{"id":35238,"date":"2021-09-20T21:09:07","date_gmt":"2021-09-20T21:09:07","guid":{"rendered":"https:\/\/encartes.mx\/?page_id=35238"},"modified":"2024-04-23T17:47:10","modified_gmt":"2024-04-23T23:47:10","slug":"vol-4-num-8-2021","status":"publish","type":"page","link":"https:\/\/encartes.mx\/fr\/vol-4-num-8-2021\/","title":{"rendered":"Vol. 4, No. 8 (2021)"},"content":{"rendered":"<div class=\"cat-title\"><h1>Vol 4, No. 8 (2021)<\/h1><\/div>\n\n\n\n<div class=\"portada-pdf\">\n    <a class=\"complete-pdf\" href=\"https:\/\/revista.encartes.mx\/index.php\/encartes\/issue\/view\/13\/8\">\n        <div>\n            <img decoding=\"async\" class=\"lazy loaded\" style=\"max-width:280px\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/8-portadavol4num8.jpg\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/8-portadavol4num8.jpg\" data-was-processed=\"true\">\n            <p>Voir le num\u00e9ro complet en PDF<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"wp-block-group ms-item editorial gutenslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h1>dans ce num\u00e9ro<\/h1>\n\n\n<div class=\"n2-section-smartslider fitvidsignore  n2_clear\" data-ssid=\"2\"><div id=\"n2-ss-2-align\" class=\"n2-ss-align\"><div class=\"n2-padding\"><div id=\"n2-ss-2\" data-creator=\"Smart Slider 3\" data-responsive=\"auto\" class=\"n2-ss-slider n2-ow n2-has-hover n2notransition\">\n\n\n\n<div class=\"n2-ss-slider-wrapper-inside\">\n        <div class=\"n2-ss-slider-1 n2_ss__touch_element n2-ow\">\n            <div class=\"n2-ss-slider-2 n2-ow\">\n                                                <div class=\"n2-ss-slider-3 n2-ow\">\n\n                    <div class=\"n2-ss-slide-backgrounds n2-ow-all\"><div class=\"n2-ss-slide-background\" data-public-id=\"1\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/guten-postal-num-8-3.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"2\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/guten-postal-num-8-6.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"3\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/guten-postal-num-8-1.gif\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"4\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"62\" data-alt=\"\" data-title=\"\" style=\"--ss-o-pos-y:62%\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/guten-postal-num-8-5.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"5\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/guten-postal-num-8-2.jpg\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"6\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/guten-postal-num-8-4.gif\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><\/div>                    <div class=\"n2-ss-slider-4 n2-ow\">\n                        <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"0 0 600 600\" data-related-device=\"desktopPortrait\" class=\"n2-ow n2-ss-preserve-size n2-ss-preserve-size--slider n2-ss-slide-limiter\"><\/svg><div data-first=\"1\" data-slide-duration=\"0\" data-id=\"4\" data-slide-public-id=\"1\" data-title=\"guten-postal-num-8-3\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/ensayos-fotograficos\/intervenciones-performances-disidencia-espacios-publicos\/\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-4\"><div role=\"note\" class=\"n2-ss-slide--focus\">guten-postal-num-8-3<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-zrlFSu6O0ymk\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"3\" data-slide-public-id=\"2\" data-title=\"guten-postal-num-8-6\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/bonfiglioli-danza-conquista-tlacoachistlahuaca-guerrero\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-3\"><div role=\"note\" class=\"n2-ss-slide--focus\">guten-postal-num-8-6<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-xblZs2nNWUcF\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"7\" data-slide-public-id=\"3\" data-title=\"Slide\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/olvera-pena-reparadores-acordeon-social-monterrey\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-7\"><div role=\"note\" class=\"n2-ss-slide--focus\">Diapositive<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-b1WSHl16xQyD\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"5\" data-slide-public-id=\"4\" data-title=\"guten-postal-num-8-5\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/del-palacio-torres-memoria-grafitti-desapariciones-orizaba\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-5\"><div role=\"note\" class=\"n2-ss-slide--focus\">guten-postal-num-8-5<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-P9zHsoiJWcjP\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"6\" data-slide-public-id=\"5\" data-title=\"guten-postal-num-8-2\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/fernandez-arcelia-diaz-feminista-lider-sindical-zapopan\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-6\"><div