{"id":40482,"date":"2026-03-20T15:00:00","date_gmt":"2026-03-20T21:00:00","guid":{"rendered":"https:\/\/encartes.mx\/?page_id=40482"},"modified":"2026-04-26T14:05:51","modified_gmt":"2026-04-26T20:05:51","slug":"vol-9-num-17-2026","status":"publish","type":"page","link":"https:\/\/encartes.mx\/en\/vol-9-num-17-2026\/","title":{"rendered":"Vol. 9, No. 17 (2026)"},"content":{"rendered":"<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"412\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-1024x412.jpg\" alt=\"\" class=\"wp-image-40546\" srcset=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-1024x412.jpg 1024w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-300x121.jpg 300w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-768x309.jpg 768w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-1600x643.jpg 1600w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-1536x617.jpg 1536w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-18x7.jpg 18w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6-1200x482.jpg 1200w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/04\/Image_ajn6stajn6stajn6.jpg 1632w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"cat-title\"><h1>Vol. 9, No. 17 (2026)<\/h1><\/div>\n\n\n\n<div class=\"portada-pdf\">\n    <a class=\"complete-pdf\" href=\"https:\/\/archive.org\/download\/encartes-17\/00-encartes-17-completo.pdf\">\n        <div>\n            <img decoding=\"async\" class=\"lazy loaded\" style=\"max-width:280px\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/03_potadano17_encartes20261.jpg\">\n            <p>See full issue in PDF<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"editorial ms-item\">\n    <h1>Editorial<\/h1>\n    <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/de-la-torre-editoria-tradiciones-disruptivas\/\">\n        <div class=\"text\">\n            <p class=\"has-drop-cap\">In these uncertain times, the publication of issue 17 of Encartes magazine is a cause for celebration and celebration. We are living in a turbulent time with enormous changes in political rules, in which academic institutions are experiencing difficulties in financing their projects and the social sciences are facing challenges such as the validity of our work in the face of the new information systematization competencies offered by artificial intelligence.<\/p>\n        <\/div>\n<p class=\"mas\">Click here<\/p>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"cat-title\"><h1>Tem\u00e1ticas<\/h1><\/div>\n\n\n\n<div class=\"tematica\">\n<h1 class=\"tematica-title\">Disruptive traditions of the cultural order<\/h1>\n    <div class=\"tematica-content\">\n    <div class=\"coloquio-principal ms-item\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/dossier-carlos-hernandez-tradiciones-disruptivas\/\">\n            <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/17.1.442_Imagen-6_Renata-Menezes.jpg\" data-src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/17.1.442_Imagen-6_Renata-Menezes.jpg\" data-was-processed=\"true\">\n            <h1>Presentation<\/h1>\n            <div class=\"text\">\n                <h3><ul class=\"list\"><li class=\"list-item\">Carlos Arturo Hern\u00e1ndez D\u00e1vila<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">This dossier addresses the transgressive role of traditions that go through moments of crisis, censorship, threats or onslaughts before consolidating themselves as new formal spaces. The crisis of traditions provides fertile ground for social research: ruptures and schisms are phenomena that keep both creativity and ethnographic imagination active.<\/p>\n            <\/div>\n            <p class=\"mas\">See full presentation<\/p>\n        <\/a>\n    <\/div>\n<div class=\"comentarios ms-item\">\n    <div class=\"comentarios-title\">\n        <h1>Dossier<\/h1>\n    <\/div>\n        <div class=\"comentario ms-item\">\n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/ceriani-pueblos-indigenas-gran-chaco-celebraciones\/\">\n                <h2 class=\"title\">Social performance and historical transformation in the anniversary celebrations of indigenous churches in Chaco (Argentina).<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">C\u00e9sar Ceriani Cernadas<\/li><\/ul><\/h3>\n                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n        <div class=\"comentario ms-item\">\n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/castro-carnaval-religion-cultura-simbolismo-samba\/\">\n                <h2 class=\"title\">The thematization of the religious in the samba schools of Rio de Janeiro (2016-2022): festive performances and social processes.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Renata de Castro Menezes<\/li><\/ul><\/h3>\n                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n        <div class=\"comentario ms-item\">\n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/lara-etnofonias-patrimonio-biocultural-capital-sonoro\/\">\n                <h2 class=\"title\">Ethnophonies: Mexico's Biocultural Heritage<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Jos\u00e9 Joel Lara Gonz\u00e1lez<\/li><\/ul><\/h3>\n                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n        <div class=\"comentario ms-item\">\n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/solis-sacerdotes-mexico-asesinatos-violencia-crimen-organizado\/\">\n                <h2 class=\"title\">Echoes of the cristiada? Necropolitics and \u201cpriestly martyrdom\u201d in Mexico's 21st century.