{"id":38708,"date":"2024-03-21T10:54:28","date_gmt":"2024-03-21T16:54:28","guid":{"rendered":"https:\/\/encartes.mx\/?page_id=38708"},"modified":"2024-03-21T16:55:03","modified_gmt":"2024-03-21T22:55:03","slug":"vol-7-num-13-2024","status":"publish","type":"page","link":"https:\/\/encartes.mx\/en\/vol-7-num-13-2024\/","title":{"rendered":"Vol. 7, No. 13 (2024)"},"content":{"rendered":"<div class=\"cat-title\"><h1>Vol. 7, No. 13 (2024)<\/h1><\/div>\n\n\n\n<div class=\"portada-pdf\">\n    <a class=\"complete-pdf\" href=\"https:\/\/revista.encartes.mx\/index.php\/encartes\/issue\/view\/18\/13\">\n        <div>\n            <img decoding=\"async\" class=\"lazy loaded\" style=\"max-width:280px\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/03\/2.Portada_VolVIINo13_Encartes_2024.jpg\">\n            <p>See full issue in PDF<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"editorial ms-item\">\n    <h1>Editorial<\/h1>\n    <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/avisos\/numero-paisajes-sonoros\/\">\n        <div class=\"title\">\n            <h2>An issue dedicated to sonority<\/h2>\n        <\/div>\n        <div class=\"text\">\n            <p class=\"has-drop-cap\">The 13th issue of Encartes magazine is dedicated to a dossier whose central theme is soundscapes. It is a fact that there is no celebration without sound and that sonority always accompanies traditions; however, what is new is the special attention that this sonority has received in anthropology as well as in sociology and geography. This interest is not limited to the recognition of its emotionally experienced effects, but also to the way in which sensorial cultural productions are capable of transforming a territory. This is precisely what the concept of soundscapes is about.<\/p>\n        <\/div>\n<p class=\"mas\">Click here<\/p>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"cat-title\"><h1>Tem\u00e1ticas<\/h1><\/div>\n\n\n\n<div class=\"tematica\">\n<h1 class=\"tematica-title\">The soundscape in culture<\/h1>\n    <div class=\"tematica-content\">\n    <div class=\"coloquio-principal ms-item\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/olmos-paisaje-sonoro-cultura\/\">\n            <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/03\/word-image-38473-7-1-e1710199966758.jpeg\" data-src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/03\/word-image-38473-7-1-e1710199966758.jpeg\" data-was-processed=\"true\">            <h1>Presentation<\/h1>\n            <div class=\"text\">\n                <h3><ul class=\"list\"><li class=\"list-item\">Miguel Olmos Aguilera<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">The relevance of sound studies is due, among other reasons, to the fact that sound is a phenomenon immanent to matter. Every object in the universe is susceptible to acoustic qualities. Therefore, the way of expressing and experiencing the sonorous qualities of the landscape and objects evokes at the same time the qualities of the culture and of the individuals involved in the sonorous expression.<\/p>            <\/div>\n            <p class=\"mas\">See full presentation<\/p>\n        <\/a>\n    <\/div>\n<\/div>\n<div class=\"comentarios ms-item\">\n    <div class=\"comentarios-title\">\n        <h1>Dossier<\/h1>\n    <\/div>\n            <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/camacho-simbolismo-musical-instrumentos-sonoros-danza-pajkoola\/\">\n                <h2 class=\"title\">The earth rumbles. <em>Tenabarim, koyolim and senaaso<\/em>. Amerindian mythology of Pajko'ola musical instruments.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Fidel Camacho<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/luna-analisis-percepcion-sonido-cultura-wixaritari\/\">\n                <h2 class=\"title\">The sonic border of the wixaritari ceremonial experts. Liminality for the control and protection of the rains.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Xilonen Mar\u00eda del Carmen Luna Ruiz<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/bayuelo-percepcion-sonora-migrantes-tapachula\/\">\n                <h2 class=\"title\">Noises and silences in the migrant waiting: sound environments and racialization of listening in the Haitian community in Tapachula.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">M\u00f3nica Bayuelo Garc\u00eda<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/koen-olmos-comunidad-son-jarocho-frontera-tijuana-san-diego\/\">\n                <h2 class=\"title\">The sound creation of the jaranero community: Reflections and analysis on the practice of son jarocho on the Tijuana-San Diego border.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Madison Ree Koen and Miguel Olmos Aguilera<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n<div class=\"comentario ms-item\" style=\"border-bottom:none\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/olvera-procesos-divulgacion-ciencia-sitio-web\/\">\n                <h2 class=\"title\">Scientific dissemination as science, technique and art. The case of \"musicaenelnoreste.mx\".<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Jos\u00e9 Juan Olvera Gudi\u00f1o<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n            <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Realidades socioculturales<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/menendez-reflexiones-medicina-tradicional-violencias-mortalidades\/\">\n                        <div class=\"ficha-material\">\n                <h2 class=\"post-title\">Traditional medicine: Where are the life, suffering, violence and mortalities in native peoples?