{"id":40748,"date":"2026-09-21T15:00:00","date_gmt":"2026-09-21T21:00:00","guid":{"rendered":"https:\/\/encartes.mx\/?page_id=40748"},"modified":"2026-10-19T14:09:18","modified_gmt":"2026-10-19T20:09:18","slug":"vol-9-num-18-2026","status":"publish","type":"page","link":"https:\/\/encartes.mx\/fr\/vol-9-num-18-2026\/","title":{"rendered":"Vol. 9, n\u00b0 18 (2026)"},"content":{"rendered":"<div class=\"cat-title\"><h1>Vol. 9, n\u00b0 18 (2026)<\/h1><\/div>\n\n\n\n<div class=\"portada-pdf\">\n    <a class=\"complete-pdf\" href=\"https:\/\/archive.org\/download\/04-patricia-a-fogelman\/Encartes_18.pdf\">\n        <div>\n            <img decoding=\"async\" class=\"lazy loaded\" style=\"max-width:280px\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/09\/01_portadano18.jpg\">\n            <p>Voir le num\u00e9ro complet en PDF<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"editorial ms-item\">\n    <h1>\u00c9ditorial<\/h1>\n    <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/avisos\/editorial-num-18\/\">\n        <div class=\"text\">\n            <p class=\"has-drop-cap\">C\u2019est avec joie que nous c\u00e9l\u00e9brons la parution du 18e num\u00e9ro d\u2019Encartes, consacr\u00e9 au dossier \u201c Briser les paradigmes : l\u2019ex-voto, un patrimoine en r\u00e9sistance et en transmutation \u201d, coordonn\u00e9 par Caroline Perr\u00e9e. Quatre articles explorent l\u2019ex-voto \u00e0 travers sa mat\u00e9rialit\u00e9 et son passage du sanctuaire \u00e0 Internet. La rubrique \u00ab R\u00e9alit\u00e9s \u00bb rassemble deux textes sur les fosses clandestines \u00e0 Chihuahua et la bureaucratie migratoire ; dans la rubrique \u00ab Multim\u00e9dia \u00bb, deux documentaires sur le batik et les tatouages de d\u00e9votion ; s\u2019y ajoutent deux entretiens, un d\u00e9bat sur les migrants bloqu\u00e9s aux fronti\u00e8res et trois critiques d\u2019ouvrages.<\/p>\n        <\/div>\n<p class=\"mas\">Cliquez ici<\/p>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"cat-title\"><h1>Tem\u00e1ticas<\/h1><\/div>\n\n\n\n<div class=\"tematica\">\n<h1 class=\"tematica-title\">Briser les paradigmes : l'ex-voto, un patrimoine en r\u00e9sistance et en mutation<\/h1>\n    <div class=\"tematica-content\">\n    <div class=\"coloquio-principal ms-item\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/dossier-caroline-perre-exvotos-patrimonio\/\">\n            <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/09\/imagen_4_jose_claudio_alves.jpg\" data-src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/09\/imagen_4_jose_claudio_alves.jpg\" data-was-processed=\"true\">            <h1>Pr\u00e9sentation<\/h1>\n            <div class=\"text\">\n                <h3><ul class=\"list\"><li class=\"list-item\">Caroline Perr\u00e9e<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">L'ex-voto appara\u00eet comme un objet heuristique qui mobilise la circulation, la biographie mat\u00e9rielle et l'action. Les quatre articles de ce dossier mettent en lumi\u00e8re ses usages subversifs en Am\u00e9rique latine, entre tradition, innovation et r\u00e9sistance au pouvoir.<\/p>\n            <\/div>\n            <p class=\"mas\">Voir la pr\u00e9sentation compl\u00e8te<\/p>\n        <\/a>\n    <\/div>\n<div class=\"comentarios ms-item\">\n    <div class=\"comentarios-title\">\n        <h1>Dossier<\/h1>\n    <\/div>\n            <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/alves-exvotos-objeto-memoria-colectiva\/\">\n                <h2 class=\"title\">Les ex-voto en tant qu'objets et m\u00e9moire active : les apports de Halbwachs et Latour<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Jos\u00e9 Cl\u00e1udio Alves Oliveira<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/fogelman-lujan-argentina-basilica-exvoto\/\">\n                <h2 class=\"title\">Ex-voto, bastion et sanctuaire : entre histoire, auto-ethnographie et visite de la basilique nationale de Luj\u00e1n (Argentine)<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Patricia Alejandra Fogelman<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/perea-jesus-malverde-exvotos-milagros\/\">\n                <h2 class=\"title\">Demander et remercier pour les miracles accord\u00e9s : l'histoire, les pratiques et la dimension sociale des ex-voto dans la chapelle de Jes\u00fas Malverde<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Diana Mar\u00eda Perea