientais j\u00e1 est\u00e3o afetando todo o planeta, independentemente do pa\u00eds, da cultura, do continente ou da classe social. A mudan\u00e7a clim\u00e1tica devido \u00e0s emiss\u00f5es de gases de efeito estufa est\u00e1 tendo um claro impacto nas sociedades urbanas e rurais em diferentes partes do mundo.<\/p>                \n\n<p class=\"mas\">Clique aqui<\/p>\n                        \n            <\/div>\n         <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/zirion-ensenanza-documental-antropologico-documental-carlos-flores\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/zirion-ensenanza-documental-antropologico-documental-carlos-flores.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/zirion-ensenanza-documental-antropologico-documental-carlos-flores.jpg\" data-was-processed=\"true\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">O document\u00e1rio antropol\u00f3gico. Uma introdu\u00e7\u00e3o te\u00f3rico-pr\u00e1tica<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Carlos Y. Flores<\/span> M\u00e9xico: Centro de Investigaciones Multidisciplinarias sobre Chiapas y la Frontera Sur, 2020, 242 pp.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Ensinar document\u00e1rio antropol\u00f3gico: paradoxos e controv\u00e9rsias<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Antonio Ziri\u00f3n P\u00e9rez <\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">O novo livro de Carlos Y. Flores oferece uma excelente oportunidade para refletir sobre algumas quest\u00f5es cruciais para a antropologia visual e para discutir certos paradoxos e controv\u00e9rsias encontradas dentro do cinema antropol\u00f3gico. Para come\u00e7ar, poder\u00edamos questionar a pr\u00f3pria categoria de \"document\u00e1rio antropol\u00f3gico\", que poderia muito bem ter sido \"cinema etnogr\u00e1fico\" - talvez mais consolidado no meio a n\u00edvel internacional - ou alguns outros dos v\u00e1rios termos propostos por diferentes autores (cinetnografia, etnocinema, etnofic\u00e7\u00e3o, etc.). N\u00e3o \u00e9 que um nome seja mais correto do que outro, mas a escolha de qualquer um deles inevitavelmente enfatiza certas nuances e pressupostos, ao mesmo tempo em que se distingue de outros poss\u00edveis, tornando, assim, mais claros e delineando os contornos do tipo de cinema que fazemos ou estudamos como antrop\u00f3logos. \u00c9 sempre produtivo discutir em profundidade nossas categorias e fundamentos conceituais, e a leitura deste livro nos leva implicitamente a esta tarefa.<\/p>                \n\n<p class=\"mas\">Clique aqui<\/p>\n                        \n            <\/div>\n                    <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"credits col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n    <div class=\"wrapper\">\n<img decoding=\"async\" class=\"simple-logo lazy loaded\" src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-was-processed=\"true\"><p class=\"title translation-block\">Diretor de <em>Encartes<\/em>.<\/p><p class=\"name\"><a href=\"https:\/\/encartes.mx\/pt\/personas\/torre-castellanos-renee-de-la\/\">Ren\u00e9e de la Torre Castellanos<\/a><\/p><p class=\"title\">Edi\u00e7\u00e3o<\/p><p class=\"name\">Arthur Temporal Ventura<\/p><p class=\"title\">Corre\u00e7\u00e3o<\/p><p class=\"name\">Mar\u00eda Palomar<\/p><p class=\"name\">Cecilia Palomar<\/p><p class=\"title\">Desenho e formata\u00e7\u00e3o<\/p><p class=\"name\">Veronica Segovia<\/p><p class=\"title\">Formata\u00e7\u00e3o em WordPress<\/p><p class=\"name\">Sergio Alejandro Vel\u00e1zquez Cruz<\/p>        <p class=\"title\">\n            <a class=\"directorio\" href=\"https:\/\/archive.org\/download\/encartes-vol-5-num-10\/05-10-directorio-encartes.pdf\">Ver diret\u00f3rio completo<\/a>\n        <\/p>\n    <\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Vol. 5, N\u00fam. 10 (2022) Ver n\u00famero completo en PDF en este n\u00famero Tem\u00e1ticas (In)seguridad y g\u00e9nero en Am\u00e9rica Latina: estrategias, pr\u00e1cticas y cultura Presentaci\u00f3n Claudia C. Zamorano Villarreal y Gu\u00e9nola Capron La pregunta gu\u00eda del presente dossier trata de entender c\u00f3mo las mujeres lidian con la inseguridad urbana, se protegen y luchan contra ella [&hellip;]<\/p>","protected":false},"author":4,"featured_media":36565,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"numerostemplate.php","meta":{"_acf_changed":false,"footnotes":""},"coauthors":[551],"class_list":["post-36202","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Vol. 5, N\u00fam. 10 (2022) &#8211; Encartes<\/title>\n<meta name=\"description\" content=\"La pregunta gu\u00eda del presente dossier trata de entender c\u00f3mo las mujeres lidian con la inseguridad urbana, se protegen y luchan contra ella.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/encartes.mx\/pt\/vol-5-num-10-2022\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vol. 5, N\u00fam. 10 (2022) &#8211; 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