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Yves Bernardo Roger Solis Nicot<\/li><\/ul><\/h3>\n                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n        <div class=\"comentario ms-item\">\n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/hernandez-carnaval-otomi-transformacion-cuerpo\/\">\n                <h2 class=\"title\">The ng\u00e4d'i-dokwe: ritual disruptions, altered bodies and bodily alterities in the Otom\u00ed world.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Carlos Arturo Hern\u00e1ndez D\u00e1vila<\/li><\/ul><\/h3>\n                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n    <\/div>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Realidades socioculturales<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/mora-strickland-economia-social-solidaria-jovenes-cafe-interculturalidad\/\">\n            <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/imagen_3_ximena_y_danielle-scaled.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n                <\/figure>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Caf\u00e9 Capeltic. Building an intercultural bridge in the Jesuit University System of Mexico.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Ximena de la Mora Gonz\u00e1lez<\/li><li class=\"list-item\">Rebecca Danielle Strickland<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">This text analyzes the social and solidarity economy project that makes up the Capeltic coffee shops and its potential to strengthen interculturality in the Jesuit University System. It is based on an exploration of the cooperatives involved in the production chain of coffee sold on campus and the imaginaries about the different stages of this process. Data were collected through participant observation and interviews with coffee growers, cooperative members and consumers. The role of young people as the main creators of intercultural bridges between the Tseltal communities where coffee is grown and the university communities where it is consumed is highlighted.<\/p>\n                <p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/vargas-ayora-sentidos-feria-sevilla-espana\/\">\n            <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Imagen-4_Steffan-y-Gabrielajpeg-scaled.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n                <\/figure>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">The Senses of the Fair and the Fair of the Senses in Seville, Spain<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Gabriela Vargas Cetina<\/li><li class=\"list-item\">Steffan Igor Ayora Diaz<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">In this article we propose that the April Fair in Seville, Spain, is a multisensory, synaesthetic and synesthetic experience that reaffirms Sevillian identity and highlights identity boundaries between locals and visitors, while underlining local social differences. Drawing on the work of Paul Stoller and David Sutton, as well as our fieldwork in Seville between 2017 and 2025, we describe the synaesthetic and synesthetic experience of the Feria de Abril as dimensions that invoke \u201cthe Sevillian.\u201d We argue that the recognition of sensory experience contributes to a complex anthropological approach to the political dimension of local events.<\/p>\n                <p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/encartes.mx\/en\/ensayos-fotograficos\/imagenes-que-resisten-regimenes-de-visibilidad-y-otros-paisajes-posibles\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"419\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1024x419.jpg\" alt=\"\" class=\"wp-image-40506\" srcset=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1024x419.jpg 1024w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-300x123.jpg 300w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-768x314.jpg 768w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1600x655.jpg 1600w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-2200x900.jpg 2200w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1536x629.jpg 1536w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-2048x838.jpg 2048w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-18x7.jpg 18w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1200x491.jpg 1200w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2-1980x810.jpg 1980w, https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Francisco-De-Parres_Requiem-por-la-autonomia2.jpg 2500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Encartes multimedia<\/h2>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/mazariegos-culto-cuir-sinverguenza-lgbtq-performance-bautizo-trans\/\">\n            <h2 class=\"post-title\">The Shameless Cuir Cult: Ritual recreations based on performance<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Hilda Mar\u00eda Cristina Mazariegos Herrera<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">The aim of this essay is to give an account of one of the ways in which feminist and lgbtq+ believers, who belong or were socialized in different religious-spiritual traditions, primarily evangelical, resymbolize the sacred and the political through performance in the framework of what the group Theology Without Shame calls Cuir Cult. It addresses issues such as female ancestry, trans baptisms, criticism of ecosieg and sexual freedom, in a context of growing anti-feminist and anti-gender conservatism.