{"id":35238,"date":"2021-09-20T21:09:07","date_gmt":"2021-09-20T21:09:07","guid":{"rendered":"https:\/\/encartes.mx\/?page_id=35238"},"modified":"2024-04-23T17:47:10","modified_gmt":"2024-04-23T23:47:10","slug":"vol-4-num-8-2021","status":"publish","type":"page","link":"https:\/\/encartes.mx\/pt\/vol-4-num-8-2021\/","title":{"rendered":"Vol. 4, No. 8 (2021)"},"content":{"rendered":"<div class=\"cat-title\"><h1>Vol 4, No. 8 (2021)<\/h1><\/div>\n\n\n\n<div class=\"portada-pdf\">\n    <a class=\"complete-pdf\" href=\"https:\/\/revista.encartes.mx\/index.php\/encartes\/issue\/view\/13\/8\">\n        <div>\n            <img decoding=\"async\" class=\"lazy loaded\" style=\"max-width:280px\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/8-portadavol4num8.jpg\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/8-portadavol4num8.jpg\" data-was-processed=\"true\">\n            <p>Ver edi\u00e7\u00e3o completa em PDF<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"wp-block-group ms-item editorial gutenslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h1>nesta edi\u00e7\u00e3o<\/h1>\n\n\n<div class=\"n2-section-smartslider fitvidsignore  n2_clear\" data-ssid=\"2\"><div id=\"n2-ss-2-align\" class=\"n2-ss-align\"><div class=\"n2-padding\"><div id=\"n2-ss-2\" data-creator=\"Smart Slider 3\" data-responsive=\"auto\" class=\"n2-ss-slider n2-ow n2-has-hover n2notransition\">\n\n\n\n<div class=\"n2-ss-slider-wrapper-inside\">\n        <div class=\"n2-ss-slider-1 n2_ss__touch_element n2-ow\">\n            <div class=\"n2-ss-slider-2 n2-ow\">\n                                                <div class=\"n2-ss-slider-3 n2-ow\">\n\n                    <div class=\"n2-ss-slide-backgrounds n2-ow-all\"><div class=\"n2-ss-slide-background\" data-public-id=\"1\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/guten-postal-num-8-3.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"2\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/guten-postal-num-8-6.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"3\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/guten-postal-num-8-1.gif\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"4\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"62\" data-alt=\"\" data-title=\"\" style=\"--ss-o-pos-y:62%\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/guten-postal-num-8-5.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"5\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/guten-postal-num-8-2.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"6\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/guten-postal-num-8-4.gif\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><\/div>                    <div class=\"n2-ss-slider-4 n2-ow\">\n                        <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"0 0 600 600\" data-related-device=\"desktopPortrait\" class=\"n2-ow n2-ss-preserve-size n2-ss-preserve-size--slider n2-ss-slide-limiter\"><\/svg><div data-first=\"1\" data-slide-duration=\"0\" data-id=\"4\" data-slide-public-id=\"1\" data-title=\"guten-postal-num-8-3\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/ensayos-fotograficos\/intervenciones-performances-disidencia-espacios-publicos\/\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-4\"><div role=\"note\" class=\"n2-ss-slide--focus\">guten-postal-num-8-3<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-iKEvJCxXw3Qc\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"3\" data-slide-public-id=\"2\" data-title=\"guten-postal-num-8-6\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/bonfiglioli-danza-conquista-tlacoachistlahuaca-guerrero\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-3\"><div role=\"note\" class=\"n2-ss-slide--focus\">guten-postal-num-8-6<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-9fIc2QyioTve\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"7\" data-slide-public-id=\"3\" data-title=\"Slide\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/olvera-pena-reparadores-acordeon-social-monterrey\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-7\"><div