{"id":40482,"date":"2026-03-20T15:00:00","date_gmt":"2026-03-20T21:00:00","guid":{"rendered":"https:\/\/encartes.mx\/?page_id=40482"},"modified":"2026-04-26T14:05:51","modified_gmt":"2026-04-26T20:05:51","slug":"vol-9-num-17-2026","status":"publish","type":"page","link":"https:\/\/encartes.mx\/fr\/vol-9-num-17-2026\/","title":{"rendered":"Vol. 9, n\u00b0 17 (2026)"},"content":{"rendered":"<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"412\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-1024x412.jpg\" alt=\"\" class=\"wp-image-40546\" srcset=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-1024x412.jpg 1024w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-300x121.jpg 300w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-768x309.jpg 768w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-1600x643.jpg 1600w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-1536x617.jpg 1536w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-18x7.jpg 18w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-1200x482.jpg 1200w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6.jpg 1632w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"cat-title\"><h1>Vol. 9, n\u00b0 17 (2026)<\/h1><\/div>\n\n\n\n<div class=\"portada-pdf\">\n    <a class=\"complete-pdf\" href=\"https:\/\/archive.org\/download\/encartes-17\/00-encartes-17-completo.pdf\">\n        <div>\n            <img decoding=\"async\" class=\"lazy loaded\" style=\"max-width:280px\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/03_potadano17_encartes20261.jpg\">\n            <p>Voir le num\u00e9ro complet en PDF<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"editorial ms-item\">\n    <h1>\u00c9ditorial<\/h1>\n    <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/de-la-torre-editoria-tradiciones-disruptivas\/\">\n        <div class=\"text\">\n            <p class=\"has-drop-cap\">En ces temps incertains, la publication du num\u00e9ro 17 de la revue Encartes est un motif de r\u00e9jouissance et de c\u00e9l\u00e9bration. Nous vivons une \u00e9poque turbulente, marqu\u00e9e par d'\u00e9normes changements dans les r\u00e8gles politiques, o\u00f9 les institutions acad\u00e9miques \u00e9prouvent des difficult\u00e9s \u00e0 financer leurs projets et o\u00f9 les sciences sociales sont confront\u00e9es \u00e0 des d\u00e9fis tels que la pertinence de notre travail face aux nouvelles comp\u00e9tences de syst\u00e9matisation de l'information offertes par l'intelligence artificielle.<\/p>\n        <\/div>\n<p class=\"mas\">Cliquez ici<\/p>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"cat-title\"><h1>Tem\u00e1ticas<\/h1><\/div>\n\n\n\n<div class=\"tematica\">\n<h1 class=\"tematica-title\">Les traditions perturbatrices de l'ordre culturel<\/h1>\n    <div class=\"tematica-content\">\n    <div class=\"coloquio-principal ms-item\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/dossier-carlos-hernandez-tradiciones-disruptivas\/\">\n            <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/17.1.442_Imagen-6_Renata-Menezes.jpg\" data-src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/17.1.442_Imagen-6_Renata-Menezes.jpg\" data-was-processed=\"true\">\n            <h1>Pr\u00e9sentation<\/h1>\n            <div class=\"text\">\n                <h3><ul class=\"list\"><li class=\"list-item\">Carlos Arturo Hern\u00e1ndez D\u00e1vila<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Ce dossier aborde le r\u00f4le transgressif des traditions qui traversent des moments de crise, de censure, de menaces ou d'assauts avant de se consolider comme de nouveaux espaces formels. La crise des traditions est un terrain fertile pour la recherche sociale : les ruptures et les schismes sont des ph\u00e9nom\u00e8nes qui entretiennent la cr\u00e9ativit\u00e9 et l'imagination ethnographique.<\/p>\n            <\/div>\n            <p class=\"mas\">Voir la pr\u00e9sentation compl\u00e8te<\/p>\n        <\/a>\n    <\/div>\n<div class=\"comentarios ms-item\">\n    <div class=\"comentarios-title\">\n        <h1>Dossier<\/h1>\n    <\/div>\n        <div class=\"comentario ms-item\">\n            <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/ceriani-pueblos-indigenas-gran-chaco-celebraciones\/\">\n                <h2 class=\"title\">Performance sociale et transformation historique dans les c\u00e9l\u00e9brations d'anniversaire des \u00e9glises indig\u00e8nes du Chaco (Argentine).