{"id":36202,"date":"2022-09-21T20:16:35","date_gmt":"2022-09-21T20:16:35","guid":{"rendered":"https:\/\/encartes.mx\/?page_id=36202"},"modified":"2023-11-22T17:27:18","modified_gmt":"2023-11-22T23:27:18","slug":"vol-5-num-10-2022","status":"publish","type":"page","link":"https:\/\/encartes.mx\/en\/vol-5-num-10-2022\/","title":{"rendered":"Vol. 5, No. 10 (2022)"},"content":{"rendered":"<div class=\"cat-title\"><h1>Vol. 5, No. 10 (2022)<\/h1><\/div>\n\n\n\n<div class=\"portada-pdf\">\n    <a class=\"complete-pdf\" href=\"https:\/\/revista.encartes.mx\/index.php\/encartes\/issue\/view\/15\/10\">\n        <div>\n            <img decoding=\"async\" class=\"lazy loaded\" style=\"max-width:280px\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/10-portadavol5num10.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/10-portadavol5num10.jpg\" data-was-processed=\"true\">\n            <p>See full issue in PDF<\/p>\n        <\/div>\n    <\/a>\n<\/div>\n\n\n\n<div class=\"wp-block-group ms-item editorial gutenslider\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h1>in this issue<\/h1>\n\n\n<div class=\"n2-section-smartslider fitvidsignore  n2_clear\" data-ssid=\"6\"><div id=\"n2-ss-6-align\" class=\"n2-ss-align\"><div class=\"n2-padding\"><div id=\"n2-ss-6\" data-creator=\"Smart Slider 3\" data-responsive=\"auto\" class=\"n2-ss-slider n2-ow n2-has-hover n2notransition\">\n\n\n\n<div class=\"n2-ss-slider-wrapper-inside\">\n        <div class=\"n2-ss-slider-1 n2_ss__touch_element n2-ow\">\n            <div class=\"n2-ss-slider-2 n2-ow\">\n                                                    <div class=\"n2-ss-background-animation n2-ow\"><\/div>\n                                <div class=\"n2-ss-slider-3 n2-ow\">\n\n                    <div class=\"n2-ss-slide-backgrounds n2-ow-all\"><div class=\"n2-ss-slide-background\" data-public-id=\"1\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"51\" data-y=\"77\" data-alt=\"\" data-title=\"\" style=\"--ss-o-pos-x:51%;--ss-o-pos-y:77%\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/postal-num-9-1.webp\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"2\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"51\" data-y=\"79\" data-alt=\"\" data-title=\"\" style=\"--ss-o-pos-x:51%;--ss-o-pos-y:79%\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/postal-num-9-2.webp\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><div class=\"n2-ss-slide-background\" data-public-id=\"3\" data-mode=\"fill\"><div class=\"n2-ss-slide-background-image\" data-blur=\"0\" data-opacity=\"100\" data-x=\"50\" data-y=\"50\" data-alt=\"\" data-title=\"\"><picture class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/postal-num-9-3.webp\" alt=\"\" title=\"\" loading=\"lazy\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\"><\/picture><\/div><div data-color=\"RGBA(255,255,255,0)\" style=\"background-color: RGBA(255,255,255,0);\" class=\"n2-ss-slide-background-color\"><\/div><\/div><\/div>                    <div class=\"n2-ss-slider-4 n2-ow\">\n                        <svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"0 0 600 600\" data-related-device=\"desktopPortrait\" class=\"n2-ow n2-ss-preserve-size n2-ss-preserve-size--slider n2-ss-slide-limiter\"><\/svg><div data-first=\"1\" data-slide-duration=\"0\" data-id=\"22\" data-slide-public-id=\"1\" data-title=\"postal-num-9-1\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/soto-geografia-miedo-mujeres-mexico\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-22\"><div role=\"note\" class=\"n2-ss-slide--focus\">postal-num-9-1<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-kftgjlctDJEF\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"23\" data-slide-public-id=\"2\" data-title=\"postal-num-9-2\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/curiel-amaranto-alimento-indigena-patrimonio-activismo\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-23\"><div role=\"note\" class=\"n2-ss-slide--focus\">postal-num-9-2<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-T02kxw8bXs56\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div><div data-slide-duration=\"0\" data-id=\"24\" data-slide-public-id=\"3\" data-title=\"postal-num-9-3\" data-haslink=\"1\" data-href=\"https:\/\/encartes.mx\/ensayos-fotograficos\/alonso-tijuana-muro-intervenciones-artisticas-memoria-migrantes-muertos\/\" tabindex=\"0\" role=\"button\" data-n2click=\"url\" data-force-pointer=\"\" class=\"n2-ss-slide