role=\"note\" class=\"n2-ss-slide--focus\">guten-postal-num-8-2<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-eLTRQcmyEhD4\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"8\" data-slide-public-id=\"6\" data-title=\"Slide\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/urrecha-sanchez-burgos-amor-genero-musica-nortena-banda\/\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-8\"><div role=\"note\" class=\"n2-ss-slide--focus\">Diapositive<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-8ZVobaZO3egk\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div>                    <\/div>\n\n                                    <\/div>\n            <\/div>\n        <\/div>\n        <div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-right-top\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget n2-style-f17ddbf2d8ed14421f9093b94b93b8a9-heading nextend-autoplay n2-ow-all nextend-autoplay-image\" role=\"button\" aria-label=\"D\u00e9marcation automatique\" data-pause-label=\"Pause d\u00e9marrage automatique\" data-play-label=\"D\u00e9marrage automatique\" tabindex=\"0\"><img decoding=\"async\" class=\"nextend-autoplay-play skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTYiIGhlaWdodD0iMTYiIHZpZXdCb3g9IjAgMCAxNiAxNiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMS41OCA3LjAzTDUuMzAyIDIuMTY1QzUuMTY1IDIuMDU3IDUuMDE2IDIgNC44NTcgMiA0LjM4NCAyIDQgMi41MDQgNCAzLjEyNXY5Ljc1YzAgLjYyLjM4NCAxLjEyNS44NTcgMS4xMjUuMTYgMCAuMzA4LS4wNTcuNDM2LS4xNTZMMTEuNTggOC45N2MuMjUtLjE5OC40Mi0uNTU4LjQyLS45NyAwLS40MTItLjE3LS43NzMtLjQyLS45N3oiCiAgICAgICAgICBmaWxsPSIjZmZmZmZmIiBvcGFjaXR5PSIwLjgiIGZpbGwtcnVsZT0iZXZlbm9kZCIvPgo8L3N2Zz4=\" alt=\"Play\"><img decoding=\"async\" class=\"nextend-autoplay-pause skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTYiIGhlaWdodD0iMTYiIHZpZXdCb3g9IjAgMCAxNiAxNiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik00IDJ2MTJoM1YySDR6bTUgMHYxMmgzVjJIOXoiIGZpbGw9IiNmZmZmZmYiIG9wYWNpdHk9IjAuOCIgZmlsbC1ydWxlPSJldmVub2RkIi8+Cjwvc3ZnPg==\" alt=\"Pause\"><\/div><\/div><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-left-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-previous  nextend-arrow-animated-fade\" data-hide-mobileportrait=\"1\" id=\"n2-ss-2-arrow-previous\" role=\"button\" aria-label=\"fl\u00e8che pr\u00e9c\u00e9dente\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMzIiIGhlaWdodD0iMzIiIHZpZXdCb3g9IjAgMCAzMiAzMiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMS40MzMgMTUuOTkyTDIyLjY5IDUuNzEyYy4zOTMtLjM5LjM5My0xLjAzIDAtMS40Mi0uMzkzLS4zOS0xLjAzLS4zOS0xLjQyMyAwbC0xMS45OCAxMC45NGMtLjIxLjIxLS4zLjQ5LS4yODUuNzYtLjAxNS4yOC4wNzUuNTYuMjg0Ljc3bDExLjk4IDEwLjk0Yy4zOTMuMzkgMS4wMy4zOSAxLjQyNCAwIC4zOTMtLjQuMzkzLTEuMDMgMC0xLjQybC0xMS4yNTctMTAuMjkiCiAgICAgICAgICBmaWxsPSIjZmZmZmZmIiBvcGFjaXR5PSIwLjgiIGZpbGwtcnVsZT0iZXZlbm9kZCIvPgo8L3N2Zz4=\" alt=\"previous arrow\"><\/div><\/div><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-right-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-next  nextend-arrow-animated-fade\" data-hide-mobileportrait=\"1\" id=\"n2-ss-2-arrow-next\" role=\"button\" aria-label=\"fl\u00e8che suivante\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,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\" alt=\"next arrow\"><\/div><\/div><\/div><\/div><ss3-loader><\/ss3-loader><\/div><\/div><div class=\"n2_clear\"><\/div><\/div><\/div><\/div>\n\n\n\n<div class=\"cat-title\"><h1>Tem\u00e1ticas<\/h1><\/div>\n\n\n\n<div class=\"tematica\">\n    <h1 class=\"tematica-title\">Musique populaire, mondialisation et \u00e9conomie<\/h1>\n    <div class=\"tematica-content\">\n    <div class=\"coloquio-principal ms-item\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/olvera-hirai-musica-globalizacion-economia\/\">\n            <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/thumb-intro-num-8-scaled.jpg\" data-src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/thumb-intro-num-8-scaled.jpg\" data-was-processed=\"true\">            <h1>Pr\u00e9sentation<\/h1>\n            <div class=\"text\">\n                <h3><ul class=\"list\"><li class=\"list-item\">Jos\u00e9 Juan Olvera Gudi\u00f1o et Shinji Hirai<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Cette s\u00e9lection d'articles poursuit et d\u00e9veloppe les r\u00e9flexions contenues dans le document <em>\u00c9conomie de la musique nordique<\/em>qui vise \u00e0 analyser les relations sociales structurantes orient\u00e9es vers la g\u00e9n\u00e9ration de valeur et la valorisation d'une myriade d'activit\u00e9s autour de la production, de la circulation et de la consommation de la musique populaire. Dans ces deux efforts acad\u00e9miques, la plupart des travaux se concentrent sur la musique en tant qu'expression populaire urbaine et rurale-urbaine fortement m\u00e9diatis\u00e9e, transnationale, fortement li\u00e9e au d\u00e9veloppement technologique et mettant l'accent sur son expression mercantile. Les espaces sociaux du nord du Mexique et des \u00c9tats-Unis sont les protagonistes de la plupart des propositions et mettent en sc\u00e8ne les flux culturels transfrontaliers et transnationaux, la violence arm\u00e9e, la cr\u00e9ativit\u00e9 et l'innovation, ainsi que l'adaptation aux impacts de l'\u00e9conomie mondiale. Tous ces ph\u00e9nom\u00e8nes sont travers\u00e9s par des contextes num\u00e9riques de production, de circulation et de consommation de formes symboliques et, en tant que nouvelles formes de vie sociale, de subjectivit\u00e9s et d'intersubjectivit\u00e9s que les chercheurs en sciences sociales commencent \u00e0 peine \u00e0 \u00e9tudier.