Romo<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\" style=\"border-bottom:none\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/nazario-exvotos-internet-religion-digital\/\">\n                <h2 class=\"title\">\u201c Gr\u00e2ce \u00e0 la Vierge \u201d : ex-voto sur Internet et religion num\u00e9rique \u00e0 l\u2019\u00e9poque baroque moderne<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Carlos Nazario Mora Duro<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n            <\/div>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\" id=\"thumb-convocatoria-viii\"><a href=\"https:\/\/encartes.mx\/fr\/avisos\/concurso-fotografico-mascaras\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"341\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/10\/Banner-1024x341.png\" alt=\"\" class=\"wp-image-40806\" srcset=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/10\/Banner-1024x341.png 1024w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/10\/Banner-300x100.png 300w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/10\/Banner-768x256.png 768w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/10\/Banner-18x6.png 18w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/10\/Banner-1200x400.png 1200w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/10\/Banner.png 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/encartes.mx\/fr\/avisos\/concurso-fotografico-mascaras\/\">Haz clic aqu\u00ed para acceder a la convocatoria<\/a><\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">R\u00e9alit\u00e9s<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/salazar-hernandez-fosas-clandestinas-desaparicion\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/09\/imagen_5_salvador_y_vladimit-scaled.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">                <\/figure>\n\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">T\u00e9moignage de la barbarie : les fosses clandestines, micro-espaces d'exception dans le nord de l'\u00c9tat de Chihuahua, au Mexique, 2008-2024<\/h2>\n<h3><ul class=\"list\"><li class=\"list-item\">Salvador Salazar Guti\u00e9rrez<\/li><li class=\"list-item\">Vladimir Hern\u00e1ndez Hern\u00e1ndez<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Cet article a pour objectif d\u2019analyser le ph\u00e9nom\u00e8ne des fosses clandestines dans le nord de l\u2019\u00c9tat de Chihuahua en tant qu\u2019expression de la violence atroce et des disparitions forc\u00e9es au Mexique, afin de comprendre comment ces lieux fonctionnent comme des dispositifs n\u00e9cropolitiques qui articulent des pratiques d\u2019extermination, de mise au silence et de contr\u00f4le territorial. Ce travail a consist\u00e9 \u00e0 examiner les donn\u00e9es statistiques et les informations journalistiques locales et nationales, ainsi qu\u2019\u00e0 mener des entretiens semi-structur\u00e9s avec des membres du Centre des droits de l\u2019homme Paso del Norte (<span class=\"small-caps\">cdh<\/span> Paso del Norte). Il a \u00e9t\u00e9 constat\u00e9 que la r\u00e9gion nord de l'\u00c9tat concentre plus de la moiti\u00e9 des fosses communes recens\u00e9es entre 2008 et 2024, ce qui t\u00e9moigne d'un sch\u00e9ma syst\u00e9matique de violence, d'impunit\u00e9 et d'effondrement institutionnel. Les fosses clandestines ne contiennent pas seulement des corps, mais constituent \u00e9galement des marques territoriales qui instaurent une \u00ab p\u00e9dagogie de l'horreur \u00bb sur le territoire.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/zepeda-mutilacion-biografica-burocracia-homies\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/09\/Test-986769_640.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">                <\/figure>\n\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">La bureaucratie comme fronti\u00e8re : enseignement sup\u00e9rieur, expulsion et citoyennet\u00e9 liminale des \u00ab homies \u00bb au Mexique<\/h2>\n<h3><ul class=\"list\"><li class=\"list-item\">Ricardo Alfonso Zepeda Orozco<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">L'expulsion ne met pas fin au \u00ab pipeline \u00e9cole-prison \u00bb am\u00e9ricain, mais le transf\u00e8re vers la bureaucratie mexicaine. Cet article soutient que les d\u00e9marches d'acc\u00e8s \u00e0 l'enseignement sup\u00e9rieur fonctionnent comme une technologie punitive qui fragmente et d\u00e9l\u00e9gitime les parcours \u00e9ducatifs construits en dehors du cadre documentaire national. \u00c0 partir d\u2019une ethnographie critique men\u00e9e aupr\u00e8s d\u2019hommes expuls\u00e9s dans l\u2019ouest du Mexique, l\u2019article montre comment le guichet scolaire fonctionne comme une fronti\u00e8re interne qui prolonge la logique de la punition en exigeant des documents inaccessibles et en invalidant les \u00e9tudes ant\u00e9rieures. Cet article propose de consid\u00e9rer la bureaucratie comme un m\u00e9canisme central du r\u00e9gime punitif transnational dans les d\u00e9bats sur la migration, la punition et la citoyennet\u00e9.