n2-ow  n2-ss-slide-24\"><div role=\"note\" class=\"n2-ss-slide--focus\">postal-num-9-3<\/div><div class=\"n2-ss-layers-container n2-ss-slide-limiter n2-ow\"><div class=\"n2-ss-layer n2-ow n-uc-1OQyyU1QQ3Zh\" data-sstype=\"slide\" data-pm=\"default\"><\/div><\/div><\/div>                    <\/div>\n\n                                    <\/div>\n            <\/div>\n        <\/div>\n        <div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-right-top\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget n2-style-f17ddbf2d8ed14421f9093b94b93b8a9-heading nextend-autoplay n2-ow-all nextend-autoplay-image\" role=\"button\" aria-label=\"Play autoplay\" data-pause-label=\"Pause autoplay\" data-play-label=\"Play autoplay\" tabindex=\"0\"><img decoding=\"async\" class=\"nextend-autoplay-play skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTYiIGhlaWdodD0iMTYiIHZpZXdCb3g9IjAgMCAxNiAxNiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMS41OCA3LjAzTDUuMzAyIDIuMTY1QzUuMTY1IDIuMDU3IDUuMDE2IDIgNC44NTcgMiA0LjM4NCAyIDQgMi41MDQgNCAzLjEyNXY5Ljc1YzAgLjYyLjM4NCAxLjEyNS44NTcgMS4xMjUuMTYgMCAuMzA4LS4wNTcuNDM2LS4xNTZMMTEuNTggOC45N2MuMjUtLjE5OC40Mi0uNTU4LjQyLS45NyAwLS40MTItLjE3LS43NzMtLjQyLS45N3oiCiAgICAgICAgICBmaWxsPSIjZmZmZmZmIiBvcGFjaXR5PSIwLjgiIGZpbGwtcnVsZT0iZXZlbm9kZCIvPgo8L3N2Zz4=\" alt=\"Play\"><img decoding=\"async\" class=\"nextend-autoplay-pause skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMTYiIGhlaWdodD0iMTYiIHZpZXdCb3g9IjAgMCAxNiAxNiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik00IDJ2MTJoM1YySDR6bTUgMHYxMmgzVjJIOXoiIGZpbGw9IiNmZmZmZmYiIG9wYWNpdHk9IjAuOCIgZmlsbC1ydWxlPSJldmVub2RkIi8+Cjwvc3ZnPg==\" alt=\"Pause\"><\/div><\/div><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-left-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-previous  nextend-arrow-animated-fade\" data-hide-mobileportrait=\"1\" id=\"n2-ss-6-arrow-previous\" role=\"button\" aria-label=\"previous arrow\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMzIiIGhlaWdodD0iMzIiIHZpZXdCb3g9IjAgMCAzMiAzMiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMS40MzMgMTUuOTkyTDIyLjY5IDUuNzEyYy4zOTMtLjM5LjM5My0xLjAzIDAtMS40Mi0uMzkzLS4zOS0xLjAzLS4zOS0xLjQyMyAwbC0xMS45OCAxMC45NGMtLjIxLjIxLS4zLjQ5LS4yODUuNzYtLjAxNS4yOC4wNzUuNTYuMjg0Ljc3bDExLjk4IDEwLjk0Yy4zOTMuMzkgMS4wMy4zOSAxLjQyNCAwIC4zOTMtLjQuMzkzLTEuMDMgMC0xLjQybC0xMS4yNTctMTAuMjkiCiAgICAgICAgICBmaWxsPSIjZmZmZmZmIiBvcGFjaXR5PSIwLjgiIGZpbGwtcnVsZT0iZXZlbm9kZCIvPgo8L3N2Zz4=\" alt=\"previous arrow\"><\/div><\/div><div class=\"n2-ss-slider-controls n2-ss-slider-controls-absolute-right-center\"><div style=\"--widget-offset:15px;\" class=\"n2-ss-widget nextend-arrow n2-ow-all nextend-arrow-next  nextend-arrow-animated-fade\" data-hide-mobileportrait=\"1\" id=\"n2-ss-6-arrow-next\" role=\"button\" aria-label=\"next arrow\" tabindex=\"0\"><img loading=\"lazy\" decoding=\"async\" width=\"32\" height=\"32\" class=\"skip-lazy jetpack-lazy-image\" data-skip-lazy=\"1\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMzIiIGhlaWdodD0iMzIiIHZpZXdCb3g9IjAgMCAzMiAzMiIgeG1sbnM9Imh0dHA6Ly93d3cudzMub3JnLzIwMDAvc3ZnIj4KICAgIDxwYXRoIGQ9Ik0xMC43MjIgNC4yOTNjLS4zOTQtLjM5LTEuMDMyLS4zOS0xLjQyNyAwLS4zOTMuMzktLjM5MyAxLjAzIDAgMS40MmwxMS4yODMgMTAuMjgtMTEuMjgzIDEwLjI5Yy0uMzkzLjM5LS4zOTMgMS4wMiAwIDEuNDIuMzk1LjM5IDEuMDMzLjM5IDEuNDI3IDBsMTIuMDA3LTEwLjk0Yy4yMS0uMjEuMy0uNDkuMjg0LS43Ny4wMTQtLjI3LS4wNzYtLjU1LS4yODYtLjc2TDEwLjcyIDQuMjkzeiIKICAgICAgICAgIGZpbGw9IiNmZmZmZmYiIG9wYWNpdHk9IjAuOCIgZmlsbC1ydWxlPSJldmVub2RkIi8+Cjwvc3ZnPg==\" alt=\"next arrow\"><\/div><\/div><\/div><\/div><ss3-loader><\/ss3-loader><\/div><\/div><div class=\"n2_clear\"><\/div><\/div><\/div><\/div>\n\n\n\n<div class=\"cat-title\"><h1>Tem\u00e1ticas<\/h1><\/div>\n\n\n\n<div class=\"tematica\">\n<h1 class=\"tematica-title\">(In)Security and Gender in Latin America: Strategies, Practices and Culture<\/h1>\n    <div class=\"tematica-content\">\n    <div class=\"coloquio-principal ms-item\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/zamorano-capron-seguridad-genero-america-latina\/\">\n            <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/10-main_thumb-vol5num10.