<\/p>            <\/div>\n            <p class=\"mas\">Voir la pr\u00e9sentation compl\u00e8te<\/p>\n        <\/a>\n    <\/div>\n<\/div>\n<div class=\"comentarios ms-item\">\n    <div class=\"comentarios-title\">\n        <h1>Dossier<\/h1>\n    <\/div>\n            <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/burgos-almonacid-composicion-narcocorridos-culiacanazo-ovidio-guzman\/\">\n                <h2 class=\"title\">Composition de narcocorridos en temps r\u00e9el : construction sociomusicale du 17 octobre, le culiacanazo<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">C\u00e9sar Jes\u00fas Burgos D\u00e1vila et Juli\u00e1n Alveiro Almonacid Buitrago<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/hirai-ramos-paisajes-sonoros-migracion-texas-mexico\/\">\n                <h2 class=\"title\">Paysages sonores de la migration. Musique, \u00e9motions et consommation dans les circuits migratoires entre le Texas et le nord-est du Mexique.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Shinji Hirai et Raquel Ramos Rangel<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/urrecha-sanchez-burgos-amor-genero-musica-nortena-banda\/\">\n                <h2 class=\"title\">Construction de l'amour romantique, des id\u00e9aux du couple et des relations entre les sexes \u00e0 partir des paroles de la musique Norte\u00f1o et de la Banda Sinaloense.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Ana Isabel S\u00e1nchez Osuna, C\u00e9sar Jes\u00fas Burgos D\u00e1vila et Mariangel Estefan\u00eda Urrecha Arce<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/simonett-historia-acordeon-europa-america\/\">\n                <h2 class=\"title\">Les conqu\u00eates de l'accord\u00e9on : de l'ancien monde aux nouveaux horizons<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Helena Simonett<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n<div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/olvera-pena-reparadores-acordeon-social-monterrey\/\">\n                <h2 class=\"title\">Les vies de l'accord\u00e9on. Les r\u00e9parateurs et la vie sociale d'un instrument de musique \u00e0 Monterrey.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Jos\u00e9 Juan Olvera Gudi\u00f1o et Jacqueline Pe\u00f1a Benitez<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n<div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/godina-construccion-bajo-sextos-coahuila-visual\/\">\n                <h2 class=\"title\">Construction de sextos basses dans trois villes de Coahuila, Mexique. Tradition et innovation dans l'image visuelle de l'instrument.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Ramiro Godina Valerio<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Cliquez ici<\/p>\n            <\/a>\n        <\/div>\n            <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">R\u00e9alit\u00e9s socioculturelles<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/del-palacio-torres-memoria-grafitti-desapariciones-orizaba\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/del_palacio_torres-sus_miradas-img-3.jpeg\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/del_palacio_torres-sus_miradas-img-3.jpeg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\" data-was-processed=\"true\">                <\/figure>\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">\"Leurs regards dans notre m\u00e9moire\". Les graffitis comme strat\u00e9gie discursive face aux disparitions forc\u00e9es dans la r\u00e9gion de C\u00f3rdoba-Orizaba.<\/h2><h3><ul class=\"list\">\n<li class=\"list-item\">Celia del Palacio Montiel et David Torres Garc\u00eda<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Cet article s'attache \u00e0 pr\u00e9senter les peintures murales sur les jeunes disparus dans la r\u00e9gion d'Orizaba-C\u00f3rdoba, dans l'\u00c9tat de Veracruz, o\u00f9 les disparitions forc\u00e9es constituent un grave probl\u00e8me depuis des ann\u00e9es. L'\u0153uvre r\u00e9alis\u00e9e par l'artiste Aldo Daniel Hern\u00e1ndez, Fise, est analys\u00e9e comme un acte de r\u00e9sistance par les m\u00e8res du Colectivo, comme une lutte contre l'oubli et l'impunit\u00e9, en la situant dans son contexte et en analysant les r\u00e9actions des autorit\u00e9s et de la soci\u00e9t\u00e9. Une lutte discursive devient visible entre les victimes, qui cherchent \u00e0 rendre l'injustice visible et \u00e0 pr\u00e9server la m\u00e9moire, et d'autres acteurs qui cherchent \u00e0 les faire taire.