<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">C\u00e9sar Ceriani Cernadas<\/li><\/ul><\/h3>\n                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n        <div class=\"comentario ms-item\">\n            <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/castro-carnaval-religion-cultura-simbolismo-samba\/\">\n                <h2 class=\"title\">La th\u00e9matisation du religieux dans les \u00e9coles de samba de Rio de Janeiro (2016-2022) : performances festives et processus sociaux.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Renata de Castro Menezes<\/li><\/ul><\/h3>\n                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n        <div class=\"comentario ms-item\">\n            <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/lara-etnofonias-patrimonio-biocultural-capital-sonoro\/\">\n                <h2 class=\"title\">Ethnophonies : le patrimoine bioculturel du Mexique<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Jos\u00e9 Joel Lara Gonz\u00e1lez<\/li><\/ul><\/h3>\n                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n        <div class=\"comentario ms-item\">\n            <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/solis-sacerdotes-mexico-asesinatos-violencia-crimen-organizado\/\">\n                <h2 class=\"title\">\u00c9chos de la cristiada ? N\u00e9cropolitique et \u201cmartyre sacerdotal\u201d au XXIe si\u00e8cle au Mexique<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Yves Bernardo Roger Solis Nicot<\/li><\/ul><\/h3>\n                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n        <div class=\"comentario ms-item\">\n            <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/hernandez-carnaval-otomi-transformacion-cuerpo\/\">\n                <h2 class=\"title\">Le ng\u00e4d'i-dokwe : perturbations rituelles, corps modifi\u00e9s et alt\u00e9rations corporelles dans le monde otomi<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Carlos Arturo Hern\u00e1ndez D\u00e1vila<\/li><\/ul><\/h3>\n                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n    <\/div>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">R\u00e9alit\u00e9s socioculturelles<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/mora-strickland-economia-social-solidaria-jovenes-cafe-interculturalidad\/\">\n            <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/imagen_3_ximena_y_danielle-scaled.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n                <\/figure>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Caf\u00e9 Capeltic. Construire un pont interculturel dans le syst\u00e8me universitaire j\u00e9suite au Mexique.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Ximena de la Mora Gonz\u00e1lez<\/li><li class=\"list-item\">Rebecca Danielle Strickland<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Ce texte analyse le projet d'\u00e9conomie sociale et solidaire des caf\u00e9s Capeltic et leur potentiel de renforcement de l'interculturalit\u00e9 dans le syst\u00e8me universitaire j\u00e9suite. Il est bas\u00e9 sur une exploration des coop\u00e9ratives impliqu\u00e9es dans la cha\u00eene de production du caf\u00e9 vendu sur le campus et sur les imaginaires relatifs aux diff\u00e9rentes \u00e9tapes de ce processus. Les donn\u00e9es ont \u00e9t\u00e9 collect\u00e9es par le biais d'observations participantes et d'entretiens avec des cultivateurs de caf\u00e9, des membres de coop\u00e9ratives et des consommateurs. Le r\u00f4le des jeunes en tant que principaux cr\u00e9ateurs de ponts interculturels entre les communaut\u00e9s Tseltal o\u00f9 le caf\u00e9 est cultiv\u00e9 et les communaut\u00e9s universitaires o\u00f9 il est consomm\u00e9 est mis en \u00e9vidence.<\/p>\n                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/vargas-ayora-sentidos-feria-sevilla-espana\/\">\n            <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Imagen-4_Steffan-y-Gabrielajpeg-scaled.