{"id":35483,"date":"2022-03-21T20:32:34","date_gmt":"2022-03-21T20:32:34","guid":{"rendered":"https:\/\/encartes.mx\/?page_id=35483"},"modified":"2023-11-22T17:28:45","modified_gmt":"2023-11-22T23:28:45","slug":"vol-5-num-9-2022","status":"publish","type":"page","link":"https:\/\/encartes.mx\/fr\/vol-5-num-9-2022\/","title":{"rendered":"Vol. 5, No. 9 (2022)"},"content":{"rendered":"<div class=\"cat-title\"><h1>Vol 5, No. 9 (2022)<\/h1><\/div>\n\n\n\n<div class=\"portada-pdf\">\n    <a class=\"complete-pdf\" href=\"https:\/\/revista.encartes.mx\/index.php\/encartes\/issue\/view\/14\/9\">\n        <div>\n            <img decoding=\"async\" class=\"lazy loaded\" style=\"max-width:280px\" src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/portadavol5num9.webp\" data-src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/portadavol5num9.webp\" data-was-processed=\"true\">\n            <p>Voir le num\u00e9ro complet en PDF<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"wp-block-group ms-item editorial gutenslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h1>dans ce num\u00e9ro<\/h1>\n\n\n<div class=\"n2-section-smartslider fitvidsignore  n2_clear\" data-ssid=\"3\"><div id=\"n2-ss-3-align\" class=\"n2-ss-align\"><div class=\"n2-padding\"><div id=\"n2-ss-3\" data-creator=\"Smart Slider 3\" data-responsive=\"auto\" class=\"n2-ss-slider n2-ow n2-has-hover n2notransition\">\n\n\n\n<div class=\"n2-ss-slider-wrapper-inside\">\n        <div class=\"n2-ss-slider-1 n2_ss__touch_element n2-ow\">\n            <div class=\"n2-ss-slider-2 n2-ow\">\n                                                <div class=\"n2-ss-slider-3 n2-ow\">\n\n                    <div class=\"n2-ss-slide-backgrounds n2-ow-all\"><div class=\"n2-ss-slide-background\" data-public-id=\"1\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/postal-num-9-1.webp\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"2\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/postal-num-9-2.webp\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"3\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/postal-num-9-3.webp\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"4\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"62\" data-alt=\"\" data-title=\"\" style=\"--ss-o-pos-y:62%\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/postal-num-9-4.webp\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"5\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/postal-num-9-5.webp\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"6\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/postal-num-9-6.webp\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><\/div>                    <div class=\"n2-ss-slider-4 n2-ow\">\n                        <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"0 0 600 600\" data-related-device=\"desktopPortrait\" class=\"n2-ow n2-ss-preserve-size n2-ss-preserve-size--slider n2-ss-slide-limiter\"><\/svg><div data-first=\"1\" data-slide-duration=\"0\" data-id=\"9\" data-slide-public-id=\"1\" data-title=\"postal-num-9-1\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/rozental-imagenes-traslado-tlaloc-coatlinchan\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-9\"><div role=\"note\" class=\"n2-ss-slide--focus\">num\u00e9ro postal-9-1<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-YtOaQJPYkdg2\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"10\" data-slide-public-id=\"2\" data-title=\"postal-num-9-2\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/enriquez-cuevas-castillo-conyugalidad-genero-covid-guadalajara-colima\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-10\"><div role=\"note\" class=\"n2-ss-slide--focus\">num\u00e9ro postal-9-2<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-PIzEVvzOXRT1\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"11\" data-slide-public-id=\"3\" data-title=\"postal-num-9-3\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/ensayos-fotograficos\/sandoval-economia-bazar-puente-papa-monterrey\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-11\"><div role=\"note\" class=\"n2-ss-slide--focus\">num\u00e9ro postal-9-3<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-wbM40pxUBnzB\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"12\" data-slide-public-id=\"4\" data-title=\"postal-num-9-4\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/abreu-entrevista-mark-potok-derecha-radical-medios-eeuu\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-12\"><div role=\"note\" class=\"n2-ss-slide--focus\">num\u00e9ro postal-9-4<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-tsxgxEalcbYR\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"13\" data-slide-public-id=\"5\" data-title=\"postal-num-9-5\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/gonzalez-imagenes-sentido-museo-lugar-memoria-lima-peru\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-13\"><div