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/fernandez-arcelia-diaz-feminista-lider-sindical-zapopan\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/fernandez-arcelia_diaz-img-12.jpeg\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/fernandez-arcelia_diaz-img-12.jpeg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\" data-was-processed=\"true\">                <\/figure>\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">Mar\u00eda Arcelia D\u00edaz (1896-1939) : f\u00e9ministe, ouvri\u00e8re textile, dirigeante syndicale et pionni\u00e8re des politiques sociales et du travail \u00e0 Zapopan<\/h2>\n<h3><ul class=\"list\"><li class=\"list-item\">Mar\u00eda Teresa Fern\u00e1ndez Aceves<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Dans cet essai, je tisse ensemble diff\u00e9rents mat\u00e9riaux (audio, visuels, musicaux, cartes et donn\u00e9es statistiques) avec mon interpr\u00e9tation historique de l'importance de Mar\u00eda Arcelia D\u00edaz (1896-1939) en tant que f\u00e9ministe, ouvri\u00e8re du textile, dirigeante syndicale et pionni\u00e8re des politiques sociales et du travail \u00e0 Zapopan, et de la r\u00e9sonance de ses luttes dans notre pr\u00e9sent. La voix, le visuel, le texte et le son s'entrem\u00ealent dans mon r\u00e9cit historique pour reconfigurer le temps v\u00e9cu et l'exp\u00e9rience temporelle silencieuse et r\u00e9duite au silence de D\u00edaz.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/castillo-mestizaje-racismo-costa-chica-guerrero\/\">\n                        <div class=\"ficha-material\">\n                <h2 class=\"post-title\">Revueltos, grijos y puchuncos : racialisation, identit\u00e9 et mestizaje dans un village de la Costa Chica au Guerrero<\/h2>\n                <h3>\n                    <ul class=\"list\">\n<li class=\"list-item\">Giovanny Castillo Figueroa<\/li>\n                    <\/ul>\n                <\/h3>\n                <h4><span class=\"before\">Mots cl\u00e9s : <\/span>alt\u00e9rit\u00e9, identit\u00e9, m\u00e9tissage, racialisation, race.<\/h4>\n                            <\/div>\n                        <div class=\"resena-content\">\n                <p class=\"has-drop-cap\">Cet article pr\u00e9sente une analyse ethnographique des processus de racialisation, de m\u00e9tissage et de construction de l'identit\u00e9\/alt\u00e9rit\u00e9 \u00e0 Punta Maldonado (El Faro), Costa Chica, Guerrero. Il examine tout d'abord les concepts de race et de racialisation afin de comprendre comment les attributs physiques ont \u00e9t\u00e9 utilis\u00e9s pour marquer et hi\u00e9rarchiser les diff\u00e9rences ; il explore ensuite les significations de certaines cat\u00e9gories utilis\u00e9es localement qui montrent comment l'apparence physique, en particulier les cheveux, est socialement per\u00e7ue et interpr\u00e9t\u00e9e \u00e0 El Faro. Enfin, il analyse la mani\u00e8re dont l'id\u00e9e de m\u00e9lange est pens\u00e9e et incorpor\u00e9e dans les r\u00e9cits d'identit\u00e9 collective dans ce lieu.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Encartes multimedia<\/h2>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/frigerio-religion-taxi-etnografia-buenos-aires\/\">\n                        <h2 class=\"post-title\"> \t\n\"Altars tacheros\" : mini-ethnographies al\u00e9atoires de la vie (religieuse) quotidienne<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Alejandro Frigerio<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">L'\u0153uvre montre et analyse les assemblages de symboles et d'images magico-religieuses que de nombreux chauffeurs de taxi de la ville de Buenos Aires accrochent aux r\u00e9troviseurs de leur voiture ou attachent \u00e0 leur pare-soleil. Elle utilise le mot \"autel\" avec prudence pour rendre visibles ces traces minimalistes de la vie religieuse quotidienne des porte\u00f1os, des objets qui, \u00e0 la fois, offrent une protection contre les dangers du trafic routier quotidien et t\u00e9moignent de relations avec des \u00eatres surhumains sp\u00e9cifiques.<\/p>            <p class=\"mas\">Cliquez ici pour la contextualisation<\/p>\n                    <\/a>\n    <\/div>\n<div class=\"multimedia-wrap media-xl\">\n       <div class=\"ficha material\"><a href=\"https:\/\/encartes.mx\/fr\/ensayos-fotograficos\/frigerio-religion-taxi-etnografia-buenos-aires-imagenes\/\"><h3>Reportage photo<\/h3><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/frigerio-altares_tacheros-img-21.JPG\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/frigerio-altares_tacheros-img-21.JPG\" alt=\"\" class=\"wp-image-32026 lazy loaded\" data-was-processed=\"true\"><p class=\"mas\">Cliquez ici pour voir l'essai<\/p><\/a><\/div>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/bonfiglioli-danza-conquista-tlacoachistlahuaca-guerrero\/\">\n                        <h2 class=\"post-title\"> \t\nImages de la conqu\u00eate \u00e0 Tlacoachistlahuaca, Guerrero : une histoire parmi tant d'autres...