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Encartes multimedia<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/landeros-mujeres-historias-batik-audiovisuales\/\">\n                        <h2 class=\"post-title\">Teindre le silence : r\u00e9cits audiovisuels et textiles de femmes gambiennes \u00e0 travers le batik<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Martha Ileana Landeros Casillas<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">R\u00e9cits de vie de femmes de Lamin, en Gambie, racont\u00e9s \u00e0 travers le batik, outil de m\u00e9moire et de savoir ancr\u00e9 dans le contexte local. Cette \u00e9tude propose la construction collective de r\u00e9cits \u00e0 travers un espace cr\u00e9atif et audiovisuel qui favorise la participation et le dialogue horizontal, et reconna\u00eet les pratiques textiles et audiovisuelles comme des formes l\u00e9gitimes de savoir.<\/p>\n                    <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n       <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Les femmes gambiennes\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/UrO1mSfy8Oo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/morello-santa-muerte-tatuajes-religion\/\">\n                        <h2 class=\"post-title\">Les tatouages de la Santa Muerte<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Gustavo Morello<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Une analyse des tatouages en tant que pratique religieuse chez les fid\u00e8les de la Santa Muerte \u00e0 Tepito et \u00e0 Tultitl\u00e1n, au Mexique. Ces fid\u00e8les, qui se trouvent souvent dans des situations de vuln\u00e9rabilit\u00e9 socio-\u00e9conomique, cherchent dans la <span class=\"small-caps\">sm<\/span> r\u00e9confort et protection. Les tatouages constituent une expression fondamentale de cette d\u00e9votion : ils symbolisent des promesses tenues et transforment le corps en un autel personnel.<\/p>\n                    <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n       <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Les tatouages de la Santa Muerte\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/FqEHGLgqZoM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Entrevistas<\/h2>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/delatorre-entrevista-fernando-gonzalez-divan\/\">\n            <h2 class=\"post-title\">Du divan au confessionnal : entretien avec Fernando M. Gonz\u00e1lez<\/h2>\n        <h5><ul class=\"list\"><li class=\"list-item\">Fernando M. Gonz\u00e1lez<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Ren\u00e9e de la Torre Castellanos<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Entretien de Ren\u00e9e de la Torre avec le psychanalyste Fernando M. Gonz\u00e1lez au sujet d\u2019un article in\u00e9dit, rejet\u00e9 pour des raisons \u00e9thiques, qui comparait la confession catholique \u00e0 la th\u00e9rapie psychanalytique. La discussion explore les tensions entre religion et monde universitaire, ainsi que les r\u00e9cits culturels autour du p\u00e9ch\u00e9.<\/p>\n                    <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n       <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Entretien avec Fernando M. Gonz\u00e1lez | Du divan au confessionnal.\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/yh9S42Ujfps?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/paul-stoller-entrevista-giro-sensorial-antropologia\/\">\n            <h2 class=\"post-title\">La vuln\u00e9rabilit\u00e9 et les sens dans le r\u00e9cit ethnographique : entretien avec Paul Stoller<\/h2>\n        <h5><ul class=\"list\"><li class=\"list-item\">Paul Stoller<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Yael Dansac<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Entretien avec l\u2019anthropologue Paul Stoller sur l\u2019ethnographie sensorielle et la vuln\u00e9rabilit\u00e9 : ses 17 ann\u00e9es d\u2019apprentissage aupr\u00e8s du gu\u00e9risseur songha\u00ef Adamu Jenitongo au Niger, l\u00ab\u00bb anthropologie partag\u00e9e \u00bb de Jean Rouch et la mani\u00e8re dont le r\u00e9cit sensoriel humanise l\u2019\u00e9criture ethnographique.