role=\"note\" class=\"n2-ss-slide--focus\">Deslizamento<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-FmKl0CBZaQT7\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"5\" data-slide-public-id=\"4\" data-title=\"guten-postal-num-8-5\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/del-palacio-torres-memoria-grafitti-desapariciones-orizaba\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-5\"><div role=\"note\" class=\"n2-ss-slide--focus\">guten-postal-num-8-5<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-RlzR16uphtR7\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"6\" data-slide-public-id=\"5\" data-title=\"guten-postal-num-8-2\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/fernandez-arcelia-diaz-feminista-lider-sindical-zapopan\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-6\"><div role=\"note\" class=\"n2-ss-slide--focus\">guten-postal-num-8-2<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-C5If7irpRVnB\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"8\" data-slide-public-id=\"6\" data-title=\"Slide\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/urrecha-sanchez-burgos-amor-genero-musica-nortena-banda\/\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-8\"><div role=\"note\" class=\"n2-ss-slide--focus\">Deslizamento<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-hxaOgzD9DU0p\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div>                    <\/div>\n\n                                    <\/div>\n            <\/div>\n        <\/div>\n        <div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-right-top\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget n2-style-f17ddbf2d8ed14421f9093b94b93b8a9-heading nextend-autoplay n2-ow-all nextend-autoplay-image\" role=\"button\" aria-label=\"Jogar autoplay\" data-pause-label=\"Pause autoplay\" data-play-label=\"Play autoplay\" tabindex=\"0\"><img decoding=\"async\" class=\"nextend-autoplay-play skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTYiIGhlaWdodD0iMTYiIHZpZXdCb3g9IjAgMCAxNiAxNiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMS41OCA3LjAzTDUuMzAyIDIuMTY1QzUuMTY1IDIuMDU3IDUuMDE2IDIgNC44NTcgMiA0LjM4NCAyIDQgMi41MDQgNCAzLjEyNXY5Ljc1YzAgLjYyLjM4NCAxLjEyNS44NTcgMS4xMjUuMTYgMCAuMzA4LS4wNTcuNDM2LS4xNTZMMTEuNTggOC45N2MuMjUtLjE5OC40Mi0uNTU4LjQyLS45NyAwLS40MTItLjE3LS43NzMtLjQyLS45N3oiCiAgICAgICAgICBmaWxsPSIjZmZmZmZmIiBvcGFjaXR5PSIwLjgiIGZpbGwtcnVsZT0iZXZlbm9kZCIvPgo8L3N2Zz4=\" alt=\"Play\"><img decoding=\"async\" class=\"nextend-autoplay-pause skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTYiIGhlaWdodD0iMTYiIHZpZXdCb3g9IjAgMCAxNiAxNiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik00IDJ2MTJoM1YySDR6bTUgMHYxMmgzVjJIOXoiIGZpbGw9IiNmZmZmZmYiIG9wYWNpdHk9IjAuOCIgZmlsbC1ydWxlPSJldmVub2RkIi8+Cjwvc3ZnPg==\" alt=\"Pause\"><\/div><\/div><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-left-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-previous  nextend-arrow-animated-fade\" data-hide-mobileportrait=\"1\" id=\"n2-ss-2-arrow-previous\" role=\"button\" aria-label=\"seta anterior\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMzIiIGhlaWdodD0iMzIiIHZpZXdCb3g9IjAgMCAzMiAzMiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMS40MzMgMTUuOTkyTDIyLjY5IDUuNzEyYy4zOTMtLjM5LjM5My0xLjAzIDAtMS40Mi0uMzkzLS4zOS0xLjAzLS4zOS0xLjQyMyAwbC0xMS45OCAxMC45NGMtLjIxLjIxLS4zLjQ5LS4yODUuNzYtLjAxNS4yOC4wNzUuNTYuMjg0Ljc3bDExLjk4IDEwLjk0Yy4zOTMuMzkgMS4wMy4zOSAxLjQyNCAwIC4zOTMtLjQuMzkzLTEuMDMgMC0xLjQybC0xMS4yNTctMTAuMjkiCiAgICAgICAgICBmaWxsPSIjZmZmZmZmIiBvcGFjaXR5PSIwLjgiIGZpbGwtcnVsZT0iZXZlbm9kZCIvPgo8L3N2Zz4=\" alt=\"previous arrow\"><\/div><\/div><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-right-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-next  nextend-arrow-animated-fade\" data-hide-mobileportrait=\"1\" id=\"n2-ss-2-arrow-next\" role=\"button\" aria-label=\"pr\u00f3xima