role=\"note\" class=\"n2-ss-slide--focus\">n\u00b0 postal-9-5<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-jl7MUJ84tHoz\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"14\" data-slide-public-id=\"6\" data-title=\"postal-num-9-6\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/hernandez-trabajo-sexual-tijuana-zona-norte-coahuila\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-14\"><div role=\"note\" class=\"n2-ss-slide--focus\">n\u00b0 postal-9-6<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-k5pOyznzzQ8s\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div>                    <\/div>\n\n                                    <\/div>\n            <\/div>\n        <\/div>\n        <div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-right-top\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget n2-style-f17ddbf2d8ed14421f9093b94b93b8a9-heading nextend-autoplay n2-ow-all nextend-autoplay-image\" role=\"button\" aria-label=\"D\u00e9marcation automatique\" data-pause-label=\"Pause d\u00e9marrage automatique\" data-play-label=\"D\u00e9marrage automatique\" tabindex=\"0\"><img decoding=\"async\" class=\"nextend-autoplay-play skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"donn\u00e9es :image\/svg+xml ;base64,PHN2ZyB3aWR0aD0iMTYiIGhlaWdodD0iMTYiIHZpZXdCb3g9IjAgMCAxNiAxNiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMS41OCA3LjAzTDUuMzAyIDIuMTY1QzUuMTY1IDIuMDU3IDUuMDE2IDIgNC44NTcgMiA0LjM4NCAyIDQgMi41MDQgNCAzLjEyNXY5Ljc1YzAgLjYyLjM4NCAxLjEyNS44NTcgMS4xMjUuMTYgMCAuMzA4LS4wNTcuNDM2LS4xNTZMMTEuNTggOC45N2MuMjUtLjE5OC40Mi0uNTU4LjQyLS45NyAwLS40MTItLjE3LS43NzMtLjQyLS45N3oiCiAgICAgICAgICBmaWxsPSIjZmZmZmZmIiBvcGFjaXR5PSIwLjgiIGZpbGwtcnVsZT0iZXZlbm9kZCIvPgo8L3N2Zz4=\" alt=\"Play\"><img decoding=\"async\" class=\"nextend-autoplay-pause skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"donn\u00e9es :image\/svg+xml ;base64,PHN2ZyB3aWR0aD0iMTYiIGhlaWdodD0iMTYiIHZpZXdCb3g9IjAgMCAxNiAxNiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik00IDJ2MTJoM1YySDR6bTUgMHYxMmgzVjJIOXoiIGZpbGw9IiNmZmZmZmYiIG9wYWNpdHk9IjAuOCIgZmlsbC1ydWxlPSJldmVub2RkIi8+Cjwvc3ZnPg==\" alt=\"Pause\"><\/div><\/div><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-left-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-previous  nextend-arrow-animated-fade\" data-hide-mobileportrait=\"1\" id=\"n2-ss-3-arrow-previous\" role=\"button\" aria-label=\"fl\u00e8che pr\u00e9c\u00e9dente\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"donn\u00e9es :image\/svg+xml ;base64,PHN2ZyB3aWR0aD0iMzIiIGhlaWdodD0iMzIiIHZpZXdCb3g9IjAgMCAzMiAzMiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMS40MzMgMTUuOTkyTDIyLjY5IDUuNzEyYy4zOTMtLjM5LjM5My0xLjAzIDAtMS40Mi0uMzkzLS4zOS0xLjAzLS4zOS0xLjQyMyAwbC0xMS45OCAxMC45NGMtLjIxLjIxLS4zLjQ5LS4yODUuNzYtLjAxNS4yOC4wNzUuNTYuMjg0Ljc3bDExLjk4IDEwLjk0Yy4zOTMuMzkgMS4wMy4zOSAxLjQyNCAwIC4zOTMtLjQuMzkzLTEuMDMgMC0xLjQybC0xMS4yNTctMTAuMjkiCiAgICAgICAgICBmaWxsPSIjZmZmZmZmIiBvcGFjaXR5PSIwLjgiIGZpbGwtcnVsZT0iZXZlbm9kZCIvPgo8L3N2Zz4=\" alt=\"previous arrow\"><\/div><\/div><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-right-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-next  nextend-arrow-animated-fade\" data-hide-mobileportrait=\"1\" id=\"n2-ss-3-arrow-next\" role=\"button\" aria-label=\"fl\u00e8che suivante\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"donn\u00e9es :image\/svg+xml ;base64,PHN2ZyB3aWR0aD0iMzIiIGhlaWdodD0iMzIiIHZpZXdCb3g9IjAgMCAzMiAzMiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMC43MjIgNC4yOTNjLS4zOTQtLjM5LTEuMDMyLS4zOS0xLjQyNyAwLS4zOTMuMzktLjM5MyAxLjAzIDAgMS40MmwxMS4yODMgMTAuMjgtMTEuMjgzIDEwLjI5Yy0uMzkzLjM5LS4zOTMgMS4wMiAwIDEuNDIuMzk1LjM5IDEuMDMzLjM5IDEuNDI3IDBsMTIuMDA3LTEwLjk0Yy4yMS0uMjEuMy0uNDkuMjg0LS43Ny4wMTQtLjI3LS4wNzYtLjU1LS4yODYtLjc2TDEwLjcyIDQuMjkzeiIKICAgICAgICAgIGZpbGw9IiNmZmZmZmYiIG9wYWNpdHk9IjAuOCIgZmlsbC1ydWxlPSJldmVub2RkIi8+Cjwvc3ZnPg==\" alt=\"next arrow\"><\/div><\/div><\/div><\/div><ss3-loader><\/ss3-loader><\/div><\/div><div class=\"n2_clear\"><\/div><\/div><\/div><\/div>\n\n\n\n<div class=\"cat-title\"><h1>Tem\u00e1ticas<\/h1><\/div>\n\n\n\n<div class=\"tematica\">\n<h1 class=\"tematica-title\">\"Blurred is the meaning\" : visualit\u00e9 et pratique ethnographique<\/h1>\n    <div class=\"tematica-content\">\n    <div class=\"coloquio-principal ms-item\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/kernaghan-zamorano-obtuso-sentido-etnografia\/\">\n            <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/thumb-intro-num-9.webp\" data-src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/thumb-intro-num-9.webp\" data-was-processed=\"true\">            <h1>Pr\u00e9sentation<\/h1>\n            <div class=\"text\">\n                <h3><ul class=\"list\"><li class=\"list-item\">Richard Kernaghan et Gabriela Zamorano Villarreal<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Pour Barthes, le sens obtus expose les limites du monde des repr\u00e9sentations. Il se produit lorsque certains \u00e9l\u00e9ments sous-jacents \u00e0 l'image \u00e9mergent de mani\u00e8re surprenante pour marquer des accents ou des changements d'intonation dans le message visuel. Ce recueil reprend la notion d'obtus pour r\u00e9\u00e9valuer le poids et le pouvoir de l'image pour l'ethnographie. Chaque contribution \u00e0 ce volume analyse la notion d'obtus pour sonder les possibilit\u00e9s ethnographiques de l'image consid\u00e9r\u00e9e dans ses expressions les plus courantes, les plus diverses et les plus inattendues. Les contributions s'int\u00e9ressent aux significations \"tierces\" ou \"non \u00e9videntes\" qui \u00e9mergent des rencontres empiriques.<\/p>            <\/div>\n            <p class=\"mas\">Voir la pr\u00e9sentation compl\u00e8te<\/p>\n        <\/a>\n    <\/div>\n<\/div>\n<div class=\"comentarios ms-item\">\n    <div class=\"comentarios-title\">\n        <h1>Dossier<\/h1>\n    <\/div>\n            <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/gonzalez-imagenes-sentido-museo-lugar-memoria-lima-peru\/\">\n                <h2 class=\"title\">Images \"sans signification apparente\" \u00e0 la Place de la m\u00e9moire, de la tol\u00e9rance et de l'inclusion sociale<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Olga Gonz\u00e1lez Casta\u00f1eda<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/kernaghan-imagenes-huallaga-peru\/\">\n                <h2 class=\"title\">Les images lointaines de l'orage dans le fleuve Huallaga<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Richard Kernaghan<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/rozental-imagenes-traslado-tlaloc-coatlinchan\/\">\n                <h2 class=\"title\">Les fragments d'un transfert : le trop-plein d'images<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Sandra Rozental<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/zamorano-subjetividad-fotografia-familia-michoacan\/\">\n                <h2 class=\"title\">R\u00e9parer \u00e0 partir de l'image : subjectivit\u00e9s et d\u00e9sirs dans les archives photographiques de Michoac\u00e1n, Mexique.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Gabriela Zamorano Villarreal<!--<\/li--><\/li><\/ul><\/h3>\n                                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n            <\/div>\n<\/div>\n\n\n\n<h2 class=\"titulo-seccion wp-block-heading\">R\u00e9alit\u00e9s socioculturelles<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/enriquez-cuevas-castillo-conyugalidad-genero-covid-guadalajara-colima\/\">\n                        <div class=\"ficha-material\">\n                <h2 class=\"post-title\">Conjugalit\u00e9, genre et soins aux couples \u00e0 l'\u00e9poque du covid-19, dans les zones m\u00e9tropolitaines de Colima et Guadalajara, au Mexique.<\/h2>\n                <h3>\n                    <ul class=\"list\">\n<li class=\"list-item\">Roc\u00edo Enr\u00edquez Rosas, Ana Josefina Cuevas Hern\u00e1ndez et Ana Gabriel Castillo S\u00e1nchez<\/li>\n                    <\/ul>\n                <\/h3>\n                <h4><span class=\"before\">Mots cl\u00e9s : <\/span>covid-19 pand\u00e9mie, intimit\u00e9, conjugalit\u00e9, r\u00f4les de genre, soins mutuels, couples h\u00e9t\u00e9rosexuels.<\/h4>\n                            <\/div>\n                        <div class=\"resena-content\">\n                <p class=\"has-drop-cap\">Dans cet article, nous nous proposons de r\u00e9pondre \u00e0 la question suivante : comment la pand\u00e9mie de covid-19 a-t-elle perturb\u00e9 l'intimit\u00e9 de trois g\u00e9n\u00e9rations de couples h\u00e9t\u00e9rosexuels r\u00e9sidant dans les zones m\u00e9tropolitaines de Guadalajara et de Colima dans les dimensions de la conjugalit\u00e9, des r\u00f4les de genre et des soins mutuels ? L'objectif de cet article est de d\u00e9crire et d'analyser les principaux r\u00e9sultats d'une enqu\u00eate en ligne men\u00e9e au cours de la premi\u00e8re semaine de mai 2020 dans les zones m\u00e9tropolitaines de Guadalajara et de Colima afin de d\u00e9terminer comment ces dimensions de l'intimit\u00e9 ont chang\u00e9 pour les couples de la r\u00e9gion \u00e9tudi\u00e9e. L'application de l'enqu\u00eate \u00e0 la date susmentionn\u00e9e a favoris\u00e9 une enqu\u00eate opportune pour rendre compte de l'exp\u00e9rience de l'enfermement.