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n                <\/figure>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Les sens de la foire et la foire des sens \u00e0 S\u00e9ville, Espagne<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Gabriela Vargas Cetina<\/li><li class=\"list-item\">Steffan Igor Ayora Diaz<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Dans cet article, nous proposons que la Feria de Abril \u00e0 S\u00e9ville, en Espagne, soit une exp\u00e9rience multisensorielle, synesth\u00e9sique et synesth\u00e9sique qui r\u00e9affirme l'identit\u00e9 s\u00e9villane et met en \u00e9vidence les fronti\u00e8res identitaires entre les habitants et les visiteurs, tout en soulignant les diff\u00e9rences sociales locales. En nous appuyant sur les travaux de Paul Stoller et David Sutton, ainsi que sur notre travail de terrain \u00e0 S\u00e9ville entre 2017 et 2025, nous d\u00e9crivons l'exp\u00e9rience synesth\u00e9sique et synesth\u00e9sique de la Feria de Abril comme des dimensions qui invoquent \u201cle S\u00e9villan\u201d. Nous soutenons que la reconnaissance de l'exp\u00e9rience sensorielle contribue \u00e0 une approche anthropologique complexe de la dimension politique des \u00e9v\u00e9nements locaux.<\/p>\n                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/encartes.mx\/fr\/ensayos-fotograficos\/imagenes-que-resisten-regimenes-de-visibilidad-y-otros-paisajes-posibles\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"419\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1024x419.jpg\" alt=\"\" class=\"wp-image-40506\" srcset=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1024x419.jpg 1024w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-300x123.jpg 300w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-768x314.jpg 768w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1600x655.jpg 1600w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-2200x900.jpg 2200w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1536x629.jpg 1536w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-2048x838.jpg 2048w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-18x7.jpg 18w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1200x491.jpg 1200w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1980x810.jpg 1980w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2.jpg 2500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Encartes multimedia<\/h2>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/mazariegos-culto-cuir-sinverguenza-lgbtq-performance-bautizo-trans\/\">\n            <h2 class=\"post-title\">Le culte \u00e9hont\u00e9 du cuir : des reconstitutions rituelles par le biais de la performance<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Hilda Mar\u00eda Cristina Mazariegos Herrera<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">L'objectif de cet essai est de rendre compte de l'une des mani\u00e8res dont des croyants f\u00e9ministes et lgbtq+, qui appartiennent ou ont \u00e9t\u00e9 socialis\u00e9s dans diff\u00e9rentes traditions religieuses et spirituelles, principalement \u00e9vang\u00e9liques, re-symbolisent le sacr\u00e9 et le politique \u00e0 travers la performance dans le cadre de ce que le groupe Theology Without Shame appelle Cuir Cult. Il aborde des questions telles que l'ascendance f\u00e9minine, les bapt\u00eames trans, la critique de l'\u00e9cosieg et la libert\u00e9 sexuelle, dans un contexte de conservatisme anti-f\u00e9ministe et anti-genre croissant.<\/p>\n        <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl\">\n        <div class=\"ficha material\"><a href=\"https:\/\/encartes.mx\/fr\/ensayos-fotograficos\/culto-cuir-sinverguenza-performance\/\">\n            <h3>Reportage photo<\/h3>\n            <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/02\/imagen_6_cristina_mazariegos.jpg\" alt=\"\" class=\"wp-image lazy loaded\">\n            <p class=\"mas\">Cliquez ici pour voir l'essai<\/p>\n        <\/a><\/div>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/almasi-espinoza-medina-dos-almas-sanan-animitas-chile\/\">\n            <h2 class=\"post-title\">Donde dos almas se sanan, un essai photographique sur l'animita en tant qu'artefact de gu\u00e9rison dans la vie quotidienne au Chili.