flecha\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,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\" alt=\"next arrow\"><\/div><\/div><\/div><\/div><ss3-loader><\/ss3-loader><\/div><\/div><div class=\"n2_clear\"><\/div><\/div><\/div><\/div>\n\n\n\n<div class=\"cat-title\"><h1>Tem\u00e1ticas<\/h1><\/div>\n\n\n\n<div class=\"tematica\">\n    <h1 class=\"tematica-title\">M\u00fasica popular, globaliza\u00e7\u00e3o e economia<\/h1>\n    <div class=\"tematica-content\">\n    <div class=\"coloquio-principal ms-item\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/olvera-hirai-musica-globalizacion-economia\/\">\n            <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/thumb-intro-num-8-scaled.jpg\" data-src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/thumb-intro-num-8-scaled.jpg\" data-was-processed=\"true\">            <h1>Apresenta\u00e7\u00e3o<\/h1>\n            <div class=\"text\">\n                <h3><ul class=\"list\"><li class=\"list-item\">Jos\u00e9 Juan Olvera Gudi\u00f1o e Shinji Hirai<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Esta sele\u00e7\u00e3o de artigos d\u00e1 continuidade e amplia as reflex\u00f5es contidas em <em>Economia da m\u00fasica do norte<\/em>que visa analisar as rela\u00e7\u00f5es sociais estruturantes orientadas para a gera\u00e7\u00e3o de valor e a valoriza\u00e7\u00e3o de uma mir\u00edade de atividades em torno da produ\u00e7\u00e3o, circula\u00e7\u00e3o e consumo da m\u00fasica popular. Em ambos os esfor\u00e7os acad\u00eamicos, a maioria dos trabalhos enfoca a m\u00fasica como uma express\u00e3o popular urbana e rural-urbana altamente midiatizada, transnacionalizada, fortemente vinculada ao desenvolvimento tecnol\u00f3gico e com \u00eanfase em sua express\u00e3o mercantil. Os espa\u00e7os sociais do norte do M\u00e9xico e dos Estados Unidos s\u00e3o os protagonistas da maioria das propostas e s\u00e3o palco de fluxos culturais transfronteiri\u00e7os e transnacionais, viol\u00eancia armada, criatividade e inova\u00e7\u00e3o e adapta\u00e7\u00e3o aos impactos da economia global. Todos esses fen\u00f4menos s\u00e3o atravessados por contextos digitais de produ\u00e7\u00e3o, circula\u00e7\u00e3o e consumo de formas simb\u00f3licas e, como novas formas de vida social, de subjetividades e intersubjetividades que os cientistas sociais est\u00e3o apenas come\u00e7ando a estudar.<\/p>            <\/div>\n            <p class=\"mas\">Ver apresenta\u00e7\u00e3o completa<\/p>\n        <\/a>\n    <\/div>\n<\/div>\n<div class=\"comentarios ms-item\">\n    <div class=\"comentarios-title\">\n        <h1>Dossi\u00ea<\/h1>\n    <\/div>\n            <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/burgos-almonacid-composicion-narcocorridos-culiacanazo-ovidio-guzman\/\">\n                <h2 class=\"title\">Composi\u00e7\u00e3o de narcocorrido em tempo real: constru\u00e7\u00e3o sociomusical do dia 17 de outubro, o culiacanazo<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">C\u00e9sar Jes\u00fas Burgos D\u00e1vila e Juli\u00e1n Alveiro Almonacid Buitrago<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/hirai-ramos-paisajes-sonoros-migracion-texas-mexico\/\">\n                <h2 class=\"title\">Paisagens sonoras da migra\u00e7\u00e3o. M\u00fasica, emo\u00e7\u00f5es e consumo nos circuitos migrat\u00f3rios do Texas e do nordeste do M\u00e9xico.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Shinji Hirai e Raquel Ramos Rangel<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/urrecha-sanchez-burgos-amor-genero-musica-nortena-banda\/\">\n                <h2 class=\"title\">Constru\u00e7\u00e3o do amor rom\u00e2ntico, ideais de casal e rela\u00e7\u00f5es de g\u00eanero a partir das letras da m\u00fasica nortenha e da Banda Sinaloense.