{"id":28601,"date":"2017-01-27T16:44:03","date_gmt":"2017-01-27T16:44:03","guid":{"rendered":"https:\/\/encartesantropologicos.mx\/wordpress\/?page_id=28601"},"modified":"2018-02-23T20:22:27","modified_gmt":"2018-02-23T20:22:27","slug":"cuerpo-academico-asesor","status":"publish","type":"page","link":"https:\/\/encartes.mx\/en\/cuerpo-academico-asesor\/","title":{"rendered":"Asisting Academic Body"},"content":{"rendered":"

[et_pb_section transparent_background = \u201doff\u201d background_color = \u201d#000000 \u2033 allow_player_pause =\u201d off \u201dinner_shadow =\u201d off \u201dparallax =\u201d off \u201dparallax_method =\u201d on \u201dmake_fullwidth =\u201d off \u201duse_custom_width =\u201d off \u201dwidth_unit =\u201d offpx \u201dcustom_width =\u201d offpx \u201d 1080px \u201dcustom_width_percent =\u201d 80% \u201dmake_equal =\u201d off \u201duse_custom_gutter =\u201d off \u201dfullwidth =\u201d off \u201dspecialty =\u201d off \u201dadmin_label =\u201d section \u201ddisabled =\u201d off \u201d] [et_pb_row make_fullwidth =\u201d off \u201duse_custom_width =\u201d off \u201d width_unit = \u201doff\u201d custom_width_px = \u201d1080px\u201d custom_width_percent = \u201d80%\u201d use_custom_gutter = \u201doff\u201d gutter_width = \u201d3 \u2033 background_color =\u201d rgba (0,0,0,0) \u201dallow_player_pause =\u201d off \u201dparallax =\u201d offthod \u201dparallax_me = \u201dOn\u201d make_equal = \u201doff\u201d parallax_1 = \u201doff\u201d parallax_method_1 = \u201don\u201d parallax_2 = \u201doff\u201d parallax_method_2 = \u201don\u201d parallax_3 = \u201doff\u201d parallax_method_3 = \u201don\u201d parallax_4 = \u201doff\u201d parallax_method_label = \u201don\u201d admin = \u201dRow\u201d disabled = \u201doff\u201d] [et_pb_column type = \u201d4_4 \u2033 disabled =\u201d off \u201dparallax =\u201d off \u201dparallax_method =\u201d on \u201d] [et_pb_text background_layout =\u201d light \u201dtext_orientation =\u201d left \u201dadmin_l abel = \u201dText\u201d header_text_color = \u201d#ffffff\u201d text_text_color = \u201d#ffffff\u201d use_border_color = \u201doff\u201d border_style = \u201dsolid\u201d disabled = \u201doff\u201d]<\/p>\n

Academic Advisory Body<\/h1>\n

Elisenda Ard\u00e9vol<\/span><\/h2>\n\"\"\n

Doctor in Social and Cultural Anthropology. She works as a Professor at the Open University of Catalonia. His main lines of research are: visual, digital and media anthropology, ethnography, design and creativity. His publications include Digital Materialities; Design and Anthropology<\/em> (2016) with Sarah Pink and D\u00e9bora Lanzeni; \u201cVisualities and Materialities of the digital: ways to walk the difference\u201d (2015) with D\u00e9bora Lanzeni; "Digital ethnography and media practices" in Darling Wolf, Research Methods in Media Studies <\/em>(2014) with Edgar G\u00f3mez-Cruz; "Digital culture and creative practices; Ethnographic temptations around Free Culture \u201d(2013); "Virtual \/ Visual Ethnography: Methodological Crossroads at the Intersection of Visual and Internet Research" in Pink, Advances in Visual Methodology<\/em> (2012); \u201cE-Research: challenges and opportunities for the social sciences\u201d (2011) with Adolfo Estalella; "Playful practices; Theorising new media cultural production \u201din Brauchler and Postill, Theorising Media and Practice<\/em> (2010); \u201cField ethics: towards a situated ethic for internet ethnographic research\u201d (2007) with Adolfo Estalella; The search for the Gaze, Anthropology and Ethnographic Cinema<\/em> (2006); Y Representation and Audiovisual Culture in contemporary societies<\/em> (2004) with Nora Munta\u00f1ola.<\/p>\n