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/gomes-ibarra-cristianismo-postdenominacional-covid-mexico-eeuu\/\">\n                        <div class=\"ficha-material\">\n                <h2 class=\"post-title\">Le christianisme post-confessionnel et le coronavirus : champ religieux et innovation au Mexique et aux \u00c9tats-Unis<\/h2>\n                <h3>\n                    <ul class=\"list\">\n<li class=\"list-item\">Carlos S. Ibarra et Edson F. Gomes<\/li>\n                    <\/ul>\n                <\/h3>\n                <h4><span class=\"before\">Mots cl\u00e9s<\/span> christianisme \u00e9mergent, coronavirus, \u00e9glises post-confessionnelles, innovation religieuse.<\/h4>\n                            <\/div>\n                        <div class=\"resena-content\">\n                <p class=\"has-drop-cap translation-block\">Le christianisme post-confessionnel pr\u00e9sente des nouveaut\u00e9s consid\u00e9rables dans les styles de culte et la structure organisationnelle des congr\u00e9gations, qui transforment la mani\u00e8re dont les adeptes se rapportent \u00e0 leurs croyances, au monde qui les entoure et \u00e0 la mani\u00e8re dont ils vivent le christianisme. Dans cet article, nous pr\u00e9sentons des exemples d'\u00e9glises post-confessionnelles au Mexique et aux \u00c9tats-Unis dans le contexte de la distanciation sociale comme mesure pr\u00e9ventive contre la pand\u00e9mie de <span class=\"small-caps\">covid<\/span>-19<\/span>. \u00c0 travers ces exemples, nous observons l'innovation dans le domaine religieux que repr\u00e9sentent les \u00e9glises post-confessionnelles et la mani\u00e8re dont elles poss\u00e8dent non seulement des ressources de la modalit\u00e9 <em>online<\/em>, mais dans certains cas, elles sont ce que nous appelons des \u00e9glises semi-virtuelles.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/hernandez-trabajo-sexual-tijuana-zona-norte-coahuila\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/herandez-trabajo_sexual_tijuana-imagen-2.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/herandez-trabajo_sexual_tijuana-imagen-2.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\" data-was-processed=\"true\">                <\/figure>\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">Dynamique du travail du sexe \u00e0 Tijuana : t\u00e9moignages ethnographiques de la Zona Norte et de Coahuila<\/h2>\n<h3><ul class=\"list\"><li class=\"list-item\">Alberto Hern\u00e1ndez Hern\u00e1ndez<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Cet article pr\u00e9sente des r\u00e9cits et des dynamiques sociales du quartier rouge ou zone de tol\u00e9rance de Tijuana, en Basse-Californie, sur la base de r\u00e9sultats obtenus apr\u00e8s pr\u00e8s de cinq d\u00e9cennies de visites dans cet espace particulier de la fronti\u00e8re, et plus particuli\u00e8rement d'une p\u00e9riode de trois ans (2015 \u00e0 2018) au cours de laquelle des tourn\u00e9es ethnographiques ont \u00e9t\u00e9 men\u00e9es en recueillant des r\u00e9cits de travailleurs du sexe, d'employ\u00e9s d'\u00e9tablissements, d'utilisateurs de ces services et de visiteurs, dans lesquels ils partagent leurs exp\u00e9riences autour du travail du sexe dans la zone.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"titulo-seccion wp-block-heading\">Encartes multimedia<\/h2>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/sandoval-economia-bazar-puente-papa-monterrey\/\">\n                        <h2 class=\"post-title\">\u00c9conomie de bazar sur le pont du Pape. Monterrey<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Efren Sandoval Hernandez<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">L'objectif de cet essai est de montrer la coparticipation des commer\u00e7ants et des marchandises \u00e0 la reproduction de certaines mani\u00e8res de faire et d'\u00eatre dans le contexte plus large de la r\u00e9alit\u00e9 urbaine. L'essai se compose d'une r\u00e9flexion et de photographies prises sur les lieux de vente de ces commer\u00e7ants. En caract\u00e9risant ce commerce comme une \u00e9conomie de bazar, le regard est dirig\u00e9 vers les marchandises, leurs types, leurs caract\u00e9ristiques et leurs arrangements, y compris ceux des commer\u00e7ants. La centralit\u00e9 g\u00e9ographique du lieu de cette activit\u00e9 contraste avec sa marginalit\u00e9 par rapport \u00e0 l'\u00e9conomie et aux discours h\u00e9g\u00e9moniques de la ville. De m\u00eame que les marchandises trouvent ici une deuxi\u00e8me ou une troisi\u00e8me vie, les commer\u00e7ants semblent faire de m\u00eame en parvenant \u00e0 rester malgr\u00e9 le fait qu'ils aient d\u00e9j\u00e0 \u00e9t\u00e9 rejet\u00e9s par le march\u00e9 du travail et d'autres circonstances de la vie.