{"id":39117,"date":"2024-09-20T10:51:48","date_gmt":"2024-09-20T16:51:48","guid":{"rendered":"https:\/\/encartes.mx\/?page_id=39117"},"modified":"2024-09-25T15:26:48","modified_gmt":"2024-09-25T21:26:48","slug":"vol-7-num-14-2024","status":"publish","type":"page","link":"https:\/\/encartes.mx\/en\/vol-7-num-14-2024\/","title":{"rendered":"Vol. 7, No. 14 (2024)"},"content":{"rendered":"<div class=\"cat-title\"><h1>Vol. 7, No. 14 (2024)<\/h1><\/div>\n\n\n\n<div class=\"portada-pdf\">\n    <a class=\"complete-pdf\" href=\"https:\/\/revista.encartes.mx\/index.php\/encartes\/issue\/view\/19\/16\">\n        <div>\n            <img decoding=\"async\" class=\"lazy loaded\" style=\"max-width:280px\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/09\/portada_VolVIINo14_Encartes_2024.jpg\">\n            <p>See full issue in PDF<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"editorial ms-item\">\n    <h1>Editorial<\/h1>\n    <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/avisos\/dossier-utopias-tradicionales\/\">\n        <div class=\"title\">\n            <h2>Traditional utopias to face the crises of modernity<\/h2>\n        <\/div>\n        <div class=\"text\">\n            <p class=\"has-drop-cap\">Indigenous communitarianisms are not only vestiges of the past and tradition. From them emanate models to face the contemporary world by providing alternatives of social organization that offer communitarianisms, self-sustainable models in the face of the environmental crisis generated by capitalist extractivism, revolutionary projects, as well as avant-garde artistic and literary expressions.<\/p>\n        <\/div>\n<p class=\"mas\">Click here<\/p>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"cat-title\"><h1>Tem\u00e1ticas<\/h1><\/div>\n\n\n\n<div class=\"tematica\">\n<h1 class=\"tematica-title\">The making of the community utopia<\/h1>\n    <div class=\"tematica-content\">\n    <div class=\"coloquio-principal ms-item\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/rizo-distintas-utopias-comunidades-futuros-posibles\/\">\n            <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/09\/Imagen-1.png\" data-src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/09\/Imagen-1.png\" data-was-processed=\"true\">            <h1>Presentation<\/h1>\n            <div class=\"text\">\n                <h3><ul class=\"list\"><li class=\"list-item\">Del\u00e1zkar Noel Rizo Guti\u00e9rrez<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">The ethnographies in this dossier show the frictions, differences and even contradictions in cultural dynamics when traditional ways of organizing life, the longing to recover the past and keep it alive, internal social rules, moral principles, the demands and aspirations of younger generations, external and internal intellectual proposals, learning to organize political struggles and dialogues with the State, the influence of markets, national policies and the multiple paths to achieve the desired futures come together. If there is one tradition worth remembering from the utopian proposals of the last centuries, it is that the subject of change requires the collectivity to develop its capacity for agency towards change, towards the dreamed horizon.<\/p>            <\/div>\n            <p class=\"mas\">See full presentation<\/p>\n        <\/a>\n    <\/div>\n<\/div>\n<div class=\"comentarios ms-item\">\n    <div class=\"comentarios-title\">\n        <h1>Dossier<\/h1>\n    <\/div>\n            <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/zarate-comunidades-momivientos-indigenas-utopia-reconocimiento\/\">\n                <h2 class=\"title\">Community utopias as bets for the future among the Purh\u00e9pecha people<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Eduardo Zarate<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/casas-escritores-nahuas-utopias-comunidades-futuros\/\">\n                <h2 class=\"title\">Nahua writers: community utopias and practices about possible futures in the Sierra de Zongolica, Mexico.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Carlos Alberto Casas Mendoza<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/serrano-norpatagonia-comunidades-indigenas-contextos-urbanos-proyectos-comunes\/\">\n                <h2 class=\"title\">The future in common. Indigenous communities in the cities of the lower Negro River, Norpatagonia Argentina.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Javier Serrano<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/ruiz-ejido-agrarismo-nacionalismo-comunidad-valle-de-guadalupe\/\">\n                <h2 class=\"title\">Ejido El Porvenir in Valle de Guadalupe, Baja California. Experiences and memories of an agricultural community<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Rogelio E. Ruiz Rios<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n<div class=\"comentario ms-item\" style=\"border-bottom:none\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/delazkar-utopias-cotidianas-certezas-fragmentacion-autonomia-comunidad\/\">\n                <h2 class=\"title\">Composing and fragmenting the communitarian utopia. Living autonomy between dreams and disappointments.