<\/p>\n        <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl\">\n        <div class=\"ficha material\"><a href=\"https:\/\/encartes.mx\/en\/ensayos-fotograficos\/culto-cuir-sinverguenza-performance\/\">\n            <h3>Photographic Essay<\/h3>\n            <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/02\/imagen_6_cristina_mazariegos.jpg\" alt=\"\" class=\"wp-image lazy loaded\">\n            <p class=\"mas\">Click here to see the essay<\/p>\n        <\/a><\/div>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/almasi-espinoza-medina-dos-almas-sanan-animitas-chile\/\">\n            <h2 class=\"post-title\">Where two souls heal, a photographic essay on the animita as an artifact of healing in the Chilean everyday life<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Lili Alm\u00e1si-Szab\u00f3<\/li><li class=\"list-item\">David Arturo Espinoza Zamudio<\/li><li class=\"list-item\">Pedro Pablo Medina Andrade<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">This photographic essay explores the phenomenon of animitas in Chile, small popular altars erected for the souls of tragically deceased persons. Over time, these have begun to occupy a role that goes beyond the commemorative. They are not only visited by the loved ones of the deceased, but also by neighbors and other practitioners of popular religiosity, giving them a relevant place in the healing of body and spirit.<\/p>\n        <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl\">\n        <div class=\"ficha material\"><a href=\"https:\/\/encartes.mx\/en\/ensayos-fotograficos\/donde-dos-almas-se-sanan\/\">\n            <h3>Photographic Essay<\/h3>\n            <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/02\/imagen_40_lili_almasi.jpg\" alt=\"\" class=\"wp-image lazy loaded\">\n            <p class=\"mas\">Click here to see the essay<\/p>\n        <\/a><\/div>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Entrevistas<\/h2>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/covarrubias-familias-robles-dialogo-epistolar\/\">\n            <h2 class=\"post-title\">\u201cFamilies are like oak trees with deep roots...\u201d Epistolary dialogue with Daniel Bertaux from the book Genealog\u00edas comparadas. Cultural analysis of the educational habitus in Oaxacan families.<\/h2>\n            <h5><ul class=\"list\"><li class=\"list-item\">Daniel Bertaux<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Karla Yolanda Covarrubias Cu\u00e9llar<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">This text is the result of an \u201cepistolary dialogue\u201d between Professor Daniel Bertaux and Karla Covarrubias, whose objective is to highlight the exchange of ideas when talking about oral history and its link with the study of the \u201cintergenerational educational habitus\u201d in four families and their genealogies throughout the twentieth century in Oaxaca.<\/p>\n        <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/covarrubias-familias-robles-dialogo-epistolar\/\">\n            <figure class=\"article-preview-image\">\n                <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/Bertaux.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n            <\/figure>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/pensar-desde-fisura-curaduria-jose-luis-barrios\/\">\n            <h2 class=\"post-title\">Thinking from the fissure: aesthetics, curatorship and cinema in the work of Jos\u00e9 Luis Barrios.<\/h2>\n            <h5><ul class=\"list\"><li class=\"list-item\">Jos\u00e9 Luis Barrios<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Alina Pe\u00f1a Iguar\u00e1n<\/li><li class=\"list-item\">Anaeli Ibarra C\u00e1ceres<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Jos\u00e9 Luis Barrios' contributions offer tools to think images beyond representation. By articulating desire, perception and experience of space, he shows that aesthetic criticism is a way of understanding how our ways of seeing and inhabiting the world are configured. His thought conceives the image as a field in dispute where meanings, affects and memories are negotiated.<\/p>\n        <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Interview with Jos\u00e9 Luis Barrios | Thinking from the fissure: aesthetics, curatorship and cinema\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/oTda_WiMVdk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Discrepancias<\/h2>\n\n\n\n<div class=\"ms-item resena discrepancias\">\n    <div class=\"ficha-material\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/discrepancias-espejo-algoritmico-humanos-inteligencia-artificial\/\">\n            <figure class=\"article-preview-image\">\n                <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/52703180353_93ced0e72f_b-e1773524019758.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"espejo algor\u00edtmico\" width=\"580\" height=\"213\">\n            <\/figure>\n        <\/a>\n    <\/div>\n    <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/discrepancias-espejo-algoritmico-humanos-inteligencia-artificial\/\">\n        <div class=\"resena-content\">\n            <h2 class=\"post-title\">The algorithmic mirror: insights from the social sciences on human-AI interaction.<\/h2>\n            <h5><ul class=\"list\"><li class=\"list-item\">Gabriela Sued, Gabriel P\u00e9rez Salazar, Marco Dehnert and ChatGPT-5<\/li><\/ul><\/h5>\n<h3><ul class=\"list\"><li class=\"list-item\"><span>moderate<\/span><br \/>  Arthur Temporal, Alina Pe\u00f1a Iguar\u00e1n and Ignacio Salvador Dur\u00e1n Ricardez<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Three specialists and ChatGPT-5 discuss artificial intelligence from the social sciences: its epistemological approach, its consequences on social bonds and its impact on intellectual work. These technologies - \u201dalgorithmic mirrors\u201d that reflect digitized human culture - reconfigure the emotional economy of social interaction and pose a major epistemological challenge.