<\/p>            <p class=\"mas\">Cliquez ici pour la contextualisation<\/p>\n                    <\/a>\n    <\/div>\n<div class=\"multimedia-wrap media-xl\">\n       <div class=\"ficha material\"><a href=\"https:\/\/encartes.mx\/fr\/ensayos-fotograficos\/sandoval-economia-bazar-puente-papa-monterrey\/\"><h3>Reportage photo<\/h3><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/sandoval-economia-bazar-puente-papa-monterrey-image1.jpeg\" data-src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/sandoval-economia-bazar-puente-papa-monterrey-image1.jpeg\" alt=\"\" class=\"wp-image-32026 lazy loaded\" data-was-processed=\"true\"><p class=\"mas\">Cliquez ici pour voir l'essai<\/p><\/a><\/div>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"titulo-seccion wp-block-heading\">Entrevistas<\/h2>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/camus-entrevista-jorge-durand-migrante-desarraigado-mexico-eeuu\/\">\n            <h2 class=\"post-title\">Le migrant d\u00e9racin\u00e9 : une d\u00e9pr\u00e9dation historique<\/h2>\n        <h5><ul class=\"list\"><li class=\"list-item\">Jorge Durand<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Manuela Camus<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Jorge Durand est l'invit\u00e9 de cette section d'interview du magazine. <em>Encartes<\/em>. Anthropologue et chercheur \u00e0 l'universit\u00e9 de Guadalajara, o\u00f9 il est titulaire de la chaire de migration, Jorge Durand est un sp\u00e9cialiste des dynamiques migratoires entre les \u00c9tats-Unis et le Mexique. \u00c0 cette occasion, il d\u00e9crit son incursion dans les pays du nord de l'Am\u00e9rique centrale et la nouvelle figure protagoniste de la r\u00e9gion : le d\u00e9racin\u00e9.<\/p>            <p class=\"mas\">Cliquez ici<\/p>\n                    <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n       <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"&quot;Le migrant d\u00e9racin\u00e9 : une d\u00e9pr\u00e9dation historique&quot; Entretien avec Jorge Durand\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/BRyI5170hRY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/abreu-entrevista-mark-potok-derecha-radical-medios-eeuu\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/abreu-derecha_radical-imagen_2.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/abreu-derecha_radical-imagen_2.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\" data-was-processed=\"true\">                <\/figure>\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">La droite radicale et les r\u00e9cits num\u00e9riques transm\u00e9dias aux \u00c9tats-Unis d'Am\u00e9rique<\/h2>\n<h5><ul class=\"list\"><li class=\"list-item\">Mark Potok<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Jos\u00e9 Antonio Abreu Colombri<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">L'actualit\u00e9 politique mondiale, en particulier en Europe et aux \u00c9tats-Unis, est conditionn\u00e9e par une multitude de discours perturbateurs qui provoquent de grands bouleversements sociaux et une controverse permanente dans les m\u00e9dias. La motivation principale de cet entretien est de conna\u00eetre les interpr\u00e9tations de Mark Potok, l'un des principaux experts de la pens\u00e9e politique actuelle et des mouvements de droite radicaux et violents en Europe et en Am\u00e9rique du Nord, sur ce ph\u00e9nom\u00e8ne.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"titulo-seccion wp-block-heading\">Discrepancias<\/h2>\n\n\n\n<div class=\"ms-item resena discrepancias\">\n                     <div class=\"ficha-material\">\n                <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/barber-cumes-machuca-kofes-zolueta-patrimonio-cultural-comercializacion\/\">\n                <figure class=\"article-preview-image\">\n                    <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/discrepancia-imagen_1.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/discrepancia-imagen_1.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"migrantes\" data-was-processed=\"true\" width=\"580\" height=\"213\"><\/figure>\n                <\/a>    \n            <\/div>\n                    <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/barber-cumes-machuca-kofes-zolueta-patrimonio-cultural-comercializacion\/\">\n            <div class=\"resena-content\">\n<h2 class=\"post-title\">D\u00e9bats sur le patrimoine culturel et la commercialisation des expressions collectives<\/h2>\n                <h5><ul class=\"list\"><li class=\"list-item\">Aura Cumes, Jes\u00fas Antonio Machuca, Suely Kofes et X\u00f3chitl Zolueta<\/li><\/ul><\/h5><h3><ul class=\"list\"><li class=\"list-item\"><span>mod\u00e9rateur<\/span> Rachel Barber<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Au cours de la derni\u00e8re d\u00e9cennie, une vague d'accusations a \u00e9t\u00e9 port\u00e9e contre des marques et des entreprises pour avoir utilis\u00e9 des \u00e9l\u00e9ments culturels de groupes indig\u00e8nes. S'il semble injuste que des entreprises priv\u00e9es s'approprient et tirent profit de l'iconographie et des dessins produits par les communaut\u00e9s autochtones, il est moins \u00e9vident de savoir comment les droits sur les expressions culturelles collectives doivent \u00eatre envisag\u00e9s.