<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Lili Alm\u00e1si-Szab\u00f3<\/li><li class=\"list-item\">David Arturo Espinoza Zamudio<\/li><li class=\"list-item\">Pedro Pablo Medina Andrade<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Cet essai photographique explore le ph\u00e9nom\u00e8ne des animitas au Chili, ces petits autels populaires \u00e9rig\u00e9s pour les \u00e2mes des personnes tragiquement d\u00e9c\u00e9d\u00e9es. Au fil du temps, ces autels ont commenc\u00e9 \u00e0 jouer un r\u00f4le qui va au-del\u00e0 de la comm\u00e9moration. Ils sont visit\u00e9s non seulement par les proches des d\u00e9funts, mais aussi par les voisins et d'autres adeptes de la religiosit\u00e9 populaire, ce qui leur conf\u00e8re une place importante dans la gu\u00e9rison du corps et de l'esprit.<\/p>\n        <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl\">\n        <div class=\"ficha material\"><a href=\"https:\/\/encartes.mx\/fr\/ensayos-fotograficos\/donde-dos-almas-se-sanan\/\">\n            <h3>Reportage photo<\/h3>\n            <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/02\/imagen_40_lili_almasi.jpg\" alt=\"\" class=\"wp-image lazy loaded\">\n            <p class=\"mas\">Cliquez ici pour voir l'essai<\/p>\n        <\/a><\/div>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Entrevistas<\/h2>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/covarrubias-familias-robles-dialogo-epistolar\/\">\n            <h2 class=\"post-title\">\u201cLes familles sont comme des ch\u00eanes aux racines profondes...\u201d Dialogue \u00e9pistolaire avec Daniel Bertaux extrait du livre Genealog\u00edas comparadas. Analyse culturelle de l'habitus \u00e9ducatif dans les familles de Oaxaca.<\/h2>\n            <h5><ul class=\"list\"><li class=\"list-item\">Daniel Bertaux<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Karla Yolanda Covarrubias Cu\u00e9llar<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Ce texte est le r\u00e9sultat d'un \u201cdialogue \u00e9pistolaire\u201d entre le professeur Daniel Bertaux et Karla Covarrubias, dont l'objectif est de mettre en \u00e9vidence l'\u00e9change d'id\u00e9es autour de l'histoire orale et son lien avec l'\u00e9tude de \u201cl'habitus \u00e9ducatif interg\u00e9n\u00e9rationnel\u201d dans quatre familles et leurs g\u00e9n\u00e9alogies tout au long du vingti\u00e8me si\u00e8cle \u00e0 Oaxaca.<\/p>\n        <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/covarrubias-familias-robles-dialogo-epistolar\/\">\n            <figure class=\"article-preview-image\">\n                <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Bertaux.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n            <\/figure>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/pensar-desde-fisura-curaduria-jose-luis-barrios\/\">\n            <h2 class=\"post-title\">Penser \u00e0 partir de la fissure : esth\u00e9tique, conservation et film dans l'\u0153uvre de Jos\u00e9 Luis Barrios<\/h2>\n            <h5><ul class=\"list\"><li class=\"list-item\">Jos\u00e9 Luis Barrios<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Alina Pe\u00f1a Iguar\u00e1n<\/li><li class=\"list-item\">Anaeli Ibarra Caceres<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Les contributions de Jos\u00e9 Luis Barrios offrent des outils pour penser les images au-del\u00e0 de la repr\u00e9sentation. En articulant d\u00e9sir, perception et exp\u00e9rience de l'espace, il montre que la critique esth\u00e9tique est un moyen de comprendre comment se configurent nos mani\u00e8res de voir et d'habiter le monde. Sa r\u00e9flexion con\u00e7oit l'image comme un champ de contestation o\u00f9 se n\u00e9gocient les significations, les affects et les m\u00e9moires.<\/p>\n        <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Entretien avec Jos\u00e9 Luis Barrios | Thinking from the fissure : aesthetics, curatorship and cinema (en anglais)\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/oTda_WiMVdk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Discrepancias<\/h2>\n\n\n\n<div class=\"ms-item resena discrepancias\">\n    <div class=\"ficha-material\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/discrepancias-espejo-algoritmico-humanos-inteligencia-artificial\/\">\n            <figure class=\"article-preview-image\">\n                <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/52703180353_93ced0e72f_b-e1773524019758.