<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Carlo Bonfiglioli<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap translation-block\">La danse qui fait l'objet des images pr\u00e9sent\u00e9es dans cet essai photographique dialogue avec de nombreuses histoires. Tout d\u00e9pend o\u00f9, quand et pour qui ces histoires sont dans\u00e9es. Pour les missionnaires du <span class=\"small-caps\">xvii<\/span> si\u00e8cle, qui en sont les premiers acteurs, cette danse \u00e9tait un moyen d'inculquer et de c\u00e9l\u00e9brer l'arriv\u00e9e de la nouvelle religion. Mais au <span class=\"small-caps\">xixe<\/span> si\u00e8cle, avec l'ind\u00e9pendance et plus tard avec la victoire de l'arm\u00e9e juariste sur les Fran\u00e7ais, cette vision des vainqueurs a chang\u00e9 de camp et avec elle les danses ont \u00e9galement chang\u00e9. Les instituteurs ruraux prennent la place des missionnaires et deviennent les protagonistes d'une nouvelle fa\u00e7on de penser et de pr\u00e9senter le pass\u00e9 ; les premi\u00e8res variantes pro-indig\u00e9nistes commencent \u00e0 occuper la sc\u00e8ne ou bien elles se m\u00e9langent ou coexistent avec les variantes pro-ispanistes.<\/p>            <p class=\"mas\">Cliquez ici pour la contextualisation<\/p>\n                    <\/a>\n    <\/div>\n<div class=\"multimedia-wrap media-xl\">\n       <div class=\"ficha material\"><a href=\"https:\/\/encartes.mx\/fr\/ensayos-fotograficos\/bonfiglioli-danza-conquista-tlacoachistlahuaca-guerrero-imagenes\/\"><h3>Reportage photo<\/h3><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/bonfiglioli-tlacoachistlahuaca-img-33.JPG\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/bonfiglioli-tlacoachistlahuaca-img-33.JPG\" alt=\"\" class=\"wp-image-32026 lazy loaded\" data-was-processed=\"true\"><p class=\"mas\">Cliquez ici pour voir l'essai<\/p><\/a><\/div>\n    <\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/encartes.mx\/fr\/ensayos-fotograficos\/intervenciones-performances-disidencia-espacios-publicos\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"318\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/banner-conv-3-1024x318.jpg\" alt=\"\" class=\"wp-image-35284\" srcset=\"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/banner-conv-3-1024x318.jpg 1024w, https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/banner-conv-3-300x93.jpg 300w, https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/banner-conv-3-768x238.jpg 768w, https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/banner-conv-3-18x6.jpg 18w, https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/banner-conv-3-1200x372.jpg 1200w, https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/banner-conv-3.jpg 1251w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Entrevistas<\/h2>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/mojica-estudios-regionales-jalisco-pedro-tome-andres-fabregas\/\">\n            <h2 class=\"post-title\">Entre les r\u00e9gions : conversation avec Pedro Tom\u00e9 et Andr\u00e9s F\u00e1bregas<\/h2>\n        <h5><ul class=\"list\"><li class=\"list-item\">Pedro Tom\u00e9 et Andr\u00e9s F\u00e1bregas Puig<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Rafael Omar Mojica Gonz\u00e1lez<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Pedro et Andr\u00e9s ont \u00e9voqu\u00e9 les modes d'interaction lors de l'exploration des r\u00e9gions : boire des bi\u00e8res, jouer aux cartes, raconter des blagues et d'autres mani\u00e8res de se rapprocher des personnes \u00e9tudi\u00e9es pour parler, jouer et rire avec elles, tout en d\u00e9couvrant leur culture et en apprenant \u00e0 les conna\u00eetre. Ces interactions donnent naissance \u00e0 des liens d'affection et d'amiti\u00e9. C'est une coexistence dans la chaleur d'un feu de camp o\u00f9 chaque chercheur \"doit accepter une certaine alt\u00e9ration de sa vision du monde\", comme l'a soulign\u00e9 Andr\u00e9s. Une interculturalit\u00e9 qui va et vient.<\/p>            <p class=\"mas\">Cliquez ici<\/p>\n                    <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n       <div class=\"multimedia\"><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Entre les r\u00e9gions : conversation avec Pedro Tom\u00e9 et Andr\u00e9s F\u00e1bregas - Interview de Rafael Mojica\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/6I598V-xx-Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Discrepancias<\/h2>\n\n\n\n<div class=\"ms-item resena discrepancias\">\n                     <div class=\"ficha-material\">\n                <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/nichter-osorio-gibbon-covid-politica-mexico-inglaterra-eeuu\/\">\n                <figure class=\"article-preview-image\">\n                    <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2020\/09\/victor_resendiz-mexicali_1.jpg\" data-src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2020\/09\/victor_resendiz-mexicali_1.