<\/p>\n                    <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n       <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Entretien avec Paul Stoller | La vuln\u00e9rabilit\u00e9 et les sens dans le r\u00e9cit ethnographique\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/B_1ge5Fg9rM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Discrepancias<\/h2>\n\n\n\n<div class=\"ms-item resena discrepancias\">\n                     <div class=\"ficha-material\">\n                <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/discrepancias-vidas-en-suspenso-migrantes-fronteras\/\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/09\/Rwandan_refugee_camp_in_east_Zaire.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\"><\/figure>\n                <\/a>    \n            <\/div>\n                    <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/discrepancias-vidas-en-suspenso-migrantes-fronteras\/\">\n            <div class=\"resena-content\">\n<h2 class=\"post-title\">Des vies en suspens : regards crois\u00e9s sur les migrants bloqu\u00e9s aux fronti\u00e8res<\/h2>\n<h5><ul class=\"list\"><li class=\"list-item\">Florence Boyer, Lorenzo Ghione et Harouna Mounkaila<\/li><\/ul><\/h5>\n<h3><ul class=\"list\"><li class=\"list-item\"><span>mod\u00e8re<\/span> Olga Odgers-Ortiz<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Quatre sp\u00e9cialistes comparent le \u201c pi\u00e9geage migratoire \u201d au Sahel, en Afrique du Nord et \u00e0 la fronti\u00e8re entre le Mexique et les \u00c9tats-Unis, et examinent quels m\u00e9canismes politiques, juridiques ou administratifs sont \u00e0 l'origine de ces situations de \u00ab pi\u00e9geage \u00bb et quelles populations sont les plus touch\u00e9es.<\/p>                \n<p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Rese\u00f1as cr\u00edticas<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/guevara-resena-enfermedad-guerra-pharmakon\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/09\/18_6_475_5_portada_marana_juan_felipe_guevara_aristizabal.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">                <\/figure>\n\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">Maladie et guerre : br\u00e8ve analyse d'un \u00ab ph\u00e1rmakon \u00bb ethnographique \u00e0 partir de ses effets secondaires<\/h2>\n<h3><ul class=\"list\"><li class=\"list-item\">Juan Felipe Guevara Aristiz\u00e1bal<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\"><em>Mara\u00f1a<\/em>, de Lina Pinto Garc\u00eda, est une \u00e9tude ethnographique sur la leishmaniose dans la jungle colombienne, une maladie qui a touch\u00e9 aussi bien les militaires que les gu\u00e9rilleros et les civils sous traitement au glucantime. L\u2019auteure repense le concept d\u2019\u00ab entanglement \u00bb de Karen Barad et propose le \u00ab d\u00e9m\u00ealage \u00bb comme voie d\u2019action politique face \u00e0 la violence.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/mata-resena-ensenar-aprender-historia\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/09\/18_6_480_5_portada_adriana_mata_puente_como_ensenar_o_como_aprender_historia_.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">                <\/figure>\n\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">Comment enseigner ou comment apprendre l'histoire ?<\/h2>\n<h3><ul class=\"list\"><li class=\"list-item\">Adriana Mata Puente<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\"><em>\u00c9ducation, patrimoine et histoire<\/em> (Ortiz Oropeza et Carpio P\u00e9rez, co\u00e9d., 2025) pr\u00e9sente des strat\u00e9gies pour enseigner le patrimoine culturel et historique \u00e0 travers les mus\u00e9es, les photographies scolaires, les f\u00eates populaires et les approches d\u00e9coloniales, ce qui invite \u00e0 r\u00e9fl\u00e9chir \u00e0 la mani\u00e8re dont nous avons appris l'histoire et aux d\u00e9fis li\u00e9s au patrimoine num\u00e9rique.