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/10-main_thumb-vol5num10.jpg\" data-was-processed=\"true\">            <h1>Presentation<\/h1>\n            <div class=\"text\">\n                <h3><ul class=\"list\"><li class=\"list-item\">Claudia C. Zamorano Villarreal and Gu\u00e9nola Capron<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">The guiding question of this dossier seeks to understand how women deal with, protect themselves and fight against urban insecurity in Latin America. It is a question we answer through six articles, all written by women who, whether from sociology, geography, communication or anthropology, mobilize qualitative observation techniques.<\/p>            <\/div>\n            <p class=\"mas\">See full presentation<\/p>\n        <\/a>\n    <\/div>\n<\/div>\n<div class=\"comentarios ms-item\">\n    <div class=\"comentarios-title\">\n        <h1>Dossier<\/h1>\n    <\/div>\n            <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/soto-geografia-miedo-mujeres-mexico\/\">\n                <h2 class=\"title\">An Analytical Framework for the Study of the Geographies of Fear of Women From the Empirical Evidence in Two Mexican Cities<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Paula Soto Villagr\u00e1n<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/baustista-violencia-genero-autocuidado-mexico\/\">\n                <h2 class=\"title\">Girls No Longer Want to Have Fun: Gender Violence and Self-Care in the Mexico City Suburbs<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">\tMiriam Bautista Arias<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/umana-transitar-ciudad-mujeres-jovenes-mexico\/\">\n                <h2 class=\"title\">Inhabiting and moving through Mexico City: social representations of young university students.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Lorena Uma\u00f1a Reyes<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n                <div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/garcia-icazuriaga-estrategias-digitales-mobilidad-mujeres-mexico\/\">\n                <h2 class=\"title\">Digital Strategies for the Everyday Mobility of Young Women in Mexico City<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Gabriela Garcia Gorbea and Carmen Icazuriaga Montes<!--<\/li--><\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n<div class=\"comentario ms-item\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/bertoni-estrategias-securitarias-sectores-populares-mujeres-argentina\/\">\n                <h2 class=\"title\">Security Strategies by Women From Working-Class Sectors in the Urban Periphery of La Plata<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">\tGimena Bertoni<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n<div class=\"comentario ms-item\" style=\"border-bottom:none\">    \n            <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/flores-estrategias-cuidado-violencia-espacio-publico-mexico\/\">\n                <h2 class=\"title\">Care Strategies Against Sexist Violence by Men in Public Spaces of Mexico City<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">\tPaola Flores Miranda<\/li><\/ul><\/h3>\n                                <p class=\"mas\">Click here<\/p>\n            <\/a>\n        <\/div>\n            <\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/encartes.mx\/en\/ensayos-fotograficos\/convocatoria-usos-contradicciones-infraestructura-urbana\/\"><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/05-10-concurso-fotografias-encartes.webp\" alt=\"\"\/><\/a><\/figure>\n\n\n\n<h2 class=\"titulo-seccion wp-block-heading\">Realidades socioculturales<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/petit-etnografia-sonora-ciego-buenos-aires\/\">\n                        <div class=\"ficha-material\">\n                <figure class=\"article-preview-image\">\n                    <img decoding=\"async\" src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2022\/09\/petit-etnografia_sonora-imagen-thumb.jpg\" data-src=\"https:\/\/encartes.mx\/wp-content\/uploads\/2022\/09\/petit-etnografia_sonora-imagen-thumb.