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"migrantes\" data-was-processed=\"true\" width=\"580\" height=\"213\"><\/figure>\n                <\/a>    \n            <\/div>\n                    <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/nichter-osorio-gibbon-covid-politica-mexico-inglaterra-eeuu\/\">\n            <div class=\"resena-content\">\n<h2 class=\"post-title\">La pand\u00e9mie. Ann\u00e9e 2 : exp\u00e9riences diff\u00e9renci\u00e9es, dilemmes partag\u00e9s et r\u00e9flexions multiples de l'anthropologie m\u00e9dicale sur COVID 19<\/h2>\n                <h5><ul class=\"list\"><li class=\"list-item\">Rosa Mar\u00eda Osorio, Sahra Gibbon et Mark Nichter<\/li><\/ul><\/h5><h3><ul class=\"list\"><li class=\"list-item\"><span>mod\u00e9r\u00e9<\/span>Paola Mar\u00eda Sesia et Lina Rosa Berrio<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Nous avons invit\u00e9 trois sp\u00e9cialistes de l'anthropologie m\u00e9dicale \u00e0 r\u00e9fl\u00e9chir sur leurs exp\u00e9riences et leurs connaissances respectives du Mexique, de la Grande-Bretagne, des \u00c9tats-Unis et de l'Inde, qui ont tous \u00e9t\u00e9 profond\u00e9ment touch\u00e9s par la pand\u00e9mie, bien que de mani\u00e8re tr\u00e8s diff\u00e9rente, et dont la gestion de la pand\u00e9mie a \u00e9t\u00e9 orient\u00e9e dans des directions diff\u00e9rentes. Cela nous permet de comparer la diversit\u00e9 des r\u00e9ponses officielles \u00e0 la crise sanitaire et \u00e9conomique.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Rese\u00f1as cr\u00edticas<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/sosa-oktubre-carolina-bello-resena-redondos\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/portada-libro-oktubre.jpg\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/portada-libro-oktubre.jpg\" data-was-processed=\"true\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">OKTUBRE\/Patricio Rey et ses Redonditos de Ricotas<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Carolina Bello<\/span>, 2018, Estuario, Montevideo, 144 pp.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">OKTUBRE, le montage d'une \u00e9poque ou \"le rock comme tous les pleurs\".<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Mar\u00eda M\u00f3nica Sosa V\u00e1squez<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">L'OKTUBRE de Los Redondos et de Bello ne constitue pas une propagande partisane, comme l'\u00e9tait l'Oktubre d'Eisenstein et d'Aleksandrov (1928). Toutefois, cela ne signifie pas que la politisation est exclue ou qu'elle n'est pr\u00e9sente que dans les r\u00e9f\u00e9rences \u00e0 Tchernobyl. October Fires\", la premi\u00e8re chanson de l'album, semble - comme le refl\u00e8tent les personnages - briser cette conception de la politique comme une t\u00e2che li\u00e9e \u00e0 un parti ou, en tout cas, \u00e0 un seul parti.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n                        \n            <\/div>\n                    <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/castillo-dos-narizones-nahayeilli-juarez-resena-orisha\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/dos_narizones-portada.jpg\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/dos_narizones-portada.jpg\" data-was-processed=\"true\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">Deux gros nez ne peuvent s'embrasser. Trajectoires, usages et pratiques de la tradition orisha au Yucatan.<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Nahayeilli Ju\u00e1rez Huet<\/span>2019, CIESAS-UNAM, Mexique, 319 pp.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Dialogues transatlantiques : les routes de la croyance. Circulation, relocalisation et r\u00e9interpr\u00e9tation de la tradition orisha.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Gabriela Castillo Ter\u00e1n<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Bien qu'il existe une longue tradition de recherches importantes sur la Santeria et la culture africaine au Mexique, le travail de Nahayeilli Ju\u00e1rez Huet est sans aucun doute la recherche r\u00e9cente la plus importante parce qu'elle est actuelle, compl\u00e8te, exhaustive et minutieuse. Il s'agit d'une lecture essentielle pour comprendre la dynamique de la tradition Orisha au Mexique et ses relations avec Cuba et le Nigeria, o\u00f9 elle explore \u00e9galement les liens avec le christianisme et l'islam.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n                        \n            <\/div>\n                    <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/fr\/roboam-sectas-protestantes-espiritu-heinrich-schafer-resena-america\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/protestantes-portada.jpeg\" data-src=\"https:\/\/archive.org\/download\/enc-8-multimedia\/protestantes-portada.jpeg\" data-was-processed=\"true\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">Les sectes protestantes et l'esprit de l'(anti-)imp\u00e9rialisme. Les enchev\u00eatrements religieux dans les Am\u00e9riques (Essais interam\u00e9ricains, 8)<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Heinrich W. Sch\u00e4fer<\/span>2020, Kipu\/CIAS, Bielefeld.