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Ana Isabel S\u00e1nchez Osuna, C\u00e9sar Jes\u00fas Burgos D\u00e1vila e Mariangel Estefan\u00eda Urrecha Arce<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/simonett-historia-acordeon-europa-america\/\">\n                <h2 class=\"title\">Conquistas do acorde\u00e3o: do velho mundo a novos horizontes<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Helena Simonett<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n<div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/olvera-pena-reparadores-acordeon-social-monterrey\/\">\n                <h2 class=\"title\">As vidas do acorde\u00e3o. Reparadores e a vida social de um instrumento musical em Monterrey.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Jos\u00e9 Juan Olvera Gudi\u00f1o e Jacqueline Pe\u00f1a Benitez<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n<div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/godina-construccion-bajo-sextos-coahuila-visual\/\">\n                <h2 class=\"title\">Constru\u00e7\u00e3o de sextos baixos em tr\u00eas cidades de Coahuila, M\u00e9xico. Tradi\u00e7\u00e3o e inova\u00e7\u00e3o na imagem visual do instrumento.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Ramiro Godina Valerio<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Clique aqui<\/p>\n            <\/a>\n        <\/div>\n            <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Realidades s\u00f3cio-culturais<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/del-palacio-torres-memoria-grafitti-desapariciones-orizaba\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/del_palacio_torres-sus_miradas-img-3.jpeg\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/del_palacio_torres-sus_miradas-img-3.jpeg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\" data-was-processed=\"true\">                <\/figure>\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">\"Seus olhares em nossa mem\u00f3ria\". O grafite como estrat\u00e9gia discursiva em face dos desaparecimentos for\u00e7ados na regi\u00e3o de C\u00f3rdoba-Orizaba.<\/h2><h3><ul class=\"list\">\n<li class=\"list-item\">Celia del Palacio Montiel e David Torres Garc\u00eda<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Este artigo tem como objetivo apresentar os murais sobre os jovens desaparecidos na regi\u00e3o de Orizaba-C\u00f3rdoba, no estado de Veracruz, onde o desaparecimento for\u00e7ado tem sido um problema s\u00e9rio h\u00e1 anos. O trabalho produzido pelo artista Aldo Daniel Hern\u00e1ndez, Fise, \u00e9 analisado como um ato de resist\u00eancia das m\u00e3es do Colectivo, como uma luta contra o esquecimento e a impunidade, situando-o em seu contexto e analisando as rea\u00e7\u00f5es das autoridades e da sociedade. Uma luta discursiva se torna vis\u00edvel entre as v\u00edtimas, que buscam tornar a injusti\u00e7a vis\u00edvel e preservar a mem\u00f3ria, e outros atores que buscam silenci\u00e1-las.<\/p>                <p class=\"mas\">Clique aqui<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/fernandez-arcelia-diaz-feminista-lider-sindical-zapopan\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/fernandez-arcelia_diaz-img-12.jpeg\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/fernandez-arcelia_diaz-img-12.jpeg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\" data-was-processed=\"true\">                <\/figure>\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">Mar\u00eda Arcelia D\u00edaz (1896-1939): feminista, trabalhadora t\u00eaxtil, l\u00edder sindical e pioneira das pol\u00edticas sociais e trabalhistas em Zapopan<\/h2>\n<h3><ul class=\"list\"><li class=\"list-item\">Mar\u00eda Teresa Fern\u00e1ndez Aceves<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Neste ensaio, entrela\u00e7o diferentes materiais (\u00e1udio, visual, musical, mapas e dados estat\u00edsticos) com minha interpreta\u00e7\u00e3o hist\u00f3rica da import\u00e2ncia de Mar\u00eda Arcelia D\u00edaz (1896-1939) como feminista, trabalhadora t\u00eaxtil, l\u00edder sindical e pioneira das pol\u00edticas sociais e trabalhistas em Zapopan, e a resson\u00e2ncia de suas lutas em nosso presente. A voz, o visual, o texto e o som est\u00e3o entrela\u00e7ados em minha narrativa hist\u00f3rica para reconfigurar o tempo vivido e a experi\u00eancia temporal silenciada e silenciada de D\u00edaz.