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"\" data-was-processed=\"true\">                <\/figure>\n<audio controls=\"\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/petit-etnografia_sonora-registro_sonoro-03.mp3\"><\/audio>\n                            <\/div>\n                        <div class=\"resena-content\">\n<h2 class=\"post-title\">You Might Not Notice It. Sound Ethnography of a Blind Person Circulating in the City of Buenos Aires<\/h2>\n<h3><ul class=\"list\"><li class=\"list-item\">Facundo Petit<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">This article explores the role of sound and listening in the everyday experience of transiting the urban space from blindness. For this, an ethnography is presented in which sound registrations, images and written anthropological interpretations, produced during a walk with a blind person, are mixed. Thus, the relationship between urban experience, the materiality of the city, and the movements carried out from blind sensoriality are addressed, proposing the possibility that urban studies incorporate an alternative ethnographic sensibility to all that is visual. The basis of this paper is a brief contextualization of the investigation, it continues with a conceptualization on the methodology of the sound ethnography, and then opens the doors to analysis of the blind sensorialities in urban movement and the relationship between the State, city and blindness in the production of an accessible city.<\/p>                <p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/curiel-amaranto-alimento-indigena-patrimonio-activismo\/\">\n                        <div class=\"ficha-material\">\n                <h2 class=\"post-title\">Amaranth as an Indigenous Food: Production of Heritage and Food Activism<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Charlynne Curiel<\/li><\/ul><\/h3>\n                <h4><span class=\"before\">Keywords: <\/span>heritage, food activism, amaranth, indigenous food, indigeneity.<\/h4>\n                            <\/div>\n                        <div class=\"resena-content\">\n                <p class=\"has-drop-cap\">This text analyzes how turning of foods into heritage is a social process that produces indigeneity via food activism. It presents the case of the Enlace Group for the Promotion of Amaranth in Mexico (Grupo Enlace para la Promoci\u00f3n del Amaranto en M\u00e9xico) a player in the argument over food sovereignty, which propels the production, transformation and consumption of this grain. It illustrates its food events, organizational practices and the narratives that provided amaranth with a series of values related to its place in the Mesoamerican diet, which, updated as indigenous and ancestral food, helped it become known as an intangible heritage of Mexico City (CDMX). We display the relevance of this type of activism for the production of indigeneity in the scope of food heritage.<\/p>                <p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/funes-nachon-maspero-politicas-culturales-diversidad-religiosa-buenos-aires\/\">\n                        <div class=\"ficha-material\">\n                <h2 class=\"post-title\">The Celebration of Beliefs. Cultural Policies and Religious Diversity in a Public Cultural Center in the City of Buenos Aires (Argentina)<\/h2>\n                <h3>\n                    <ul class=\"list\">\n<li class=\"list-item\">Mar\u00eda Eugenia Funes, Mercedes Nach\u00f3n Ram\u00edrez and Mercedes M\u00e1spero<\/li>\n                    <\/ul>\n                <\/h3>\n                <h4><span class=\"before\">Key words<\/span>Nueva Era spirituality, public space, cultural policies, religious diversity, Argentina.<\/h4>\n                            <\/div>\n                        <div class=\"resena-content\">\n                <p class=\"has-drop-cap\">The purpose behind this article is to analyze the way in which the diversity of beliefs was defined and rebuilt in a cycle organized by a public cultural center in the city of Buenos Aires. For this, we will study the uses of the category of belief and the spiritual references created by participating state agents, artists and religious and spiritual specialists. We ask ourselves the definitions of all that is religious, spiritual and the diversity of beliefs that move outside institutions traditionally linked to religion. Likewise, we set out to show, using a specific case, the way in which the concern over diversity in the design of Latin American cultural public policies can coexist with the selection of specific cultural expressions which, in this case, represent only a part of the existing religious diversity. The data were built from a qualitative strategy that included participatory observations, in-depth interviews and the analysis of documents.