 <\/p>\n

Maria de Lourdes Beldi de Alc\u00e1ntara<\/span><\/h2>\n\"\"\n

Doctor in Anthropology at the University of Sao Paulo, with the thesis \u201cA censura da Igreja Cat\u00f3lica a Produ\u00e7\u00e3o Cinematografica\u201d. She is a professor and coordinator in Medical Anthropology at the University of S\u00e3o Paulo, Faculdade de Medicina-FMUSP. Central themes of his research: health, religion, indigenous population and human and indigenous rights. His most recent publications: Religiosity and the Problem of Belonging for Amerindian Young People in Brazil. In A Critical Youth Studies for the 21st Century<\/em> (2015); Brazil Indigenous. In The Indigenous World<\/em> (2015); Brazil Indigenous. In The Indigenous World<\/em> (2016).<\/p>\n

 <\/p>\n

Alexandrine Boudreault-Fournier<\/span><\/h2>\n\"\"\n

Doctor from The University of Manchester. Professor at the University of Victoria, Canada. Central themes of his research visual, cultural and social anthropology, Cuba, anthropology of sound. His most recent publications: 2016. The Fortune of Scarcity: Digital Music in Circulation<\/em> (2016); Recording and Editing. <\/em>In A Different Kind of Ethnography: Practices and Creative Methodologies<\/em> (2016); "La com\u00e8te Piu Piu: Nouveaux media et nationalisme en mutation" in Anthropologie et soci\u00e9t\u00e9s<\/em> (2016); "Microtopia in Counterpoint: Relational Aesthetics and the Echo Project" in Caderus of Art and Anthropology <\/em>(2016).<\/p>\n

 <\/p>\n

Gisela Canep\u00e1<\/span><\/h2>\n\"\"\n

Principal professor of the Department of Social Sciences of the Pontificia Universidad Cat\u00f3lica del Per\u00fa in the area of Anthropology, and founder of the Master in Visual Anthropology. Doctor in Anthropology at the University of Chicago, Illinois (USA). He has published several books and has numerous articles published in books and in specialized and popular magazines in Peru and abroad. He has edited four videos of the Ethnographic Video Series of the IDE-PUCP. He coordinates the Workshop "Culture, person and power" where he investigates neoliberalism as a cultural regime and the problems of power. He has obtained several research grants, such as the George Foster Research Fellowship of the Alexander von Humboldt Foundation (2014-2015). His following publications stand out: Cuisine and Identity. Peruvian Cuisine as Intangible Cultural Heritage<\/em> (2011); (2011); http:\/\/www.pucp.edu.pe\/profesor\/gisela-canepa-koch<\/a> Looking at the public sphere from culture in Peru<\/em> (2006); Canepa and Ulfe (eds.) Looking at the public sphere from culture in Peru <\/em>(2006); Represented identities, performance, experience and memory in the Andes<\/em> (2002).<\/p>\n

 <\/p>\n

Gaston Carre\u00f1o<\/span><\/h2>\n

Doctor (2014) and Master (2007) in Latin American Studies, Social Anthropologist (2002) and Diploma in Journalism and Cultural Criticism (1998) from the University of Chile. His areas of specialty are visual anthropology, the relationship between indigenous peoples and their representations, as well as coastal studies. He has developed field work and interdisciplinary projects throughout Chile. Among its main lines of research, Fondecyt stands out: photography and film work on indigenous peoples, the construction of identities in Chile, as well as the relationship between coastal communities and whaling. His work as an undergraduate and graduate academic has developed in different Chilean and foreign universities. He also highlights his role as coordinator of the Center for Studies in Visual Anthropology and director of the Chilean Journal of Visual Anthropology. <\/em>He is currently working as a researcher in the project "Strengthening equal access to an independent and transparent justice in the Andean region: social audit and transparency", of the European Union and the Andean Commission of Jurists in conjunction with the Faculty of Law of the University Chile, deepening the legal-social relationship between indigenous communities and extractive industries.<\/p>\n

 <\/p>\n

Carlo A. Cubero<\/span><\/h2>\n\"\"\n

Doctor in Anthropology from the University of Manchester, he currently works as a Research Professor at the University of Tallinn.<\/p>\n

Central research topics: visual anthropology, anthropology of the senses, the Caribbean, migration, post-colonial identities, cosmopolitanism. Featured Posts: Cinema & Landscape: Reflection from a film program <\/em>(2016); Caribbean Ruptures-Making Senses of a Demilitarized Beach<\/em> (2015); Some doubl\u00e9 tasks of ethnography and anthropology: reflections on audiovisial ethnography <\/em>(2015); To know the World is to Advocate for it<\/em> (2015); Placing Objects First: Filming Transnationalism <\/em>(2013); Picturing Transnationalism <\/em>(2010).<\/p>\n