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n\n\n\n<h2 class=\"titulo-seccion wp-block-heading\">Rese\u00f1as cr\u00edticas<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/de-la-peza-resena-rompan-todo-rock-latinoamericano\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/resena-rompan_todo.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/resena-rompan_todo.jpg\" data-was-processed=\"true\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">Tout casser. L'histoire du rock en Am\u00e9rique latine. S\u00e9rie TV<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Picky Talarico, Nicol\u00e1s Entel et Nicol\u00e1s Gueilburt<\/span>2020, New York, Red Creek Productions.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Break it all : L'une des nombreuses histoires possibles du rock latino-am\u00e9ricain<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Ma. del Carmen de la Peza Casares<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Malgr\u00e9 la pr\u00e9tention \u00e0 l'universalit\u00e9 annonc\u00e9e dans le sous-titre de la s\u00e9rie, le point de vue particulier de son producteur, principal \u00e9nonciateur du documentaire et l'un des participants au dialogue, pr\u00e9vaut. Le documentaire est une ode \u00e0 Gustavo Santaolalla, qui a fait carri\u00e8re dans l'industrie musicale et a promu de multiples groupes de rock dans lesquels il a d\u00e9couvert des valeurs esth\u00e9tiques, des propositions originales et un potentiel \u00e9conomique en tant que produit de consommation populaire.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n                        \n            <\/div>\n                    <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/sierra-resena-morales-genero-etnicidad-raramuri-chihuahua\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/resena-Sierra_camacho-genero_etnicidad.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/resena-Sierra_camacho-genero_etnicidad.jpg\" data-was-processed=\"true\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">Genre et ethnicit\u00e9 Rar\u00e1muri dans la ville de Chihuahua. Organisation et participation des femmes dans les communaut\u00e9s d'accueil.<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Marco Vinicio Morales Mu\u00f1oz<\/span>2020, Secretar\u00eda de Cultura - inah - Escuela de Antropolog\u00eda e Historia del Norte de M\u00e9xico (\u00c9cole d'anthropologie et d'histoire du nord du Mexique).<span class=\"small-caps\">eahnm<\/span>), Mexique, 256 p.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Femmes urbaines Rar\u00e1muri. Reconfiguration du genre \u00e0 partir de l'ethnicit\u00e9.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Mar\u00eda Teresa Sierra Camacho<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">D'un point de vue ethnographique et culturel, l'auteur offre une vue d'ensemble des relations entre les sexes qui sont red\u00e9finies dans le contexte urbain dans le cadre de processus fortement li\u00e9s \u00e0 l'ethnicit\u00e9, \u00e0 l'in\u00e9galit\u00e9 et \u00e0 la subalternit\u00e9. C'est un livre plein d'espoir qui met au centre les r\u00e9ponses cr\u00e9atives des femmes et des hommes Rar\u00e1muri pour reconfigurer leur vie dans des espaces tr\u00e8s diff\u00e9rents de ceux qu'ils ont traditionnellement occup\u00e9s dans la Sierra Tarahumara.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n                        \n            <\/div>\n                    <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/aimaretti-resena-roca-metodos-accion-documental-investigacion-social\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/resena-aimaretti-caja_herramientas_documental.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num9-multimedia\/resena-aimaretti-caja_herramientas_documental.jpg\" data-was-processed=\"true\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">M\u00e9thodes en action. \u00c9tudes documentaires et recherche sociale<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Lourdes Roca<\/span> (coordinateur), 2020, Instituto de Investigaciones Dr. Jos\u00e9 Mar\u00eda Luis Mora, Mexique, 299 p.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Une bo\u00eete \u00e0 outils pour penser les documentaires et une invitation \u00e0 cr\u00e9er des images pour la recherche sociale.