<\/p>\n\n<p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"titulo-seccion wp-block-heading\">Encartes multimedia<\/h2>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/alonso-tijuana-muro-intervenciones-artisticas-memoria-migrantes-muertos\/\">\n                        <h2 class=\"post-title\">The Border Wall in Tijuana. Photographic Prints of the Art Oblations\/Interventions in Memory of the Dead Migrants 1999-2021<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Guillermo Alonso Meneses<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Post-ethnography pursues \"micro-events\" and visual findings that have occurred in Tijuana over the last 28 years. These photographs show an iconography of white crosses, skulls, empty water bottles and marigold flowers. Post-photography allows us to resize this ethnographic evidence. Thus, the photo-essay speaks of a struggle of socio-cultural and artistic guerrillas against the strategic oblivion promoted by the US and Mexican governments in the face of the death of migrants, and the border walls as necro-artifacts where art, solidarity and memory converge.<\/p>\n                    <\/a>\n    <\/div>\n<div class=\"multimedia-wrap media-xl\">\n       <div class=\"ficha material\"><a href=\"https:\/\/encartes.mx\/en\/ensayos-fotograficos\/alonso-tijuana-muro-intervenciones-artisticas-memoria-migrantes-muertos\/\">\n<h3>Photographic Essay<\/h3><img decoding=\"async\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/meneses-muro_fronterizo-01.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/meneses-muro_fronterizo-01.jpg\" alt=\"\" class=\"wp-image-32026 lazy loaded\" data-was-processed=\"true\"><p class=\"mas\">Click here to see the essay<\/p><\/a><\/div>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap ensayo-fotografico\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/de-la-torre-gutierrez-altares-muerto-patrimonio-tradicion-mexico\/\">\n                        <h2 class=\"post-title\">Altars for the Dead: The Changing Heritage of a Mexican Tradition<\/h2>\n            <h3><ul class=\"list\"><li class=\"list-item\">Ren\u00e9e de la Torre and Cristina Guti\u00e9rrez Z\u00fa\u00f1iga<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap translation-block\">The video is the result of an investigation into the effects, adaptations and displacements experienced by the Day of the Dead tradition in Mexico during the month of November of the first year of the covid-19 pandemic. By this time, public Day of the Dead ceremonies valued as intangible national heritage had been cancelled. We undertook an online survey to find out what would be the effects of isolation on the Day of the Dead tradition: would the tradition cease or would it shift or mutate to new uses, places and expressions? And what new creative uses of the tradition would emerge and in what new media would it be carried out? With the data obtained from 720 questionnaires and 280 photographs received from the altars of the dead, we made a video to explain the spatial displacements, the aesthetic changes and the new senses with which the practice of this ancestral Mexican tradition was renewed.<\/p>\n                    <\/a>\n    <\/div>\n<div class=\"multimedia-wrap media-xl\">\n       <div class=\"ficha material\"><figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Altars for the Dead: The Changing Heritage of a Mexican Tradition\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/prN7997stxs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure><\/div>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"titulo-seccion wp-block-heading\">Entrevistas<\/h2>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/curley-trayectoria-decolonizacion-america-latina\/\">\n            <h2 class=\"post-title\">The Intellectual Background of Rita Segato. Path of Decolonial Thought in Latin America<\/h2>\n        <h5><ul class=\"list\"><li class=\"list-item\">Rita Segato<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Robert Curley<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">Segato proposes that modern patriarchy organizes the control of women on the basis of a rape mandate, a practice that forges the alliance between men as confraternities. Nevertheless, she asks how patriarchy structures social relations in different times and spaces, a methodological position that forces us to think historically.