<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Eduardo L. Men\u00e9ndez<\/li><\/ul><\/h3>\n                <h4><span class=\"before\">Keywords: <\/span>biomedicine, exclusions, traditional medicine, methodology, transactions.<\/h4>\n                            <\/div>\n                        <div class=\"resena-content\">\n                <p class=\"has-drop-cap\">This text describes and analyzes the processes of exclusion or secondaryization that exist in local studies of traditional medicine with respect to a whole series of health\/disease\/care\/prevention processes that operate in the life of native peoples, despite the fact that a large part of these processes are included in the uses and customs of these peoples. The main exclusions reviewed refer to epidemiological processes, and especially to maternal mortality, as well as to close violence, childbirth and culturally forced child and youth relationships. It is shown that these studies exclude processes that are part of the native cultures and that generate a partial and distorted vision of their life, which does not allow understanding the current social, cultural and economic rationality of these peoples.<\/p>                <p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/vargas-ensayo-etnografico-busqueda-fosas-clandestinas\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/03\/vargas-foto-2-rotated.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">                <\/figure>\n\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">The search. Following metaphorical traces in an urban margin.<\/h2>\n<h3><ul class=\"list\"><li class=\"list-item\">Isaac vargas<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">In 2006, then-President Felipe Calder\u00f3n launched the war on drugs as a strategy to dismantle large criminal networks focused on drug trafficking. However, the war has claimed the lives of thousands of people, many of them found in clandestine graves. By focusing on a day of searching for victims of forced disappearance, this ethnographic essay describes and analyzes one of the great marks of brutality left by that very security strategy. A focal point throughout the pages lies in reflecting on the different ways in which, rather than how, actors claim ownership of the lifeless bodies located in graves. From the mothers who dig in the earth to find treasure to the state apparatus that tries to control the process.<\/p>                <p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/bedoya-visualidad-mareros-periodicos-posguerra-guatemala\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/03\/Imagen-1.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\">                <\/figure>\n\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">Scopic regimes of a new war: photographs of gang members in the red note of the Guatemalan postwar period.<\/h2>\n<h3><ul class=\"list\"><li class=\"list-item\">Luis Bedoya<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Since the mid-1990s, Guatemalan newspapers have published photographs of tattooed men identified as mareros. The mobilization of these photographs plays a key role in the socialization of ideas about who these individuals are and what they do, leading to the formation of a public view of crime as a post-war phenomenon. The formation of the aforementioned public gaze, in turn, became a nodal component of a new counterinsurgency in the form of the fight against crime, of which the nota roja operated as one of its rhetorical devices. The discussion I offer focuses on the performance of the two representative newspapers of the genre: Al D\u00eda and Nuestro Diario, and is limited to the decade 1996-2005.<\/p>                <p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Encartes multimedia<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n<h3>Documentary<\/h3>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Images of faith . Visual sociology of the La Condesa neighborhood in Mexico City | Hugo Su\u00e1rez\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/xNySid5erV8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/suarez-video-investigacion-diversidad-religiosa-la-condesa\/\">\n                        <h2 class=\"post-title\">Images of faith. Visual sociology of La Condesa neighborhood in Mexico City.<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Hugo Jose Suarez<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">The video is the result of an investigation that sought to account for religious diversity in the Condesa neighborhood of Mexico City. The collection of information was carried out between 2016 and 2018. By allowing the images to be the protagonists, a visual argument is built, woven with an oral story that explains the three dominant matrices in this neighborhood: Catholicism, in its official version, popular religiosity or angelic devotion; the expansion of yes and the culture of \"self-improvement\" and alternative therapies; and oriental religious expressions. The documentary shows a territory in transformation, where the landscape of faith touches the traditional boundaries of what is understood as religious.