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Protestantisme interam\u00e9ricain<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Ezer Roboam Mai Mai<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Sch\u00e4fer montre que les m\u00eames dispositions religieuses du protestantisme am\u00e9ricain sont re-signifi\u00e9es de diff\u00e9rentes mani\u00e8res dans le processus d'adoption latino-am\u00e9ricain ; on peut parler d'un protestantisme de gauche et d'un protestantisme de droite, qui entretiennent \u00e0 leur tour des liens avec les organisations religieuses du Nord.<\/p>                <p class=\"mas\">Cliquez ici<\/p>\n                        \n            <\/div>\n                    <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"credits col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n    <div class=\"wrapper\">\n<img decoding=\"async\" class=\"simple-logo lazy loaded\" src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-was-processed=\"true\"><p class=\"title translation-block\">Directeur de <em>Encartes<\/em>.<\/p><p class=\"name\"><a href=\"https:\/\/encartes.mx\/fr\/personas\/torre-castellanos-renee-de-la\/\">Ren\u00e9e de la Torre Castellanos<\/a><\/p><p class=\"title\">Edition<\/p><p class=\"name\">Arthur Temporal Ventura<\/p><p class=\"title\">Correction<\/p><p class=\"name\">Maria Palomar<\/p><p class=\"name\">Cecilia Palomar<\/p><p class=\"title\">Dessin et formation<\/p><p class=\"name\">Veronica Segovia<\/p>        <p class=\"title\">\n            <a class=\"directorio\" href=\"https:\/\/archive.org\/download\/encartes-vol-4-num-7\/1-encartes-vol-4-num-direc.pdf\">Voir le r\u00e9pertoire complet<\/a>\n        <\/p>\n    <\/div>\n<\/div>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Vol 4, n\u00b0 8 (2021) Voir le num\u00e9ro complet en PDF dans ce num\u00e9ro Th\u00e8mes Musique populaire, mondialisation et \u00e9conomie Introduction Jos\u00e9 Juan Olvera Gudi\u00f1o et Shinji Hirai Cette s\u00e9lection d'articles poursuit et prolonge les r\u00e9flexions contenues dans Econom\u00eda de las m\u00fasicas norte\u00f1as, qui vise \u00e0 analyser les relations sociales structurantes orient\u00e9es vers la g\u00e9n\u00e9ration [...]<\/p>","protected":false},"author":4,"featured_media":35257,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"numerostemplate.php","meta":{"_acf_changed":false,"footnotes":""},"coauthors":[551],"class_list":["post-35238","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Vol. 4, N\u00fam. 8 (2021) &#8211; Encartes<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/encartes.mx\/fr\/vol-4-num-8-2021\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vol. 4, N\u00fam. 8 (2021) &#8211; Encartes\" \/>\n<meta property=\"og:description\" content=\"Vol 4, N\u00fam. 8 (2021) Ver n\u00famero completo en PDF en este n\u00famero Tem\u00e1ticas M\u00fasica popular, globalizaci\u00f3n y econom\u00eda Presentaci\u00f3n Jos\u00e9 Juan Olvera Gudi\u00f1o y Shinji Hirai Esta selecci\u00f3n de art\u00edculos da continuidad y ampl\u00eda las reflexiones contenidas en Econom\u00eda de las m\u00fasicas norte\u00f1as, cuyo fin es analizar las relaciones sociales estructurantes orientadas a generar [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/encartes.mx\/fr\/vol-4-num-8-2021\/\" \/>\n<meta property=\"og:site_name\" content=\"Encartes\" \/>\n<meta property=\"article:modified_time\" content=\"2024-04-23T23:47:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/8-portadavol4num8.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"10 minutes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data2\" content=\"Arthur Ventura\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/encartes.mx\/vol-4-num-8-2021\/\",\"url\":\"https:\/\/encartes.mx\/vol-4-num-8-2021\/\",\"name\":\"Vol. 4, N\u00fam. 8 (2021) &#8211; Encartes\",\"isPartOf\":{\"@id\":\"https:\/\/encartes.mx\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/encartes.mx\/vol-4-num-8-2021\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/encartes.mx\/vol-4-num-8-2021\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/8-portadavol4num8.jpg\",\"datePublished\":\"2021-09-20T21:09:07+00:00\",\"dateModified\":\"2024-04-23T23:47:10+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/encartes.mx\/vol-4-num-8-2021\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/encartes.mx\/vol-4-num-8-2021\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/encartes.mx\/vol-4-num-8-2021\/#primaryimage\",\"url\":\"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/8-portadavol4num8.jpg\",\"contentUrl\":\"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/8-portadavol4num8.jpg\",\"width\":800,\"height\":1200},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/encartes.mx\/vol-4-num-8-2021\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/encartes.mx\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Vol. 