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Maria Aimaretti <\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Le livre propose une pluralit\u00e9 de recherches et d'approches \u00e9pist\u00e9mologiques - des pratiques analytiques situ\u00e9es - qui \u00e9clairent diff\u00e9rents aspects d'une copule conflictuelle : le film documentaire\/audiovisuel et la recherche sociale, historique et anthropologique. Dans les essais, la question est de savoir comment aborder les dialogues, les emprunts et les tensions entre l'art et la science dans le ph\u00e9nom\u00e8ne documentaire, entre la stimulation sensible et les formes de connaissance du monde, de la culture et de l'histoire.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n                        \n            <\/div>\n                    <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"credits col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n    <div class=\"wrapper\">\n<img decoding=\"async\" class=\"simple-logo lazy loaded\" src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-was-processed=\"true\"><p class=\"title translation-block\">Directeur de <em>Encartes<\/em>.<\/p><p class=\"name\"><a href=\"https:\/\/encartes.mx\/fr\/personas\/torre-castellanos-renee-de-la\/\">Ren\u00e9e de la Torre Castellanos<\/a><\/p><p class=\"title\">Edition<\/p><p class=\"name\">Arthur Temporal Ventura<\/p><p class=\"title\">Correction<\/p><p class=\"name\">Maria Palomar<\/p><p class=\"name\">Cecilia Palomar<\/p><p class=\"title\">Dessin et formation<\/p><p class=\"name\">Veronica Segovia<\/p>        <p class=\"title\">\n            <a class=\"directorio\" href=\"https:\/\/archive.org\/download\/encartes-vol-4-num-7\/1-encartes-vol-4-num-direc.pdf\">Voir le r\u00e9pertoire complet<\/a>\n        <\/p>\n    <\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Vol 5, N\u00fam. 9 (2022) Ver n\u00famero completo en PDF en este n\u00famero Tem\u00e1ticas \u201cObtuso es el sentido\u201d: visualidad y pr\u00e1ctica etnogr\u00e1fica Presentaci\u00f3n Richard Kernaghan y Gabriela Zamorano Villarreal Para Barthes el sentido obtuso expone los l\u00edmites del mundo de las representaciones. Acontece cuando ciertos elementos que subyacen en la imagen emergen sorpresivamente para marcar [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":35894,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"numerostemplate.php","meta":{"_acf_changed":false,"footnotes":""},"coauthors":[551],"class_list":["post-35483","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Vol. 5, N\u00fam. 9 (2022) &#8211; Encartes<\/title>\n<meta name=\"description\" content=\"Esta colecci\u00f3n retoma la noci\u00f3n de lo obtuso para reevaluar el peso y la potencia que tiene la imagen para la etnograf\u00eda.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/encartes.mx\/fr\/vol-5-num-9-2022\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vol. 5, N\u00fam. 9 (2022) &#8211; Encartes\" \/>\n<meta property=\"og:description\" content=\"Esta colecci\u00f3n retoma la noci\u00f3n de lo obtuso para reevaluar el peso y la potencia que tiene la imagen para la etnograf\u00eda.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/encartes.mx\/fr\/vol-5-num-9-2022\/\" \/>\n<meta property=\"og:site_name\" content=\"Encartes\" \/>\n<meta property=\"article:modified_time\" content=\"2023-11-22T23:28:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/encartes.mx\/wp-content\/uploads\/2022\/03\/9-portadavol5num9-31.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1181\" \/>\n\t<meta property=\"og:image:height\" content=\"1772\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"9 minutes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data2\" content=\"Arthur Ventura\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/encartes.mx\/vol-5-num-9-2022\/\",\"url\":\"https:\/\/encartes.mx\/vol-5-num-9-2022\/\",\"name\":\"Vol. 5, N\u00fam. 9 (2022) &#8211; Encartes\",\"isPartOf\":{\"@id\":\"https:\/\/encartes.mx\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/encartes.mx\/vol-5-num-9-2022\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/encartes.mx\/vol-5-num-9-2022\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/encartes.mx\/wp-content\/uploads\/2022\/03\/9-portadavol5num9-31.jpg\",\"datePublished\":\"2022-03-21T20:32:34+00:00\",\"dateModified\":\"2023-11-22T23:28:45+00:00\",\"description\":\"Esta colecci\u00f3n retoma la noci\u00f3n de lo obtuso para reevaluar el peso y la potencia que tiene la imagen para la etnograf\u00eda.