 <\/p>\n

Cornelia eckert<\/span><\/h2>\n\"\"\n

Doctor in Social Anthropology from the Sorbonne, Paris V (1992). She is a CNPQ professor-researcher at the Department of Anthropology and PPGAS IFCH Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil. Central themes of his research Visual and Image Anthropology, Urban Anthropology. His following publications stand out: Memory and work: ethnography of the duration of a community of Mineiros de Carv\u00e3o<\/em> (2012); Ethnographies of work, narratives of time<\/em> (2015); A preemin\u00eancia of imagem e do imagin\u00e1rio nos jogos gives collective memory in ethnographic collections <\/em>(2015); Anthropology of the city, interpretations of the forms of urban life <\/em>(2013); Etnografia da Dura\u00e7\u00e3o: Anthropologies of Collective Memories in Ethnographic Collections <\/em>(2013); "Anthropology in other languages: Considerations for a hypertextual ethnography". Brazilian Journal of Social Sciences<\/em> (2016, online). "Street art, urban aesthetics: story of a sensitive experience in a contemporary metropolis". Journal of Social Sciences<\/em> (2016).<\/p>\n

 <\/p>\n

Carlos Faust<\/span><\/h2>\n\"\"\n

Doctor in Anthropology from the National Museum, Universidade Federal do Rio de Janeiro (1997). He completed a post-doctorate at the Laboratory of Social Anthropology (Coll\u00e8ge de France \/ CNRS) and was a visiting professor at the \u00c9cole Pratique des Hautes \u00c9tudes; at the \u00c9cole des Hautes \u00c9tudes en Sciences Sociales; at the University of Chicago and at the Center for Latin American Studies at Stanford University. He is a professor at the Post-Graduate Program in Social Anthropology, National Museum, UFRJ. (He is currently a 1-B researcher of CNPq. He has been conducting research with the indigenous peoples of the Amazon since 1988, focused on topics such as kinship, war, ritual, shamanism, art and memory. He coordinates training and video-realization projects together with the Video in the Villages and the Kuikuro do Alto Xingu Indigenous Association (AIKAX), directing and producing ethnographic films, currently dedicated to the comprehensive documentation of Kuikuro rituals, especially their musical universe, in collaboration with the Indian Museum and AIKAX.<\/p>\n

 <\/p>\n

Alejandro Frigerio<\/span><\/h2>\n\"\"\n

Doctor of Philosophy and Anthropology from the University of California, Los Angeles. He is a Professor at the Universidad Cat\u00f3lica Argentina and at FLACSO Buenos Aires. Researcher at the National Council for Scientific and Technical Research (CONICET). Featured Posts: Argentinos e Brasileiros: Encontros, images, stereotypes<\/em> (2002, with Gustavo Lins Ribeiro as second compiler); Black Culture in the Southern Cone: Representations in Conflict <\/em>(2000); Brazilian immigrants to Argentina: A socio-demographic profile<\/em> (1999, with Carlos Hasenbalg as the first author); The Scientific Study of Religion in the Late Twentieth Century<\/em> (1994, with Mar\u00eda Julia Carozzi as second compiler); Pentecostalism in Argentina. Introduction and compilation of texts <\/em>(1994); New Religious Movements and Social Sciences<\/em> (1993, vols. I and II); Social Sciences and Religion in the Southern Cone <\/em>(1993); Culture and Civilization from South America <\/em>(1982, with Guillermo Magrassi and Beatriz Maya as the first two authors); Visions of Pope Francis from the Social Sciences<\/em> (with Juan Renold);  New Religious Movements and Social Sciences<\/em>; Social Sciences and Religion in the Southern Cone<\/em>; Pentecostalism in Argentina<\/em>; The Scientific Study of Religion in the Late Twentieth Century<\/em>(with MJ Carozzi) and Black Culture in the Southern Cone<\/em>.<\/p>\n