<\/p>            <p class=\"mas\">Click here<\/p>\n                    <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n<h3>Documentary<\/h3>\n       <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Por encima del miedo coraje (Tia Jelita do samba) | Claudia Lora\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/z2rmAIlFIqs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/lora-patrimonio-danza-afroamerica-matrilinaje\/\">\n                        <h2 class=\"post-title\">The video in the research of two Amefrican dances: the samba and the rumba.<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Claudia Lora Krstulovic<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Through the case study of two families: that of Jelita, originally from Saubara, Bahia, Brazil, and the family headed by Lidia, in Trinidad, Cuba, two audiovisual works are presented that focus on the role of women in the matrilineal transmission of samba and rumba, generational changes and the male-female relationship present in body movements. As a complement, a text is included in which the methodology used, the cultural-historical context of each case and an analysis of the role of women in the processes of perpetuation of these female body memories and their places of transmission are presented.<\/p>            <p class=\"mas\">Click here<\/p>\n                    <\/a>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Entrevistas<\/h2>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/de-la-torre-lomnitz-entrevista-trayectoria-antropologia-historia\/\">\n            <h2 class=\"post-title\">Interview with Claudio Lomnitz. Part One: The intellectual anthropologist<\/h2>\n        <h5><ul class=\"list\"><li class=\"list-item\">Claudio Lomnitz<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Ren\u00e9e de la Torre Castellanos<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">This interview rescues a phenomenological perspective of Claudio Lomnitz's trajectory as a researcher, but also of what encourages Lomnitz to leave the comfortable boundaries of academic communities.<\/p>\n                    <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n       <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Interview with Claudio Lomnitz | Part One: The Intellectual Anthropologist\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/BnNK3f2ke2I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/reynoso-gruzinski-entrevista-mundializacion-colonizaciones\/\">\n            <h2 class=\"post-title\">The horizons of universality: Serge Gruzinski's research and perspective.<\/h2>\n        <h5><ul class=\"list\"><li class=\"list-item\">Serge Gruzinski<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Arturo Reynoso<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">What benefits, in the end, has globalization offered to one part of the world as well as another? What are the risks of the interaction of diverse societies? How can we understand over time the different \"colonizations\" in history, not only that of the New World, but also those that had already occurred in other parts of the planet? Complete interview with one of the most outstanding experts on the process of globalization and the history of Mexico.<\/p>\n                    <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n       <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Interview Serge Gruzinski | The horizons of universality: research and perspective\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/KipIMkdd-1Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Discrepancias<\/h2>\n\n\n\n<div class=\"ms-item resena discrepancias\">\n                     <div class=\"ficha-material\">\n                <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/herrera-massieu-goebel-rohland-debate-antropoceno-perspectivas-latinoamericanas\/\">\n                <figure class=\"article-preview-image\">\n                    <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/03\/2013-Robert-S.-Donovan.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"migrantes\" width=\"580\" height=\"213\"><\/figure>\n                <\/a>    \n            <\/div>\n                    <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/herrera-massieu-goebel-rohland-debate-antropoceno-perspectivas-latinoamericanas\/\">\n            <div class=\"resena-content\">\n<h2 class=\"post-title\">From where to think and subvert the Anthropocene? Latin American thought and alternative anthropocenes.<\/h2>\n                <h5><ul class=\"list\"><li class=\"list-item\">Yolanda Cristina Massieu Trigo, Anthony Goebel Mc Dermott and Eleonora Rohland<\/li><\/ul><\/h5><h3><ul class=\"list\"><li class=\"list-item\"><span>moderator<\/span>  Susana Herrera Lima<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">The Anthropocene, as a concept and framework for thinking and producing knowledge on contemporary issues, has given rise to multiple debates on the validity and scope of its proposals. The natural and Earth sciences debate whether or not it is a new geological era, in which the intervention of the human species would have a primordial role; however, other debates arise from the social sciences and humanities.<\/p>                \n<p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n\n\n\n<h2 class=\"wp-block-heading titulo-seccion\">Rese\u00f1as cr\u00edticas<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/valenzuela-produccion-conocimiento-horizontal\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/03\/Manuel-Valenzuela-En-posicion-horizontal-hay-muchas-cosas-que-inventar.jpg\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">Horizontality in knowledge production institutions: perspective or paradox?