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"espejo algor\u00edtmico\" width=\"580\" height=\"213\">\n            <\/figure>\n        <\/a>\n    <\/div>\n    <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/discrepancias-espejo-algoritmico-humanos-inteligencia-artificial\/\">\n        <div class=\"resena-content\">\n            <h2 class=\"post-title\">Le miroir algorithmique : perspectives des sciences sociales sur l'interaction entre l'homme et l'IA<\/h2>\n            <h5><ul class=\"list\"><li class=\"list-item\">Gabriela Sued, Gabriel P\u00e9rez Salazar, Marco Dehnert et ChatGPT-5<\/li><\/ul><\/h5>\n<h3><ul class=\"list\"><li class=\"list-item\"><span>mod\u00e9r\u00e9<\/span><br \/>  Arthur Temporal, Alina Pe\u00f1a Iguar\u00e1n et Ignacio Salvador Dur\u00e1n Ricardez<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Trois experts et ChatGPT-5 discutent de l'intelligence artificielle sous l'angle des sciences sociales : son approche \u00e9pist\u00e9mologique, ses cons\u00e9quences sur le lien social et son impact sur le travail intellectuel. Ces technologies, \u201dmiroirs algorithmiques\u201d refl\u00e9tant la culture humaine num\u00e9ris\u00e9e, reconfigurent l'\u00e9conomie \u00e9motionnelle des interactions sociales et posent un d\u00e9fi \u00e9pist\u00e9mologique majeur.<\/p>\n            <p class=\"mas\">Cliquez ici<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Rese\u00f1as cr\u00edticas<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/morales-resena-humanizando-deportacion-narrativas-digitales\/\">\n            <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/17_6_399_5_portada_loraine_morales.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n                <\/figure>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">R\u00e9flexions depuis la fronti\u00e8re : humaniser l'expulsion par des r\u00e9cits num\u00e9riques \u00e0 Tijuana<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Loraine Morales Pino<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Cette revue examine Humanizing Deportation : Digital Narratives from the Streets of Tijuana (2023), une \u0153uvre collective coordonn\u00e9e par Robert McKee Irwin et Guillermo Alonso Meneses. L'auteur examine comment le projet, initi\u00e9 en 2016, utilise la narration num\u00e9rique pour amplifier les voix des migrants d\u00e9port\u00e9s \u00e0 la fronti\u00e8re entre les \u00c9tats-Unis et le Mexique, en documentant le traumatisme, la double stigmatisation et les difficult\u00e9s de r\u00e9int\u00e9gration auxquels ils sont confront\u00e9s. Il souligne sa valeur en tant qu'archive de r\u00e9sistance et contribution aux \u00e9tudes sur la migration.<\/p>\n                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/almazan-resena-videojuegos-ensenanza-historia\/\">\n            <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/17_6_441_5_portada_manuel_almazan_los_videojuegos_como_caballo_de_troya.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n                <\/figure>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Les jeux vid\u00e9o comme cheval de Troie dans l'enseignement de l'histoire.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Manuel Almaz\u00e1n<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">La revue analyse l'ouvrage Les usages p\u00e9dagogiques des jeux vid\u00e9o Assassin's Creed (2023), \u00e9dit\u00e9 par \u00c9thier et Lefran\u00e7ois, qui rassemble les exp\u00e9riences d'enseignants qu\u00e9b\u00e9cois qui int\u00e8grent cette saga en classe pour d\u00e9velopper la pens\u00e9e critique. Almaz\u00e1n appr\u00e9cie l'exercice mais souligne les limites p\u00e9dagogiques et s'interroge sur son application possible dans le contexte latino-am\u00e9ricain.<\/p>\n                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/rodriguez-cine-sindicato-estrella-dolores-rio\/\">\n            <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/17_6_463_5_portada_daria_rodriguez_del_cine_al_sindicato.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n                <\/figure>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Du cin\u00e9ma au syndicat : \u201cUne actrice, une star et une partenaire solidaire : Dolores del R\u00edo\u201d.