<\/p>                <p class=\"mas\">Clique aqui<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/castillo-mestizaje-racismo-costa-chica-guerrero\/\">\n                        <div class=\"ficha-material\">\n                <h2 class=\"post-title\">Revueltos, grijos e puchuncos: racializa\u00e7\u00e3o, identidade e mesti\u00e7agem em uma aldeia na Costa Chica de Guerrero<\/h2>\n                <h3>\n                    <ul class=\"list\">\n<li class=\"list-item\">Giovanny Castillo Figueroa<\/li>\n                    <\/ul>\n                <\/h3>\n                <h4><span class=\"before\">Palavras-chave: <\/span>alteridade, identidade, miscigena\u00e7\u00e3o, racializa\u00e7\u00e3o, ra\u00e7a.<\/h4>\n                            <\/div>\n                        <div class=\"resena-content\">\n                <p class=\"has-drop-cap\">Este artigo apresenta uma discuss\u00e3o etnogr\u00e1fica sobre os processos de racializa\u00e7\u00e3o, mesti\u00e7agem e constru\u00e7\u00e3o de identidade\/alteridade em Punta Maldonado (El Faro), Costa Chica, Guerrero. Primeiro, examina os conceitos de ra\u00e7a e racializa\u00e7\u00e3o para entender como os atributos f\u00edsicos foram usados na marca\u00e7\u00e3o e hierarquiza\u00e7\u00e3o das diferen\u00e7as; em seguida, explora os significados de algumas categorias usadas localmente que mostram como a apar\u00eancia f\u00edsica, especialmente o cabelo, \u00e9 socialmente percebida e interpretada em El Faro. Por fim, analisa como a ideia de mistura \u00e9 pensada e incorporada \u00e0s narrativas de identidade coletiva nesse lugar.<\/p>                <p class=\"mas\">Clique aqui<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Encartes multimedia<\/h2>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/frigerio-religion-taxi-etnografia-buenos-aires\/\">\n                        <h2 class=\"post-title\"> \t\n\"Altars tacheros\": mini-etnografias aleat\u00f3rias da vida cotidiana (religiosa)<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Alejandro Frigerio<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">O trabalho mostra e analisa as montagens de s\u00edmbolos e imagens m\u00e1gico-religiosas que muitos motoristas de t\u00e1xi da cidade de Buenos Aires penduram nos espelhos de seus carros ou prendem em seus para-s\u00f3is. Ela usa a palavra \"altares\" com cautela para tornar vis\u00edveis esses tra\u00e7os minimalistas da vida religiosa cotidiana dos portenhos, objetos que ao mesmo tempo fornecem prote\u00e7\u00e3o contra os perigos do tr\u00e1fego di\u00e1rio nas ruas e testemunham relacionamentos com seres sobre-humanos espec\u00edficos.<\/p>            <p class=\"mas\">Clique aqui para ver a contextualiza\u00e7\u00e3o<\/p>\n                    <\/a>\n    <\/div>\n<div class=\"multimedia-wrap media-xl\">\n       <div class=\"ficha material\"><a href=\"https:\/\/encartes.mx\/pt\/ensayos-fotograficos\/frigerio-religion-taxi-etnografia-buenos-aires-imagenes\/\"><h3>Ensaio fotogr\u00e1fico<\/h3><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/frigerio-altares_tacheros-img-21.JPG\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/frigerio-altares_tacheros-img-21.JPG\" alt=\"\" class=\"wp-image-32026 lazy loaded\" data-was-processed=\"true\"><p class=\"mas\">Clique aqui para ver a reda\u00e7\u00e3o<\/p><\/a><\/div>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/bonfiglioli-danza-conquista-tlacoachistlahuaca-guerrero\/\">\n                        <h2 class=\"post-title\"> \t\nImagens da conquista em Tlacoachistlahuaca, Guerrero: uma das muitas hist\u00f3rias...