<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Sarah Corona Berkin<\/span> (coord.), 2022, Mexico, CALAS-Gedisa, 328p.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">In horizontal position there are many things to invent: horizontality in knowledge production institutions: Perspective or paradox?<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Jos\u00e9 Manuel Valenzuela Arce<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">I highly recommend La horizontalidad en las instituciones de producci\u00f3n de conocimiento: \u00bfperspectiva o paradoja?, as I consider it essential for researchers and teaching staff interested in the construction of research processes that seek to influence social reality to transform it into a better place to live, more inclusive, more democratic and happier.<\/p>                \n<p class=\"mas\">Click here<\/p>\n                        \n            <\/div>\n         <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/woo-movilidad-humana-vision-glocal\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/03\/Ofelia-Woo-Una-vision-multidimensional-de-la-movilidad-humana.jpg\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">Circulation of precarious lives. El Refugio Casa del Migrante, Tlaquepaque, Jalisco<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Manuela Camus <\/span>, 2021, Guadalajara, Universidad de Guadalajara, 507p.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">A Multidimensional View of Human Mobility<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Ofelia Woo Morales<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">The author invites us to \"look at mobilities from the Global South\", exposes and analyzes how the stories of those who participate and participated in a process of (in)mobility as a result of the migration and asylum policies of both the United States and Mexico are interwoven; But it also explains the context of origin of Central Americans, the structural violence of the neoliberal model, as well as the organized crime, gangs and family violence to which they are exposed, until reaching what it calls \"the unsustainability of life\", when the population has to leave their country.<\/p>                \n\n<p class=\"mas\">Click here<\/p>\n                        \n            <\/div>\n         <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/fabregas-utopia-comunidad-debate-antropologico\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2024\/03\/Andres-Fabregas-La-Comunidad-en-el-debate-antropologico-latinoamericano.jpg\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">Communities, utopias and futures. Debates for the 21st century<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Jos\u00e9 Eduardo Z\u00e1rate<\/span> (ed.), 2022, Mexico, El Colegio de Michoac\u00e1n 442pp.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">The Community in the Latin American Anthropological Debate<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">\tAndres Fabregas Puig<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Community, Utopias and Futures. Debates for the 21st century is one of those books that mark important moments in the discussion of central issues for society and for the social sciences themselves.<\/p>                \n\n<p class=\"mas\">Click here<\/p>\n                        \n            <\/div>\n                    <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"credits col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n    <div class=\"wrapper\">\n<img decoding=\"async\" class=\"simple-logo lazy loaded\" src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-was-processed=\"true\"><p class=\"title translation-block\">Director<\/p><p class=\"name\"><a href=\"https:\/\/encartes.mx\/en\/personas\/torre-castellanos-renee-de-la\/\">Ren\u00e9e de la Torre Castellanos<\/a><\/p><p class=\"title\">Edition<\/p><p class=\"name\">Nury Salome Aguilar Pita<\/p><p class=\"title\">Correction<\/p><p class=\"name\">Cecilia Palomar<\/p><p class=\"name\">Isabel Orend\u00e1in<\/p><p class=\"title\">Design and layout<\/p><p class=\"name\">Veronica Segovia<\/p><p class=\"title\">Wordpress Desing<\/p><p class=\"name\">Arthur Temporal Ventura<\/p>        <p class=\"title\">\n            <a class=\"directorio\" href=\"https:\/\/archive.org\/download\/vol7num13\/vol7num13-directorio.pdf\">See full directory<\/a>\n        <\/p>\n    <\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Vol. 7, No. 13 (2024) See complete issue in PDF Editorial An issue dedicated to sonority The 13th issue of Encartes magazine is dedicated to a dossier whose central theme is soundscapes. It is a fact that there is no party without sound and that sonority always accompanies traditions; without [...]<\/p>","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"numerostemplate.php","meta":{"_acf_changed":false,"footnotes":""},"coauthors":[551],"class_list":["post-38708","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Vol. 7, N\u00fam. 13 (2024) &#8211; Encartes<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/encartes.mx\/en\/vol-7-num-13-2024\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vol. 7, N\u00fam. 13 (2024) &#8211; Encartes\" \/>\n<meta property=\"og:description\" content=\"Vol. 7, N\u00fam. 13 (2024) Ver n\u00famero completo en PDF Editorial Un n\u00famero dedicado a la sonoridad El n\u00famero 13 de la revista Encartes est\u00e1 dedicado a un dosier que tiene como tema central los paisajes sonoros. 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