 <\/p>\n

Alexander Grimson<\/span><\/h2>\n\"\"\n

Doctor in Anthropology from the University of Brasilia, some of his outstanding publications are: Global conflicts, local voices. Mobilization and activism in a transnational key<\/em> (2007); National passions. Politics and culture in Brazil and Argentina<\/em> (compiler, 2007); Culture and neoliberalism<\/em> (compiler, 2007); Regional migrations to Argentina. Difference, inequality and rights<\/em> (2006); Argentina and the Southern Cone<\/em>. Neoliberalism and national imaginations<\/em> (Grimson, Alejandro and Gabriel Kessler, 2005); "Cultures are more hybrid than identifications", in Anthropological Yearbook <\/em>(2008); "The Making of New Urban Borders: Neoliberalism and Protest in Buenos Aires" in Antipode. Journal of Radical Geography<\/em> (2008); \u201cDiversity and culture. Reification and situationality \u201d, in Tabula Rasa. Journal of Humanities<\/em> (2008); "Ethnicity and class in popular neighborhoods of Buenos Aires", in Latin American migration studies<\/em> (2007); \u201cCultures are more Hybrid than Identifications. A Dialogue on Borders from the Southern Cone \u201d, in Journal of Latino Studies<\/em> (2006); \u201cSome dimensions of transnational mobilization. Its history and its importance in the local context \u201d, in Global conflicts (2006);<\/em> \u201cPresentation: the 'culture' question\u201d, in Contemporary ethnographies <\/em>(2005); "Ethnic In (Visibility) in Neoliberal Argentina", in NACLA Reports on the Americas<\/em> (2005); "Hegemony, culture and nation", in Rio de Janeiro Magazine<\/em> (2005).<\/p>\n

 <\/p>\n

Rose Satiko Gitirana Hikiji<\/span><\/h2>\n\"\"\n

Doctor in Social Anthropology at the University of Sao Paulo. She works as a professor-researcher in the Department of Anthropology at the University of Sao Paulo. Research topics: Ethnomusicology, visual and ethnographic anthropology, African immigration art. Among his publications stand out: Bixiga em artes e of\u00edcios (2014); Anthropology and Performance: Ensaios Napedra (2013); L\u00e1 do leste - uma shared audiovisual ethnography (2013); Imagem-violence. Ethnography of a provocative cinema (2012); Antropologia e Performance: Ensaios Napedra, (2013 with JC Dawsey. M. F, Monteiro, Muller); On peripheries: new conflicts in contemporary Brazil (2013); A Arte ea Rua - Audiovisual Ethnography on the Outskirts of Sao Paulo in Alter \/ nativas (2014); Rouch Compartiljado: Premoni\u00e7\u00f5es e Provoca\u00e7\u00f5es para uma Antropologia Contempor\u00e2nea en Illuminuras (2013); Fabrik Funk (2015); The Eagle (2015); A arte ea rua (2011).<\/p>\n

 <\/p>\n

Claudio Lomnitz<\/span><\/h2>\n\"\"\n

Anthropologist and historian, he writes about culture and politics in Mexico and Latin America, experimenting in various genres from sociological essay to narrative history, from journalism to theater. He is a full professor of anthropology at Columbia University, where he directs the Center for Mexican Studies, and regularly serves as a visiting professor at the Center for Economic Research and Teaching (CIDE), and at the UAM-Cuajimalpa, in Mexico City. . He has been a professor at several universities in Mexico and the United States, as well as a visiting professor at European and Latin American universities. He has served as director of the Center for Latin American Studies at the University of Chicago, the Center for Historical Studies at the New School for Social Research in New York, and the Center for the Study of Ethnicity and Race at Columbia University. Directed the magazine Public Culture<\/em> between 2004-2010 and has served as a columnist for the press in Mexico City. He currently writes fortnightly in The Day<\/em>. His following publications stand out: Evolution of a rural society<\/em> (1982); The exits of the labyrinth: Culture and ideology in the Mexican national space <\/em>(1995); Indian Modernity: Nine Essays on Nation and Mediation in Mexico<\/em> (1999); Deep Mexico, Silent Mexico: An Anthropology of Nationalism<\/em> (2001); Idea of death in Mexico<\/em> (2006); Anti-Semitism and the Ideology of the Mexican Revolution<\/em> (2010); Y The Return of Comrade Ricardo Flores Mag\u00f3n<\/em> (2014). Recently the Editorial Malpaso released a collection of Lomnitz's essays under the title of The blurred nation: Mexico in thirteen essays<\/em> (2016). He also writes theater: The real Bulnes<\/em>, written with his brother Alberto Lomnitz, who won the National Dramaturgy Prize in Mexico 2009, and his most recent work, Mama Rosa, the musical<\/em>, will be premiered at the International Cervantino Festival in its 2017 edition.<\/p>\n