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Daria Sof\u00eda Rodr\u00edguez Olvera<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Cette revue examine la biographie en libre acc\u00e8s Una actriz, una estrella y una compa\u00f1era solidaria : Dolores del R\u00edo, de Jehiely Hern\u00e1ndez Correa et Ana Salinas Alberdi, publi\u00e9e par l'Institut d'\u00e9tudes de march\u00e9 de l'Union europ\u00e9enne. <span class=\"small-caps\">inehrm<\/span>. La pi\u00e8ce retrace la carri\u00e8re de l'actrice de Durango \u00e0 Hollywood et dans le cin\u00e9ma mexicain de l'\u00e2ge d'or, ainsi que sa facette politique : son adh\u00e9sion \u00e0 l'Union nationale des acteurs, sa participation \u00e0 la fondation du Festival Cervantino et de la Cineteca Nacional, et son travail \u00e0 la t\u00eate de la p\u00e9pini\u00e8re de l'Institut national de l'audiovisuel (INA). <span class=\"small-caps\">aller \u00e0<\/span>.<\/p>\n                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"credits col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n    <div class=\"wrapper\">\n        <img decoding=\"async\" class=\"simple-logo lazy loaded\" src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-was-processed=\"true\">\n        <p class=\"title translation-block\">Directeur de <em>Encartes<\/em>.<\/p>\n        <p class=\"name\"><a href=\"https:\/\/encartes.mx\/fr\/personas\/torre-castellanos-renee-de-la\/\">\u00c1ngela Ren\u00e9e de la Torre Castellanos<\/a><\/p>\n        <p class=\"title\">Edition<\/p>\n        <p class=\"name\">Emilia D\u00edaz Corona Centeno<\/p>\n        <p class=\"title\">Correction<\/p>\n        <p class=\"name\">Isabel Orend\u00e1in<\/p>\n        <p class=\"name\">Amparo Ram\u00edrez Rivera<\/p>\n        <p class=\"title\">Dessin et formation<\/p>\n        <p class=\"name\">Veronica Segovia<\/p>\n        <p class=\"title\">Conception num\u00e9rique et formation<\/p>\n        <p class=\"name\">Arthur Temporal Ventura<\/p>\n<p class=\"title\">\n            <a class=\"directorio\" href=\"https:\/\/archive.org\/download\/encartes-17\/directorio-17.pdf\">Voir le r\u00e9pertoire complet<\/a>\n        <\/p>\n    <\/div>\n<\/div>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Vol. 9, n\u00fam. 17 (2026) Ver n\u00famero completo en PDF Editorial En estos tiempos tan inciertos, es motivo de celebraci\u00f3n y festejo la publicaci\u00f3n del n\u00famero 17 de la revista Encartes. Vivimos una \u00e9poca convulsa con enormes cambios en las reglas pol\u00edticas, en la que las instituciones acad\u00e9micas experimentan dificultades para financiar sus proyectos y [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":40481,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"numerostemplate.php","meta":{"_acf_changed":false,"footnotes":""},"coauthors":[551],"class_list":["post-40482","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Vol. 9, n\u00fam. 17 (2026) &#8211; Encartes<\/title>\n<meta name=\"description\" content=\"En estos tiempos tan inciertos, es motivo de celebraci\u00f3n y festejo la publicaci\u00f3n del n\u00famero 17 de la revista Encartes.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/encartes.mx\/fr\/vol-9-num-17-2026\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vol. 9, n\u00fam. 17 (2026) &#8211; Encartes\" \/>\n<meta property=\"og:description\" content=\"En estos tiempos tan inciertos, es motivo de celebraci\u00f3n y festejo la publicaci\u00f3n del n\u00famero 17 de la revista Encartes.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/encartes.mx\/fr\/vol-9-num-17-2026\/\" \/>\n<meta property=\"og:site_name\" content=\"Encartes\" \/>\n<meta property=\"article:modified_time\" content=\"2026-04-26T20:05:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/03_potadano17_encartes20261.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1181\" \/>\n\t<meta property=\"og:image:height\" content=\"1772\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"9 minutes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data2\" content=\"Arthur Ventura\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/encartes.mx\/vol-9-num-17-2026\/\",\"url\":\"https:\/\/encartes.mx\/vol-9-num-17-2026\/\",\"name\":\"Vol. 9, n\u00fam. 17 (2026) &#8211; 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