<\/p>\n                    <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n       <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Intellectual Background of Rita Segato. Path of Decolonial Thought in Latin America\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/85yVtlera_E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap entrevista\">\n    <div class=\"ms-item media-xl text col-lg-6 col-md-6 col-sm-6 col-xs-12\">    \n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/calvillo-gutierrez-alvarado-movimiento-historia-colsan\/\">\n            <h2 class=\"post-title\">The Movement of History, The Movement of Life Within<\/h2>\n        <h5><ul class=\"list\"><li class=\"list-item\">Tom\u00e1s Calvillo<\/li><\/ul><\/h5>\n            <h3><ul class=\"list\"><li class=\"list-item\">Arturo Guti\u00e9rrez del \u00c1ngel and Greta Alvarado Lugo<\/li><\/ul><\/h3>\n            <p class=\"has-drop-cap\">As an analyst of social facts, Calvillo comments on his reflections on the hypertechnology we live in today. One sharp comment stands out: what is in dispute today in the systems of power is the control of the mind; what happened to reach this point? Why do we want to go faster? When did this start?<\/p>\n                    <\/a>\n    <\/div>\n    <div class=\"multimedia-wrap media-xl col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n       <figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Interview with Tom\u00e1s Calvillo. The movement of history, the movement of the inner life.\" width=\"580\" height=\"326\" src=\"https:\/\/www.youtube.com\/embed\/zezZbbTQ96Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n    <\/div>\n<\/div>\n\n\n\n<h2 class=\"titulo-seccion wp-block-heading\">Discrepancias<\/h2>\n\n\n\n<div class=\"ms-item resena discrepancias\">\n                     <div class=\"ficha-material\">\n                <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/griera-lerma-toniol-rabbia-patino-odgers-teorias-conspiracionistas-covid-religion\/\">\n                <figure class=\"article-preview-image\">\n                    <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/archive.org\/download\/encartes-vol-5-num-10\/griera-lerma-toniol-rabbia-patino-odgers-teorias-conspiracionistas-covid-religion-image.thumb.jpg\" data-src=\"https:\/\/archive.org\/download\/encartes-vol-5-num-10\/griera-lerma-toniol-rabbia-patino-odgers-teorias-conspiracionistas-covid-religion-image.thumb.jpg\" class=\"attachment-large size-large wp-post-image lazy loaded\" alt=\"migrantes\" data-was-processed=\"true\" width=\"580\" height=\"213\"><\/figure>\n                <\/a>    \n            <\/div>\n                    <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/griera-lerma-toniol-rabbia-patino-odgers-teorias-conspiracionistas-covid-religion\/\">\n            <div class=\"resena-content\">\n<h2 class=\"post-title\">The Religious and\/or Spiritual Matrices of the Conspiracy Theories in Times of COVID-19<\/h2>\n                <h5><ul class=\"list\"><li class=\"list-item\">Mar Griera, Enriqueta Lerma, Rodrigo Toniol, Hugo H. Rabbia<\/li><\/ul><\/h5><h3><ul class=\"list\"><li class=\"list-item\"><span>moderators<\/span> Olga Odgers and Mar\u00eda Eugenia Pati\u00f1o<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">In this document, we invite four experts from Spain, Mexico, Brazil and Argentina to discuss the relationship between conspiracy movements, their links with religious or spiritual belief systems, and their implications in contemporary societies.<\/p>                \n<p class=\"mas\">Click here<\/p>\n            <\/div>\n        <\/a>\n    <\/div>\n\n\n\n<h2 class=\"titulo-seccion wp-block-heading\">Rese\u00f1as cr\u00edticas<\/h2>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/gaona-publicacion-libros-america-latina-siglo-20-sora\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/gaona-publicacion-libros-america-latina-siglo-20-sora.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/gaona-publicacion-libros-america-latina-siglo-20-sora.jpg\" data-was-processed=\"true\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">A History of Book Publishing in Contemporary Latin America<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Gustavo Sor\u00e1<\/span>, 2021, New York, Routledge Taylor\/Francis Group, 245 pp.