 <\/p>\n

Jes\u00fas Mart\u00edn Barbero<\/span><\/h2>\n\"\"\n

He studied Philosophy at the Institute of Philosophy in Louvain, Belgium. Doctor in Anthropology and Semiotics at the School of Higher Studies in Paris. Director of the Communication Department of the Universidad del Valle in Cali (Colombia), where he remained between 1975 and 1995. Between 1999 and 2003 he taught at the Instituto Tecnol\u00f3gico y de Estudios Superiores de Occidente, in Guadalajara, Mexico. He has been a visiting professor at the Complutense Universities of Madrid, Aut\u00f3noma de Barcelona, Stanford, Libre de Berlin, King's College of London, Puerto Rico, Buenos Aires, Sao Paulo, Lima, among others. In 2003 he obtained Colombian nationality. Doctor Honoris Causa by the National University of Rosario (Argentina) and by the Pontificia Universidad Javeriana de Bogot\u00e1 (Colombia). He has been president of ALAIC (Latin American Association of Communication Researchers), member of the Advisory Committee of FELAFACS (Latin American Federation of Faculties of Social Communication). He is a member of the Scientific Committee of Infoam\u00e9rica. He has published the following books: Mass communication: speech and power <\/em>(1978); Educational communication and audiovisual didactics<\/em> (1979); Introduction to content analysis<\/em> (1981); From media to mediations<\/em> (1987); Communication and popular cultures in Latin America <\/em>(1987); Communication processes and culture matrices <\/em>(1989); Television and melodrama<\/em> (1992); Communication, Culture and Hegemony<\/em> (1993); "Urban dynamics of culture" in Communication and cultural spaces in Latin America <\/em>(1994); Pre-texts: conversations about communication and its contexts<\/em> (1995); Project communication<\/em> (1997, with A. Silva); Night maps <\/em>(1998); Media, Culture and Society<\/em> (1998, with Fabio L\u00f3pez); The exercises of ver. Audiovisual hegemony and television fiction<\/em> (2000, with Germ\u00e1n Rey).<\/p>\n

 <\/p>\n

Clarice Ehlers Peixoto<\/span><\/h2>\n

Doctor from EHESS, France. She is an associate professor, coordinator of the Images and Narratives research group (CNPq-UERJ) at the University of the State of Rio de Janeiro \/ UERJ. The central themes of his research are: family, generations and aging, and visual anthropology. In his most recent publications, the books stand out: Ethnographies Visuais. Contemporary Analyzes. Rio de Janeiro<\/em> (2015, directed with Copque B); Peixoto C. et al<\/em>. (dirs.). Families in Imagens. Rio de Janeiro<\/em> (2013). Articles: \u201c'As coisas n\u00e3o s\u00e3o como parem'. Viver e morrer em uma institui\u00e7\u00e3o asilar \u201d, in Between Art and Science. A photograph in anthropology<\/em> (2015); "Images et r\u00e9cits sur l\u00b4entr\u00e9e en institution", Vibrant<\/em> (2016); "Visual anthropology: how to transmit this knowledge?" in Visual Anthropology: Perspectives of Ensino e Pesquisa <\/em>(2014). Films: IntraMuros<\/em> (2015); Peixoto C. et al.<\/em> Roberto DaMatta and serious carnivals, thugs and heroes<\/em> (2013).<\/p>\n

 <\/p>\n

Caroline Perr\u00e9e<\/span><\/h2>\n\"\"\n

Doctor in Art History, from Paris I Panth\u00e9on Sorbonne, under the direction of Philippe Dagen (2007). Researcher at the Center for Mexican and Central American Studies in Mexico City. The central themes of his research are: art history and anthropology of the image: votive offerings and practices in popular devotion; the votive offering, the votive object in popular faith and contemporary art; development of urban religious practices: Santa Muerte; contemporary art in Mexico; interaction between artisan practices and artistic practices: ties and reciprocal influences. His publications include the following in collective books: "Iconography of Santa Muerte: anthropology of an open image", in Ethnographies of Death: Panoramas of a Popular Devotion<\/em>. (in editorial process); "Contemporary creation and popular culture, the migrant work of Betsabe\u00e9 Romero", in Jumping borders, local Mexican creations and globalization<\/em> (2012). Articles: \u201cMexico, from San Judas to Santa Muerte. Logiques votives et rituels transversaux en milieu urbain \u201d, in L'homme<\/em> (2014); \u201cAu Mexique, la mort suinte dans l'art. Teresa Margolles: quand l'oeuvre saigne \u201d, Revue Amerika<\/em> (2013 online).<\/p>\n