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Del\u00e1zkar Noel Rizo Guti\u00e9rrez<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n            <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Realidades socioculturales<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/flores-etnografia-metodologia-digital-atletas-videojuegos\/\">\n                        <div class=\"ficha-material\">\n                <h2 class=\"post-title\">Learning to accompany Mexican amateur digital athletes. Elements to think the presence and construction of the field mediated by technologies.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Iv\u00e1n Flores Obreg\u00f3n<\/li><\/ul><\/h3>\n                <h4><span class=\"before\">Keywords: <\/span>digital culture, digital ethnography, value, video games.<\/h4>\n                            <\/div>\n                        <div class=\"resena-content\">\n                <p class=\"has-drop-cap\">In this text I seek to reflect on how I adapted digital ethnography for my fieldwork with Mexican amateur and semi-professional digital athletes. Although we have a vast literature on research processes mediated by digital technologies, much of this academic production is in English and there are few cases in which we can think of situations and experiences of Mexican users. The text addresses the problem of putting the body and making a presence in the process of construction of the ethnographic field. One of the hypotheses that guided the work is that the notion of value in the process of becoming a digital athlete is associated with the way in which failure is re-signified in the learning curve that Mexican players go through.<\/p>                <p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/dansac-etnografia-aprendizaje-somatico-new-age-espiritualidad-francia\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/09\/Figura-1-scaled.jpeg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">                <\/figure>\n\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">Learning to see and feel the invisible: somatic pedagogy in alternative spiritual practices.<\/h2>\n<h3><ul class=\"list\"><li class=\"list-item\">Yael Dansac<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">The article exposes a progressive somatic learning process aiming at the production of a sensitive body capable of interacting with non-human agents promoted in spiritual practices of New Age and neo-pagan inspiration. Contemporary rituals performed at the archaeological site of Carnac, France, are taken as ethnographic and empirical basis by considering them as sensory learning spaces where participants develop their bodily attention to verify the efficacy of the implemented techniques. The analysis shows that the main elements that compose the applied somatic pedagogy are the learning of an alternative sensory language, the execution of body techniques, the practice of visualization and the incorporation of somatic imaginaries.<\/p>                <p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/robichaux-martinez-moreno-danzasreligiosas-medios-devocionales-confinamiento-coronavirus\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/09\/Imagen-7.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">                <\/figure>\n\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">Dancing for the saints in the time of covid-19: responses to the 2020 confinement in central Mexico.<\/h2>\n<h3><ul class=\"list\"><li class=\"list-item\">David Robichaux, Jorge Mart\u00ednez Galv\u00e1n and Manuel Moreno Carvallo<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">During religious festivals in the regions of Teotihuac\u00e1n and Texcoco, northeast of Mexico City, people \"dance for the saint,\" often to fulfill a promise made in a plea for healing or in gratitude for a favor received. Based on fieldwork conducted between 2011 and 2019, and on online interviews and monitoring of Facebook posts in 2020 and early 2021, in this article we explore the impact of the coronavirus on devotional dances performed in the context of religious festivals. In particular, we examine cases of new practices adopted during confinement. Drawing on Jeremy Stolow's (2005) concept of \"religions as media,\" we show how a combination of digital and face-to-face media made it possible for local Catholic communities to maintain the relationship characterized by the principle of <em>do ut des<\/em> with their patron saint during the pandemic, \"albeit in different ways\". We conclude by raising several questions regarding the future of devotional dances and religious festivals in these regions, as we enter the second year of restrictions to mitigate the effects of covid-19.<\/p>                <p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Encartes multimedia<\/h2>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/roush-metodos-visuales-nochemichoacan-desapariciones-duelo\/\">\n                        <h2 class=\"post-title\">Of Zamorano insomnia. What is not talked about, but what the night allows to be shown<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Laura Lee Roush Perdue<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">This photographic essay is based on images taken during night walks in Zamora, Michoac\u00e1n, between 2020 and 2023, years in which Zamora was recognized among the cities with the highest homicide and disappearance rates in the world. It seeks an interpretation of the uses of home altars and cenotaphs in relation to a relative silence in public language. By following the examples of Zamorano (2022), Reyero (2007) and others, many of the images were returned, opening opportunities for conversation about violent events, mourning, fear and stigmatization of families with loss. The substantial portion of the text, distributed among the captions, comes from texts sent anonymously by people who responded to these images.