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Books in 20th Century Latin America<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Juan Carlos Gaona Poveda<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">The history of books and publishing is a historiographical current in the process of consolidation, in which the development of print capitalism is often linked to the emergence of imagined national communities, in a process that dates back to the nineteenth century (Anderson, 2006). Hence, the study of print culture has developed within the framework of a methodological nationalism that must be overcome (Bourdieu, 2002). In Ibero-America we have works for countries such as Spain (Mart\u00ednez, 2015), Argentina (De Diego, 2014) and Mexico (Bello and Garone, 2020). However, the phenomena of production, circulation and reception of ideas through printed media overflow the frameworks of the nation-state, as pointed out by Gustavo Sor\u00e1 (2003; 2017), Antonio Largo and Nicanor G\u00f3mez (2006) and Alejandro Dujovne (2014). It is a transnational approach taken up on a Latin American scale in the new book by Argentine anthropologist Gustavo Sor\u00e1, A History of Book Publishing in Contemporary Latin America, published in February 2021.<\/p>                \n<p class=\"mas\">Click here<\/p>\n                        \n            <\/div>\n         <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/villagomez-ciudadania-organizacioncrisis-ambiental-documental\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/villagomez-ciudadania-organizacioncrisis-ambiental-documental-el_mundo_manana.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/villagomez-ciudadania-organizacioncrisis-ambiental-documental-el_mundo_manana.jpg\" data-was-processed=\"true\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">Tomorrow's world<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Patrick Boitet, Anthony Forestier and Samah Soula<\/span>, 2016, Paris, TF2, 2016.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">Citizenship and Organization in the Light of the World Environmental<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Yanga Villag\u00f3mez Vel\u00e1zquez<\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">Environmental problems are already affecting the entire planet, regardless of countries, cultures, continents or social classes. Climate change due to the emission of greenhouse gases is having an evident impact on urban and rural societies in different parts of the world.<\/p>                \n\n<p class=\"mas\">Click here<\/p>\n                        \n            <\/div>\n         <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"resena-wrap\">\n    <div class=\"ms-item resena col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n        <a class=\"post\" href=\"https:\/\/encartes.mx\/en\/zirion-ensenanza-documental-antropologico-documental-carlos-flores\/\">\n                        <div class=\"ficha-material\">\n                <img decoding=\"async\" class=\"lazy loaded\" src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/zirion-ensenanza-documental-antropologico-documental-carlos-flores.jpg\" data-src=\"https:\/\/archive.org\/download\/vol5num10-multimedia\/zirion-ensenanza-documental-antropologico-documental-carlos-flores.jpg\" data-was-processed=\"true\">\n                <div class=\"datos\">\n                    <p class=\"titulo-material\">The anthropological documentary. A theoretical-practical introduction<\/p>\n                    <p class=\"ref-material\"><span class=\"autor\">Carlos Y. Flores<\/span> Mexico: Centro de Investigaciones Multidisciplinarias sobre Chiapas y la Frontera Sur, 2020, 242 pp.<\/p>\n                <\/div>\n            <\/div>\n            <div class=\"resena-content\">\n                <h2 class=\"post-title\">The Teaching of Anthropological Documentary: Paradoxes and Controversies.