<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Carlo Bonfiglioli<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap translation-block\">A dan\u00e7a que \u00e9 o tema das imagens apresentadas neste ensaio fotogr\u00e1fico dialoga com muitas hist\u00f3rias. Tudo depende de onde, quando e para quem essas hist\u00f3rias s\u00e3o dan\u00e7adas. Para os mission\u00e1rios do s\u00e9culo XXVI, os principais impulsionadores, essa dan\u00e7a era um meio de inculcar e celebrar a chegada da nova religi\u00e3o. Mas no s\u00e9culo XX, com a independ\u00eancia e, mais tarde, com a vit\u00f3ria do ex\u00e9rcito juarista sobre os franceses, essa vis\u00e3o dos vencedores mudou de lado e, com ela, as dan\u00e7as tamb\u00e9m mudaram. Os professores rurais tomaram o lugar dos mission\u00e1rios e se tornaram protagonistas de uma nova maneira de pensar e apresentar o passado; as primeiras variantes pr\u00f3-indigenistas come\u00e7aram a ocupar o palco ou ent\u00e3o se misturaram ou coexistiram com as variantes pr\u00f3-ispanistas.<\/p>            <p class=\"mas\">Clique aqui para ver a contextualiza\u00e7\u00e3o<\/p>\n                    <\/a>\n    <\/div>\n<div class=\"multimedia-wrap media-xl\">\n       <div class=\"ficha material\"><a href=\"https:\/\/encartes.mx\/pt\/ensayos-fotograficos\/bonfiglioli-danza-conquista-tlacoachistlahuaca-guerrero-imagenes\/\"><h3>Ensaio fotogr\u00e1fico<\/h3><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/bonfiglioli-tlacoachistlahuaca-img-33.JPG\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/bonfiglioli-tlacoachistlahuaca-img-33.JPG\" alt=\"\" class=\"wp-image-32026 lazy loaded\" data-was-processed=\"true\"><p class=\"mas\">Clique aqui para ver a reda\u00e7\u00e3o<\/p><\/a><\/div>\n    <\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/encartes.mx\/pt\/ensayos-fotograficos\/intervenciones-performances-disidencia-espacios-publicos\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"318\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/banner-conv-3-1024x318.jpg\" alt=\"\" class=\"wp-image-35284\" srcset=\"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/banner-conv-3-1024x318.jpg 1024w, https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/banner-conv-3-300x93.jpg 300w, https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/banner-conv-3-768x238.jpg 768w, https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/banner-conv-3-18x6.jpg 18w, https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/banner-conv-3-1200x372.jpg 1200w, https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/banner-conv-3.jpg 1251w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Entrevistas<\/h2>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/mojica-estudios-regionales-jalisco-pedro-tome-andres-fabregas\/\">\n            <h2 class=\"post-title\">Entre regi\u00f5es: conversa com Pedro Tom\u00e9 e Andr\u00e9s F\u00e1bregas<\/h2>\n        <h5><ul class=\"list\"><li class=\"list-item\">Pedro Tom\u00e9 e Andr\u00e9s F\u00e1bregas Puig<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Rafael Omar Mojica Gonz\u00e1lez<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Pedro e Andr\u00e9s falaram sobre as formas de intera\u00e7\u00e3o ao explorar as regi\u00f5es: beber cervejas, jogar cartas, contar piadas e outras maneiras de se aproximar das pessoas em estudo para conversar, brincar e rir com elas e, ao mesmo tempo, conhecer sua cultura e conhec\u00ea-las. Essas intera\u00e7\u00f5es geram afeto e amizades. S\u00e3o conviv\u00eancias no calor de uma fogueira em que cada pesquisador \"deve aceitar uma certa altera\u00e7\u00e3o de sua vis\u00e3o de mundo\", como destacou Andr\u00e9s. Uma interculturalidade que vai e volta.<\/p>            <p class=\"mas\">Clique aqui<\/p>\n                    <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n       <div class=\"multimedia\"><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Entre regi\u00f5es: conversa com Pedro Tom\u00e9 e Andr\u00e9s F\u00e1bregas - Entrevista com Rafael Mojica\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/6I598V-xx-Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Discrepancias<\/h2>\n\n\n\n<div class=\"ms-item resena discrepancias\">\n                     <div class=\"ficha-material\">\n                <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/nichter-osorio-gibbon-covid-politica-mexico-inglaterra-eeuu\/\">\n                <figure class=\"article-preview-image\">\n                    <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2020\/09\/victor_resendiz-mexicali_1.jpg\" data-src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2020\/09\/victor_resendiz-mexicali_1.