<\/p>\n                    <\/a>\n    <\/div>\n<div class=\"multimedia-wrap media-xl\">\n       <div class=\"ficha material\"><a href=\"https:\/\/encartes.mx\/en\/ensayos-fotograficos\/roush-fotografias-noche-michoacan-desapariciones-duelo\/\">\n<h3>Photographic Essay<\/h3><img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/09\/resized2-novenar.jpg\" alt=\"\" class=\"wp-image-32026 lazy loaded\"><p class=\"mas\">Click here to see the essay<\/p><\/a><\/div>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/mancilla-huasteca-potosina-nahuas-mascaras-agencia-xantolo\/\">\n                        <h2 class=\"post-title\">Photographing a ritual process: an approach to the agency of Xantolo masks in the Huasteca Potosina.<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Pablo Uriel Mancilla Reyna<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">This photographic essay shows the agency of the masks used during the festival of Xantolo or Todos Santos in Chapulhuacanito, Tamazunchale, S.L.P. It focuses on making visible the relationships and ritual practices that exist among the people who are part of the group of costumed people of the San Jos\u00e9 neighborhood, the masks, which materialize the dead during their passage in the world of the living, are placed as the axis. Arranged as a process, the photographs make visible the capacity of the masks to influence people in the ritual context. The photographic work presented was made from 2019 to 2023.<\/p>\n                    <\/a>\n    <\/div>\n<div class=\"multimedia-wrap media-xl\">\n       <div class=\"ficha material\"><a href=\"https:\/\/encartes.mx\/en\/ensayos-fotograficos\/mancilla-fotos-huasteca-potosina-nahuas-mascaras-agencia-xantolo\/\">\n<h3>Photographic Essay<\/h3><img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/09\/resizedImagen-9.-Juego-de-miradas_.jpg\" alt=\"\" class=\"wp-image-32026 lazy loaded\"><p class=\"mas\">Click here to see the essay<\/p><\/a><\/div>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Entrevistas<\/h2>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/gutierrez-kuhn-trayectoria-cimetatografia-mexicana\/\">\n            <h2 class=\"post-title\">Beams of light: the cinematographic gaze of Luc-Toni Kuhn<\/h2>\n        <h5><ul class=\"list\"><li class=\"list-item\">Toni Kuhn<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Arturo Gutierrez del Angel<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Toni Kuhn's work is a continuity and part of this great tradition of Mexican cinematographers, such as Gabriel Figueroa, Alex Phillips, Jack Draper, Agust\u00edn Jim\u00e9nez, to name a few. They were his teachers, his references, although they did not give him - as he tells us - a visual, photographic eye, because whether you are born with it or not, it is almost a substitute for the language itself, for the multiple languages, which, he says, he learned in his native Switzerland and which he knew, in one way or another, how to translate into images and capitalize it with a reality that Mexico imposed on him. In this interview, Toni tells us about the beams of light that he has captured throughout his long-lived work.<\/p>\n                    <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n       <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Interview with Toni Kuhn | Beams of Light: The cinematographic gaze of Toni Kuhn\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/dddS3IXgVmk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/de-la-torre-lomnitz-entrevista-trayectoria-creativa\/\">\n            <h2 class=\"post-title\">Interview with Claudio Lomnitz. Second part: the creative anthropologist<\/h2>\n        <h5><ul class=\"list\"><li class=\"list-item\">Claudio Lomnitz<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Ren\u00e9e de la Torre Castellanos<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">During the interview, the theme of creativity, present in Lomnitz's career, is highlighted. While we know that it is necessary not only in the phase of scientific dissemination but also to conceive new topics and risky questions, we must recognize that it is a complex issue that, as Jes\u00fas Mart\u00edn Barbero said, leads us to navigate in dark seas without maps to discover new seas.<\/p>\n                    <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n       <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Interview with Claudio Lomnitz | Part Two: The creative anthropologist\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/XdQimMU2kJ8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Discrepancias<\/h2>\n\n\n\n<div class=\"ms-item resena discrepancias\">\n                     <div class=\"ficha-material\">\n                <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/camurca-lanna-menezes-debatepertinencia-ensayo-sobre-el-don\/\">\n                <figure class=\"article-preview-image\">\n                    <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/09\/Wmalinowski_trobriand_isles_1918_cropped.