<\/h2>\n                <h3><ul class=\"list\"><li class=\"list-item\">Antonio Ziri\u00f3n P\u00e9rez <\/li><\/ul><\/h3>\n                <p class=\"has-drop-cap\">The new book by Carlos Y. Flores provides an excellent opportunity to reflect on some crucial issues for visual anthropology and allows us to discuss certain paradoxes and controversies found within anthropological cinema. To begin with, we could question the very category of \"anthropological documentary\", which could well have been \"ethnographic cinema\" -perhaps more consolidated in the medium at the international level- or some other of the various terms proposed by different authors (cinetnography, ethnocinema, ethnofiction, etc.). It is not that one name is more correct than another, but the choice of any of them inevitably emphasizes certain nuances and presuppositions, while at the same time distinguishing itself from other possible ones, thus blurring and delineating the contours of that type of cinema that we make or study as anthropologists. It is always productive to discuss in depth our categories and conceptual foundations, and the reading of this book implicitly leads us to this task.<\/p>                \n\n<p class=\"mas\">Click here<\/p>\n                        \n            <\/div>\n                    <\/a>\n    <\/div>\n<\/div>\n\n\n\n<div class=\"credits col-lg-6 col-md-6 col-sm-6 col-xs-12\">\n    <div class=\"wrapper\">\n<img decoding=\"async\" class=\"simple-logo lazy loaded\" src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-src=\"https:\/\/encartesantropologicos.mx\/wordpress\/wp-content\/uploads\/2018\/03\/simple-logo.png\" data-was-processed=\"true\"><p class=\"title translation-block\">Director<\/p><p class=\"name\"><a href=\"https:\/\/encartes.mx\/en\/personas\/torre-castellanos-renee-de-la\/\">Ren\u00e9e de la Torre Castellanos<\/a><\/p><p class=\"title\">Edition<\/p><p class=\"name\">Arthur Temporal Ventura<\/p><p class=\"title\">Correction<\/p><p class=\"name\">Maria Palomar<\/p><p class=\"name\">Cecilia Palomar<\/p><p class=\"title\">Design and layout<\/p><p class=\"name\">Veronica Segovia<\/p><p class=\"title\">Wordpress Desing<\/p><p class=\"name\">Sergio Alejandro Vel\u00e1zquez Cruz<\/p>        <p class=\"title\">\n            <a class=\"directorio\" href=\"https:\/\/archive.org\/download\/encartes-vol-5-num-10\/05-10-directorio-encartes.pdf\">See full directory<\/a>\n        <\/p>\n    <\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Vol. 5, N\u00fam. 10 (2022) Ver n\u00famero completo en PDF en este n\u00famero Tem\u00e1ticas (In)seguridad y g\u00e9nero en Am\u00e9rica Latina: estrategias, pr\u00e1cticas y cultura Presentaci\u00f3n Claudia C. Zamorano Villarreal y Gu\u00e9nola Capron La pregunta gu\u00eda del presente dossier trata de entender c\u00f3mo las mujeres lidian con la inseguridad urbana, se protegen y luchan contra ella [&hellip;]<\/p>","protected":false},"author":4,"featured_media":36565,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"numerostemplate.php","meta":{"_acf_changed":false,"footnotes":""},"coauthors":[551],"class_list":["post-36202","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Vol. 5, N\u00fam. 10 (2022) &#8211; Encartes<\/title>\n<meta name=\"description\" content=\"La pregunta gu\u00eda del presente dossier trata de entender c\u00f3mo las mujeres lidian con la inseguridad urbana, se protegen y luchan contra ella.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/encartes.mx\/en\/vol-5-num-10-2022\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vol. 5, N\u00fam. 10 (2022) &#8211; Encartes\" \/>\n<meta property=\"og:description\" content=\"La pregunta gu\u00eda del presente dossier trata de entender c\u00f3mo las mujeres lidian con la inseguridad urbana, se protegen y luchan contra ella.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/encartes.mx\/en\/vol-5-num-10-2022\/\" \/>\n<meta property=\"og:site_name\" content=\"Encartes\" \/>\n<meta property=\"article:modified_time\" content=\"2023-11-22T23:27:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/encartes.mx\/wp-content\/uploads\/2022\/09\/10-portadavol5num10.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1181\" \/>\n\t<meta property=\"og:image:height\" content=\"1772\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"10 minutes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data2\" content=\"Arthur Ventura\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/encartes.mx\/vol-5-num-10-2022\/\",\"url\":\"https:\/\/encartes.mx\/vol-5-num-10-2022\/\",\"name\":\"Vol. 5, N\u00fam. 10 (2022) &#8211; 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