\",\"breadcrumb\":{\"@id\":\"https:\/\/encartes.mx\/vol-5-num-9-2022\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/encartes.mx\/vol-5-num-9-2022\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/encartes.mx\/vol-5-num-9-2022\/#primaryimage\",\"url\":\"https:\/\/encartes.mx\/wp-content\/uploads\/2022\/03\/9-portadavol5num9-31.jpg\",\"contentUrl\":\"https:\/\/encartes.mx\/wp-content\/uploads\/2022\/03\/9-portadavol5num9-31.jpg\",\"width\":1181,\"height\":1772},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/encartes.mx\/vol-5-num-9-2022\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/encartes.mx\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Vol. 5, N\u00fam. 9 (2022)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/encartes.mx\/#website\",\"url\":\"https:\/\/encartes.mx\/\",\"name\":\"Encartes\",\"description\":\"Revista digital multimedia\",\"publisher\":{\"@id\":\"https:\/\/encartes.mx\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/encartes.mx\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/encartes.mx\/#organization\",\"name\":\"Encartes Antropol\u00f3gicos\",\"url\":\"https:\/\/encartes.mx\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/encartes.mx\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/encartes.mx\/wp-content\/uploads\/2017\/04\/Logo-04.png\",\"contentUrl\":\"https:\/\/encartes.mx\/wp-content\/uploads\/2017\/04\/Logo-04.png\",\"width\":338,\"height\":306,\"caption\":\"Encartes Antropol\u00f3gicos\"},\"image\":{\"@id\":\"https:\/\/encartes.mx\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Vol. 5, N\u00fam. 9 (2022) &#8211; Encartes","description":"Esta colecci\u00f3n retoma la noci\u00f3n de lo obtuso para reevaluar el peso y la potencia que tiene la imagen para la etnograf\u00eda.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/encartes.mx\/fr\/vol-5-num-9-2022\/","og_locale":"fr_FR","og_type":"article","og_title":"Vol. 5, N\u00fam. 9 (2022) &#8211; Encartes","og_description":"Esta colecci\u00f3n retoma la noci\u00f3n de lo obtuso para reevaluar el peso y la potencia que tiene la imagen para la etnograf\u00eda.","og_url":"https:\/\/encartes.mx\/fr\/vol-5-num-9-2022\/","og_site_name":"Encartes","article_modified_time":"2023-11-22T23:28:45+00:00","og_image":[{"width":1181,"height":1772,"url":"https:\/\/encartes.mx\/wp-content\/uploads\/2022\/03\/9-portadavol5num9-31.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"9 minutes","Written by":"Arthur Ventura"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/encartes.mx\/vol-5-num-9-2022\/","url":"https:\/\/encartes.mx\/vol-5-num-9-2022\/","name":"Vol. 5, N\u00fam. 9 (2022) &#8211; Encartes","isPartOf":{"@id":"https:\/\/encartes.mx\/#website"},"primaryImageOfPage":{"@id":"https:\/\/encartes.mx\/vol-5-num-9-2022\/#primaryimage"},"image":{"@id":"https:\/\/encartes.mx\/vol-5-num-9-2022\/#primaryimage"},"thumbnailUrl":"https:\/\/encartes.mx\/wp-content\/uploads\/2022\/03\/9-portadavol5num9-31.jpg","datePublished":"2022-03-21T20:32:34+00:00","dateModified":"2023-11-22T23:28:45+00:00","description":"Esta colecci\u00f3n retoma la noci\u00f3n de lo obtuso para reevaluar el peso y la potencia que tiene la imagen para la etnograf\u00eda.","breadcrumb":{"@id":"https:\/\/encartes.mx\/vol-5-num-9-2022\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/encartes.mx\/vol-5-num-9-2022\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/encartes.mx\/vol-5-num-9-2022\/#primaryimage","url":"https:\/\/encartes.mx\/wp-content\/uploads\/2022\/03\/9-portadavol5num9-31.jpg","contentUrl":"https:\/\/encartes.mx\/wp-content\/uploads\/2022\/03\/9-portadavol5num9-31.jpg","width":1181,"height":1772},{"@type":"BreadcrumbList","@id":"https:\/\/encartes.mx\/vol-5-num-9-2022\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/encartes.mx\/"},{"@type":"ListItem","position":2,"name":"Vol. 5, N\u00fam. 9 (2022)"}]},{"@type":"WebSite","@id":"https:\/\/encartes.mx\/#website","url":"https:\/\/encartes.mx\/","name":"Encartes","description":"Magazine num\u00e9rique multim\u00e9dia","publisher":{"@id":"https:\/\/encartes.mx\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/encartes.mx\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/encartes.mx\/#organization","name":"Insertions anthropologiques","url":"https:\/\/encartes.mx\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/encartes.mx\/#\/schema\/logo\/image\/","url":"https:\/\/encartes.mx\/wp-content\/uploads\/2017\/04\/Logo-04.png","contentUrl":"https:\/\/encartes.mx\/wp-content\/uploads\/2017\/04\/Logo-04.png","width":338,"height":306,"caption":"Encartes Antropol\u00f3gicos"},"image":{"@id":"https:\/\/encartes.mx\/#\/schema\/logo\/image\/"}}]}},"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/pages\/35483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/comments?post=35483"}],"version-history":[{"count":41,"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/pages\/35483\/revisions"}],"predecessor-version":[{"id":38119,"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/pages\/35483\/revisions\/38119"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/media\/35894"}],"wp:attachment":[{"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/media?parent=35483"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/coauthors?post=35483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}