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"migrantes\" width=\"580\" height=\"213\"><\/figure>\n                <\/a>    \n            <\/div>\n                    <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/camurca-lanna-menezes-debatepertinencia-ensayo-sobre-el-don\/\">\n            <div class=\"resena-content\">\n<h2 class=\"post-title\">The relevance of Marcel Mauss's essay on gift<\/h2>\n                <h5><ul class=\"list\"><li class=\"list-item\">Marcos P. D. Lanna and Renata de Castro Menezes<\/li><\/ul><\/h5><h3><ul class=\"list\"><li class=\"list-item\"><span>moderator<\/span>  Marcelo Camur\u00e7a<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">For Mauss, the gift encompasses innumerable phenomena, but, more than a phenomenon, he considers it a relationship. They are goods, words, people, visits, parties, music, gestures, violence, signs, among other significant realities, which may or may not circulate as commodities, from which, once given, emanate some forms of retribution; they are \"obligations,\" says Mauss.<\/p>                \n<p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Rese\u00f1as cr\u00edticas<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/arias-arquitectura-de-remesas-vista-hermosa-jalisco\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/09\/Resenas-Patricia-Arias.jpeg\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">Remittance architecture. The transformation of a Mexican town<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">In\u00e9s Vachez Palomar, 2023, Guadalajara, Arquit\u00f3nica-Analog Typologies, 110p.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">The house of dreams, heritage and mausoleums<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Patricia arias<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Architecture of Remittances. The transformation of a Mexican village is the result of recent research and reflection by In\u00e9s Vachez Palomar on a topic that has been mentioned in various studies over time: the importance of the house in the destination of remittances from rural migrants.<\/p>                \n<p class=\"mas\">Click here<\/p>\n                        \n            <\/div>\n         <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/braconnier-posguerra-guatemala-identidades-formacion-de-sujetos\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/09\/Resena-Anna-Braconnier.jpg\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">Settling scores. Guatemala, the end and the ends of the war.<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Diane M. Nelson <\/span>, 2022, Antigua Guatemala, Ediciones del Pensativo, 471p.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Diane M. Nelson settles accounts with Guatemala<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Ana Braconnier De Le\u00f3n<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">When does the war end, when does the post-war period begin? Nelson does not offer us a fixed answer because it is impossible to \"disentangle\" the war from the peace when she writes this book in its first edition. However, throughout the text, she proposes a way of understanding this period characterized by its ambivalence and complexity.<\/p>                \n\n<p class=\"mas\">Click here<\/p>\n                        \n            <\/div>\n         <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/ballesteros-archivo-etnograficoaudiovisual-representacion-pueblos-originarios\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/09\/Resena-Karla-Ballesteros-scaled.jpg\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">Rediscovering the Audiovisual Ethnographic Archive<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Antonio Ziri\u00f3n (coord.)<\/span> (ed.), 2021, Mexico, Universidad Aut\u00f3noma Metropolitana\/Elefanta Editorial, 492p.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Diverse views of the cinematographic and photographic productions of the Audiovisual Ethnographic Archive and the representation of native peoples.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Karla Ballesteros<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">The main objective of this book is to combine a series of reflections on the Audiovisual Ethnographic Archive of the Instituto Nacional Indigenista, as well as to give an account of the context in which it was created and developed as part of a visual record of the social organization and other aspects of the native peoples of Mexico. It also tells us about the different stages this organization has gone through and its repercussions on the productions.