4, N\u00fam. 8 (2021)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/encartes.mx\/#website\",\"url\":\"https:\/\/encartes.mx\/\",\"name\":\"Encartes\",\"description\":\"Revista digital multimedia\",\"publisher\":{\"@id\":\"https:\/\/encartes.mx\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/encartes.mx\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/encartes.mx\/#organization\",\"name\":\"Encartes Antropol\u00f3gicos\",\"url\":\"https:\/\/encartes.mx\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/encartes.mx\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/encartes.mx\/wp-content\/uploads\/2017\/04\/Logo-04.png\",\"contentUrl\":\"https:\/\/encartes.mx\/wp-content\/uploads\/2017\/04\/Logo-04.png\",\"width\":338,\"height\":306,\"caption\":\"Encartes Antropol\u00f3gicos\"},\"image\":{\"@id\":\"https:\/\/encartes.mx\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Vol. 4, N\u00fam. 8 (2021) &#8211; Encartes","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/encartes.mx\/fr\/vol-4-num-8-2021\/","og_locale":"fr_FR","og_type":"article","og_title":"Vol. 4, N\u00fam. 8 (2021) &#8211; Encartes","og_description":"Vol 4, N\u00fam. 8 (2021) Ver n\u00famero completo en PDF en este n\u00famero Tem\u00e1ticas M\u00fasica popular, globalizaci\u00f3n y econom\u00eda Presentaci\u00f3n Jos\u00e9 Juan Olvera Gudi\u00f1o y Shinji Hirai Esta selecci\u00f3n de art\u00edculos da continuidad y ampl\u00eda las reflexiones contenidas en Econom\u00eda de las m\u00fasicas norte\u00f1as, cuyo fin es analizar las relaciones sociales estructurantes orientadas a generar [&hellip;]","og_url":"https:\/\/encartes.mx\/fr\/vol-4-num-8-2021\/","og_site_name":"Encartes","article_modified_time":"2024-04-23T23:47:10+00:00","og_image":[{"width":800,"height":1200,"url":"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/8-portadavol4num8.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"10 minutes","Written by":"Arthur Ventura"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/encartes.mx\/vol-4-num-8-2021\/","url":"https:\/\/encartes.mx\/vol-4-num-8-2021\/","name":"Vol. 4, N\u00fam. 8 (2021) &#8211; Encartes","isPartOf":{"@id":"https:\/\/encartes.mx\/#website"},"primaryImageOfPage":{"@id":"https:\/\/encartes.mx\/vol-4-num-8-2021\/#primaryimage"},"image":{"@id":"https:\/\/encartes.mx\/vol-4-num-8-2021\/#primaryimage"},"thumbnailUrl":"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/8-portadavol4num8.jpg","datePublished":"2021-09-20T21:09:07+00:00","dateModified":"2024-04-23T23:47:10+00:00","breadcrumb":{"@id":"https:\/\/encartes.mx\/vol-4-num-8-2021\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/encartes.mx\/vol-4-num-8-2021\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/encartes.mx\/vol-4-num-8-2021\/#primaryimage","url":"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/8-portadavol4num8.jpg","contentUrl":"https:\/\/encartes.mx\/wp-content\/uploads\/2021\/09\/8-portadavol4num8.jpg","width":800,"height":1200},{"@type":"BreadcrumbList","@id":"https:\/\/encartes.mx\/vol-4-num-8-2021\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/encartes.mx\/"},{"@type":"ListItem","position":2,"name":"Vol. 4, N\u00fam. 8 (2021)"}]},{"@type":"WebSite","@id":"https:\/\/encartes.mx\/#website","url":"https:\/\/encartes.mx\/","name":"Encartes","description":"Revista digital multimedia","publisher":{"@id":"https:\/\/encartes.mx\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/encartes.mx\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"fr-FR"},{"@type":"Organization","@id":"https:\/\/encartes.mx\/#organization","name":"Encartes Antropol\u00f3gicos","url":"https:\/\/encartes.mx\/","logo":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/encartes.mx\/#\/schema\/logo\/image\/","url":"https:\/\/encartes.mx\/wp-content\/uploads\/2017\/04\/Logo-04.png","contentUrl":"https:\/\/encartes.mx\/wp-content\/uploads\/2017\/04\/Logo-04.png","width":338,"height":306,"caption":"Encartes Antropol\u00f3gicos"},"image":{"@id":"https:\/\/encartes.mx\/#\/schema\/logo\/image\/"}}]}},"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/pages\/35238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/comments?post=35238"}],"version-history":[{"count":36,"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/pages\/35238\/revisions"}],"predecessor-version":[{"id":38810,"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/pages\/35238\/revisions\/38810"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/media\/35257"}],"wp:attachment":[{"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/media?parent=35238"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/encartes.mx\/fr\/wp-json\/wp\/v2\/coauthors?post=35238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}