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"migrantes\" data-was-processed=\"true\" width=\"580\" height=\"213\"><\/figure>\n                <\/a>    \n            <\/div>\n                    <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/nichter-osorio-gibbon-covid-politica-mexico-inglaterra-eeuu\/\">\n            <div class=\"resena-content\">\n<h2 class=\"post-title\">A pandemia. Ano 2: experi\u00eancias diferenciadas, dilemas compartilhados e m\u00faltiplas reflex\u00f5es da antropologia m\u00e9dica sobre a COVID 19<\/h2>\n                <h5><ul class=\"list\"><li class=\"list-item\">Rosa Mar\u00eda Osorio, Sahra Gibbon e Mark Nichter<\/li><\/ul><\/h5><h3><ul class=\"list\"><li class=\"list-item\"><span>moderado<\/span>Paola Mar\u00eda Sesia e Lina Rosa Berrio<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Convidamos tr\u00eas especialistas do campo da antropologia m\u00e9dica para refletir sobre suas respectivas experi\u00eancias e conhecimentos sobre o M\u00e9xico, a Gr\u00e3-Bretanha, os Estados Unidos e a \u00cdndia, todos profundamente afetados pela pandemia, embora de maneiras muito diferentes, e cuja forma de lidar com a pandemia foi orientada em diferentes dire\u00e7\u00f5es. Isso nos permite contrastar a diversidade das respostas oficiais \u00e0 crise econ\u00f4mica e de sa\u00fade.<\/p>                <p class=\"mas\">Clique aqui<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Rese\u00f1as cr\u00edticas<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/sosa-oktubre-carolina-bello-resena-redondos\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/portada-libro-oktubre.jpg\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/portada-libro-oktubre.jpg\" data-was-processed=\"true\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">OKTUBRE\/Patricio Rey e seus Redonditos de Ricotas<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Carolina Bello<\/span>, 2018, Estuario, Montevideo, 144 pp.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">OKTUBRE, a montagem de uma era ou \"rock como todo choro\".<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Mar\u00eda M\u00f3nica Sosa V\u00e1squez<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Tanto o OKTUBRE de Los Redondos quanto o de Bello n\u00e3o constituem propaganda partid\u00e1ria, assim como o Oktubre (1928) de Eisenstein e Aleksandrov. Entretanto, isso n\u00e3o significa que a politiza\u00e7\u00e3o esteja exclu\u00edda ou que esteja presente apenas em refer\u00eancias a Chernobyl. \"October Fires\", a primeira m\u00fasica do \u00e1lbum, parece - como os personagens refletem - quebrar essa concep\u00e7\u00e3o de pol\u00edtica como uma tarefa ligada a um partido ou, em todo caso, apenas a um partido.<\/p>                <p class=\"mas\">Clique aqui<\/p>\n                        \n            <\/div>\n                    <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/castillo-dos-narizones-nahayeilli-juarez-resena-orisha\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/dos_narizones-portada.jpg\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/dos_narizones-portada.jpg\" data-was-processed=\"true\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">Dois narizes grandes n\u00e3o podem se beijar. Trajet\u00f3rias, usos e pr\u00e1ticas da tradi\u00e7\u00e3o dos orix\u00e1s em Yucat\u00e1n.<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Nahayeilli Ju\u00e1rez Huet<\/span>, 2019, CIESAS-UNAM, M\u00e9xico, 319 pp.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Di\u00e1logos transatl\u00e2nticos: as rotas da cren\u00e7a. Circula\u00e7\u00e3o, relocaliza\u00e7\u00e3o e reinterpreta\u00e7\u00e3o da tradi\u00e7\u00e3o dos orix\u00e1s.