<\/p>                \n\n<p class=\"mas\">Click here<\/p>\n                        \n            <\/div>\n                    <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"credits col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n    <div class=\"wrapper\">\n<img decoding=\"async\" class=\"simple-logo lazy loaded\" src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-was-processed=\"true\"><p class=\"title translation-block\">Director<\/p><p class=\"name\"><a href=\"https:\/\/encartes.mx\/en\/personas\/torre-castellanos-renee-de-la\/\">Ren\u00e9e de la Torre Castellanos<\/a><\/p><p class=\"title\">Edition<\/p><p class=\"name\">Nury Salome Aguilar Pita<\/p><p class=\"title\">Correction<\/p><p class=\"name\">Cecilia Palomar<\/p><p class=\"name\">Isabel Orend\u00e1in<\/p><p class=\"title\">Design and layout<\/p><p class=\"name\">Veronica Segovia<\/p><p class=\"title\">Wordpress Desing<\/p><p class=\"name\">Arthur Temporal Ventura<\/p>        <p class=\"title\">\n            <a class=\"directorio\" href=\"https:\/\/archive.org\/download\/encartes-14\/directorio-encartes-sep-2024.pdf\">See full directory<\/a>\n        <\/p>\n    <\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Vol. 7, No. 14 (2024) View full issue in PDF Editorial Traditional Utopias to face the crises of modernity Indigenous communitarianisms are not only vestiges of the past and tradition. From them emanate models to face the contemporary world by providing alternatives of social organization that offer communitarianisms, self-sustainable models in the face of modernity and [...]<\/p>","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"numerostemplate.php","meta":{"_acf_changed":false,"footnotes":""},"coauthors":[551],"class_list":["post-39117","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Vol. 7, n\u00fam. 14 (2024) &#8211; Encartes<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/encartes.mx\/en\/vol-7-num-14-2024\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vol. 7, n\u00fam. 14 (2024) &#8211; Encartes\" \/>\n<meta property=\"og:description\" content=\"Vol. 7, n\u00fam. 14 (2024) Ver n\u00famero completo en PDF Editorial Utop\u00edas tradicionales para enfrentar las crisis de la modernidad Los comunitarismos ind\u00edgenas no son solo vestigios del pasado y la tradici\u00f3n. De ellos emanan modelos para enfrentar el mundo contempor\u00e1neo al brindar alternativas de organizaci\u00f3n social que ofrecen comunitarismos, modelos autosustentables de cara a [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/encartes.mx\/en\/vol-7-num-14-2024\/\" \/>\n<meta property=\"og:site_name\" content=\"Encartes\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-25T21:26:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/09\/portada_VolVIINo14_Encartes_2024.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"10 minutes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data2\" content=\"Arthur Ventura\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/encartes.mx\/vol-7-num-14-2024\/\",\"url\":\"https:\/\/encartes.mx\/vol-7-num-14-2024\/\",\"name\":\"Vol. 7, n\u00fam. 14 (2024) &#8211; Encartes\",\"isPartOf\":{\"@id\":\"https:\/\/encartes.mx\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/encartes.mx\/vol-7-num-14-2024\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/encartes.mx\/vol-7-num-14-2024\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/09\/portada_VolVIINo14_Encartes_2024.jpg\",\"datePublished\":\"2024-09-20T16:51:48+00:00\",\"dateModified\":\"2024-09-25T21:26:48+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/encartes.mx\/vol-7-num-14-2024\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/encartes.mx\/vol-7-num-14-2024\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/encartes.mx\/vol-7-num-14-2024\/#primaryimage\",\"url\":\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/09\/portada_VolVIINo14_Encartes_2024.jpg\",\"contentUrl\":\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/09\/portada_VolVIINo14_Encartes_2024.jpg\",\"width\":1181,\"height\":1772},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/encartes.mx\/vol-7-num-14-2024\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/encartes.mx\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Vol. 7, n\u00fam. 14 (2024)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/encartes.mx\/#website\",\"url\":\"https:\/\/encartes.mx\/\",\"name\":\"Encartes\",\"description\":\"Revista digital multimedia\",\"publisher\":{\"@id\":\"https:\/\/encartes.mx\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/encartes.mx\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/encartes.mx\/#organization\",\"name\":\"Encartes Antropol\u00f3gicos\",\"url\":\"https:\/\/encartes.mx\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/encartes.mx\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/encartes.mx\/wp-content\/uploads\/2017\/04\/Logo-04.png\",\"contentUrl\":\"https:\/\/encartes.mx\/wp-content\/uploads\/2017\/04\/Logo-04.png\",\"width\":338,\"height\":306,\"caption\":\"Encartes Antropol\u00f3gicos\"},\"image\":{\"@id\":\"https:\/\/encartes.mx\/#\/schema\/logo\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Vol. 7, n\u00fam. 14 (2024) &#8211; Encartes","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/encartes.mx\/en\/vol-7-num-14-2024\/","og_locale":"en_US","og_type":"article","og_title":"Vol. 7, n\u00fam. 14 (2024) &#8211; Encartes","og_description":"Vol. 7, n\u00fam. 14 (2024) Ver n\u00famero completo en PDF Editorial Utop\u00edas tradicionales para enfrentar las crisis de la modernidad Los comunitarismos ind\u00edgenas no son solo vestigios del pasado y la tradici\u00f3n. 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