<\/p>\n            <p class=\"mas\">Click here<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Rese\u00f1as cr\u00edticas<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/morales-resena-humanizando-deportacion-narrativas-digitales\/\">\n            <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/17_6_399_5_portada_loraine_morales.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n                <\/figure>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Reflections from the Border: Humanizing Deportation through Digital Narratives in Tijuana<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Loraine Morales Pino<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">This review examines Humanizing Deportation: Digital Narratives from the Streets of Tijuana (2023), a collective work coordinated by Robert McKee Irwin and Guillermo Alonso Meneses. The author examines how the project, initiated in 2016, uses digital storytelling to amplify the voices of deported migrants on the US-Mexico border, documenting the trauma, double stigmatization and reintegration difficulties they face. It highlights its value as an archive of resistance and contribution to migration studies.<\/p>\n                <p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/almazan-resena-videojuegos-ensenanza-historia\/\">\n            <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/17_6_441_5_portada_manuel_almazan_los_videojuegos_como_caballo_de_troya.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n                <\/figure>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Video games as a Trojan Horse in the teaching of history.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Manuel Almazan<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">The review analyzes the book Les usages p\u00e9dagogiques des jeux vid\u00e9o Assassin's Creed (2023), edited by \u00c9thier and Lefran\u00e7ois, which gathers the experiences of Quebec teachers who incorporate this saga into the classroom to develop critical thinking. Almaz\u00e1n values the exercise but points out pedagogical limitations and raises questions about its possible application in the Latin American context.<\/p>\n                <p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/rodriguez-cine-sindicato-estrella-dolores-rio\/\">\n            <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2026\/03\/17_6_463_5_portada_daria_rodriguez_del_cine_al_sindicato.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">\n                <\/figure>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">From the cinema to the union: \u201cAn actress, a star and a supportive partner: Dolores del R\u00edo\u201d.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Daria Sofia Rodriguez Olvera<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">This review discusses the open-access biography Una actriz, una estrella y una compa\u00f1era solidaria: Dolores del R\u00edo, by Jehiely Hern\u00e1ndez Correa and Ana Salinas Alberdi, published by the <span class=\"small-caps\">inehrm<\/span>. The play traces the career of the actress from Durango in Hollywood and the Mexican cinema of the Golden Age, as well as her political facet: her integration to the National Union of Actors, her participation in the founding of the Cervantino Festival and the Cineteca Nacional, and her work as head of the daycare center of the <span class=\"small-caps\">go to<\/span>.<\/p>\n                <p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"credits col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n    <div class=\"wrapper\">\n        <img decoding=\"async\" class=\"simple-logo lazy loaded\" src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-was-processed=\"true\">\n        <p class=\"title translation-block\">Director<\/p>\n        <p class=\"name\"><a href=\"https:\/\/encartes.mx\/en\/personas\/torre-castellanos-renee-de-la\/\">\u00c1ngela Ren\u00e9e de la Torre Castellanos<\/a><\/p>\n        <p class=\"title\">Edition<\/p>\n        <p class=\"name\">Emilia Diaz Corona Centeno<\/p>\n        <p class=\"title\">Correction<\/p>\n        <p class=\"name\">Isabel Orend\u00e1in<\/p>\n        <p class=\"name\">Amparo Ramirez Rivera<\/p>\n        <p class=\"title\">Design and layout<\/p>\n        <p class=\"name\">Veronica Segovia<\/p>\n        <p class=\"title\">Design and digital training<\/p>\n        <p class=\"name\">Arthur Temporal Ventura<\/p>\n<p class=\"title\">\n            <a class=\"directorio\" href=\"https:\/\/archive.org\/download\/encartes-17\/directorio-17.pdf\">See full directory<\/a>\n        <\/p>\n    <\/div>\n<\/div>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Vol. 9, n\u00fam. 17 (2026) Ver n\u00famero completo en PDF Editorial En estos tiempos tan inciertos, es motivo de celebraci\u00f3n y festejo la publicaci\u00f3n del n\u00famero 17 de la revista Encartes. Vivimos una \u00e9poca convulsa con enormes cambios en las reglas pol\u00edticas, en la que las instituciones acad\u00e9micas experimentan dificultades para financiar sus proyectos y [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":40481,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"numerostemplate.php","meta":{"_acf_changed":false,"footnotes":""},"coauthors":[551],"class_list":["post-40482","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Vol. 9, n\u00fam. 17 (2026) &#8211; Encartes<\/title>\n<meta name=\"description\" content=\"En estos tiempos tan inciertos, es motivo de celebraci\u00f3n y festejo la publicaci\u00f3n del n\u00famero 17 de la revista Encartes.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/encartes.mx\/en\/vol-9-num-17-2026\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vol. 9, n\u00fam. 17 (2026) &#8211; 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