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Gabriela Castillo Ter\u00e1n<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Embora exista uma longa tradi\u00e7\u00e3o de pesquisas importantes sobre a Santeria e a cultura africana no M\u00e9xico, o trabalho de Nahayeilli Ju\u00e1rez Huet \u00e9, sem d\u00favida, a pesquisa recente mais importante por ser atual, completa, extensa e cuidadosa. Esse trabalho \u00e9 leitura essencial para entender a din\u00e2mica da tradi\u00e7\u00e3o dos orix\u00e1s no M\u00e9xico e sua rela\u00e7\u00e3o com Cuba e Nig\u00e9ria, onde tamb\u00e9m explora os v\u00ednculos com o cristianismo e o islamismo.<\/p>                <p class=\"mas\">Clique aqui<\/p>\n                        \n            <\/div>\n                    <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/pt\/roboam-sectas-protestantes-espiritu-heinrich-schafer-resena-america\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/protestantes-portada.jpeg\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/protestantes-portada.jpeg\" data-was-processed=\"true\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">Seitas protestantes e o esp\u00edrito do (anti-)imperialismo. Religious Intertwinements in the Americas (Inter-American Essays, 8)<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Heinrich W. Sch\u00e4fer<\/span>, 2020, Kipu\/CIAS, Bielefeld.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Protestantismo interamericano<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Ezer Roboam Maio Maio<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Sch\u00e4fer mostra que as mesmas disposi\u00e7\u00f5es religiosas do protestantismo americano s\u00e3o ressignificadas de maneiras diferentes no processo de ado\u00e7\u00e3o latino-americano; pode-se falar de protestantismo de esquerda e de direita, que, por sua vez, mant\u00eam v\u00ednculos com organiza\u00e7\u00f5es religiosas do Norte.<\/p>                <p class=\"mas\">Clique aqui<\/p>\n                        \n            <\/div>\n                    <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"credits col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n    <div class=\"wrapper\">\n<img decoding=\"async\" class=\"simple-logo lazy loaded\" src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-was-processed=\"true\"><p class=\"title translation-block\">Diretor de <em>Encartes<\/em>.<\/p><p class=\"name\"><a href=\"https:\/\/encartes.mx\/pt\/personas\/torre-castellanos-renee-de-la\/\">Ren\u00e9e de la Torre Castellanos<\/a><\/p><p class=\"title\">Edi\u00e7\u00e3o<\/p><p class=\"name\">Arthur Temporal Ventura<\/p><p class=\"title\">Corre\u00e7\u00e3o<\/p><p class=\"name\">Mar\u00eda Palomar<\/p><p class=\"name\">Cecilia Palomar<\/p><p class=\"title\">Desenho e formata\u00e7\u00e3o<\/p><p class=\"name\">Veronica Segovia<\/p>        <p class=\"title\">\n            <a class=\"directorio\" href=\"https:\/\/archive.org\/download\/encartes-vol-4-num-7\/1-encartes-vol-4-num-direc.pdf\">Ver diret\u00f3rio completo<\/a>\n        <\/p>\n    <\/div>\n<\/div>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Vol 4, N\u00fam. 8 (2021) Ver n\u00famero completo en PDF en este n\u00famero Tem\u00e1ticas M\u00fasica popular, globalizaci\u00f3n y econom\u00eda Presentaci\u00f3n Jos\u00e9 Juan Olvera Gudi\u00f1o y Shinji Hirai Esta selecci\u00f3n de art\u00edculos da continuidad y ampl\u00eda las reflexiones contenidas en Econom\u00eda de las m\u00fasicas norte\u00f1as, cuyo fin es analizar las relaciones sociales estructurantes orientadas a generar [&hellip;]<\/p>","protected":false},"author":4,"featured_media":35257,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"numerostemplate.php","meta":{"_acf_changed":false,"footnotes":""},"coauthors":[551],"class_list":["post-35238","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Vol. 4, N\u00fam. 8 (2021) &#8211; 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