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/resena-duran-zepeda-escucha-metodo\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/09\/18_6_504_5_portada_ignacio_y_natalia_la_escucha_como_metodo-scaled.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">                <\/figure>\n\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">L'\u00e9coute comme m\u00e9thode : port\u00e9e et perspectives de l'histoire orale<\/h2>\n<h3><ul class=\"list\"><li class=\"list-item\">Ignacio Salvador Dur\u00e1n Ricardez<\/li><li class=\"list-item\">Natalia Zepeda Cazarez<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Cet ouvrage collectif consacr\u00e9 \u00e0 l'histoire orale, fruit du s\u00e9minaire d'histoire orale de l'Institut Mora, rassemble des contributions sur les \u00e9motions, les m\u00e9moires des luttes autochtones, la vie diplomatique, le th\u00e9\u00e2tre et la musique populaire. Il se distingue par son caract\u00e8re interdisciplinaire et par sa r\u00e9flexion sur les d\u00e9fis et les risques que l'intelligence artificielle fait peser sur cette pratique m\u00e9thodologique.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"credits col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n    <div class=\"wrapper\">\n<img decoding=\"async\" class=\"simple-logo lazy loaded\" src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-was-processed=\"true\"><p class=\"title translation-block\">Directeur de <em>Encartes<\/em>.<\/p><p class=\"name\"><a href=\"https:\/\/encartes.mx\/fr\/personas\/torre-castellanos-renee-de-la\/\">\u00c1ngela Ren\u00e9e de la Torre Castellanos<\/a><\/p><p class=\"title\">Edition<\/p><p class=\"name\">Emilia D\u00edaz Corona Centeno<\/p><p class=\"title\">Correction<\/p><p class=\"name\">Isabel Orend\u00e1in<\/p><p class=\"name\">Amparo Ram\u00edrez Rivera<\/p><p class=\"title\">Dessin et formation<\/p><p class=\"name\">Veronica Segovia<\/p><p class=\"title\">Formation WordPress<\/p><p class=\"name\">Arthur Temporal Ventura<\/p>        <p class=\"title\">\n            <a class=\"directorio\" href=\"https:\/\/archive.org\/details\/04-patricia-a-fogelman\/directorio-18\">Voir le r\u00e9pertoire complet<\/a>\n        <\/p>\n    <\/div>\n<\/div>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Vol. 9, n\u00fam. 18 (2026) Ver n\u00famero completo en PDF Editorial Con j\u00fabilo celebramos que Encartes llega a su n\u00famero 18, publicado con el dosier &#8220;Romper los paradigmas: el exvoto, un patrimonio en resistencia y transmutaci\u00f3n&#8221;, coordinado por Caroline Perr\u00e9e. Cuatro art\u00edculos exploran el exvoto desde su materialidad y su tr\u00e1nsito del santuario a internet. [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":40749,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"numerostemplate.php","meta":{"_acf_changed":false,"footnotes":""},"coauthors":[551],"class_list":["post-40748","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Vol. 9, n\u00fam. 18 (2026) &#8211; Encartes<\/title>\n<meta name=\"description\" content=\"Encartes n\u00famero 18: &quot;Romper los paradigmas: el exvoto, un patrimonio en resistencia y transmutaci\u00f3n&quot;, coordinado por Caroline Perr\u00e9e.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/encartes.mx\/fr\/vol-9-num-18-2026\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vol. 9, n\u00fam. 18 (2026) &#8211; Encartes\" \/>\n<meta property=\"og:description\" content=\"Encartes n\u00famero 18: &quot;Romper los paradigmas: el exvoto, un patrimonio en resistencia y transmutaci\u00f3n&quot;, coordinado por Caroline Perr\u00e9e.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/encartes.mx\/fr\/vol-9-num-18-2026\/\" \/>\n<meta property=\"og:site_name\" content=\"Encartes\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RevistaEncartes\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-19T20:09:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/09\/01_portadano18.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1181\" \/>\n\t<meta property=\"og:image:height\" content=\"1772\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 minutes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data2\" content=\"Arthur Ventura\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/encartes.mx\/vol-9-num-18-2026\/\",\"url\":\"https:\/\/encartes.mx\/vol-9-num-18-2026\/\",\"name\":\"Vol. 9, n\u00fam. 18 (2026) &#8211; 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