 <\/p>\n

Sarah Pink<\/span><\/h2>\n\"\"\n

PhD in Social Anthropology from Kent University, UK. Distinguished Professor at RMIT University, Melbourne, Australia. Central themes of his research: digital technologies, everyday life, visual and sensory ethnography, design, health, safety and well-being, futures. Main or most recent publications: Home Truths: gender, domestic objects and everyday life<\/em> (2004); The Future of Visual Anthropology: engaging the senses<\/em> (2006); Situating Everyday Life: Practices and Places <\/em>(2012); Doing Visual Ethnography. Revised and expanded<\/em> (3rd ed. 2013); Doing Sensory Ethnography,<\/em> (2nd ed., 2015); Pink, S. and Y. Akama and contibutors A \/ Certainty<\/em>. iBook, download from http:\/\/de-futures.com\/projects\/uncertainty\/ (2015); Pink et al<\/em>. Digital Ethnography: principles and practice<\/em> (2016); Pink et al<\/em>. Screen Ecologies: Art, Media and the Environment in the Asia-Pacific region<\/em> (2016). Pink et al. Making Homes: ethnographies and designs<\/em> (in press).<\/p>\n

 <\/p>\n

Mary Louise Pratt<\/span><\/h2>\n\"\"\n

PhD in Comparative Literature from Stanford University. He currently works at the Department of Spanish and Portuguese New York University. Featured Posts: Toward a Speech Act Theory of Literary Discourse<\/em> (1977); Reviews: Journal of Literary Semantics<\/em> (1979); Journal of Pragmatics, Language<\/em> (1979); Sewanee Review<\/em> (1979); Journal of Esthetics and Art Criticism Winter<\/em> (1977-1978); Modern Language Notes 92<\/em> (1977); Papers on Language and Literature Summer<\/em> (1978); Religious Studies Review<\/em> (1978); Choice Dec<\/em>. (1977); PTL 3<\/em> (1978); Philosophy and Rhetoric<\/em> (1978); Sub-Stance<\/em> (1978); Style<\/em> (1978); Spektator <\/em>(1979-1980); Literair Paspoort<\/em> (1980); Journal of Linguisitics<\/em> (1980); International Studies in Philosophy<\/em> (1980); Lingua e Stile<\/em> (1980); Literature and Performance<\/em> (1980). 1980 Linguistics for Students of Literature<\/em> (1990, with Elizabeth Closs Traugott); Women, Culture and Politics in Latin America. Co-authored by the Seminar on Feminism and Cultur e in Latin America (8 members).<\/em> (paperback 1991); Imperial Eyes: Travel Writing and Transculturation<\/em>. (1992, reprinted in 1993, 1994, 1995, 1997, 1998, 2000); Imperial eyes<\/em> (1997); You olhos do Imp\u00e9rio <\/em>(1999); Reviews: Times Literary Supplement<\/em> (1992); Victorian Studies<\/em> (1993); Annals of the Association of American Geographers<\/em> (1993); Canadian Literature<\/em> (winter 1992 and spring 1993); Choice<\/em> (1992); Feminist Review<\/em> (1993); Journal of Modern History <\/em>(1996); Journal of Historical Geography<\/em> (1994); American Ethnologist<\/em> (1994); Eighteenth Century Studies<\/em> (spring 1993); Novel<\/em> (1995); Research in African Literatures<\/em> (1993); Folha de S\u00e3o Paulo<\/em> (1999); Journal of Historical Studies<\/em> (2000, Brazil); Signs<\/em> (1999, Mexico).<\/p>\n

 <\/p>\n

Rossana Reguillo Cruz<\/span><\/h2>\n\"\"\n

Doctorate in Social Sciences from CIESAS-University of Guadalajara, currently working as a professor-researcher in the Department of Sociocultural Studies of the ITESO Institute. Research topics: Social anthropology, communication and urban and youth cultures. Featured Posts: The symbolic construction of the city. Society, disaster, communication<\/em>. (1996); Citizen N. Chronicles of diversity<\/em> (1999); Disenchantment strategies. The emergence of youth cultures in Latin America <\/em>(2002); Fragmented horizons. Communication, culture, post-politics. The global (dis) order and its figures<\/em> (2005); The maras, youthful identities to the limit<\/em> (2013); Youth cultures, political forms of disenchantment<\/em> (2012).<\/p>\n

 <\/p>\n

Renato rosaldo<\/span><\/h2>\n\"\"\n

Doctor in Social Anthropology from Harvard University. Research topics: sociocultural anthropology, theory, history, cultural poetics, poetry, ethnography as text, Sociocultural anthropology, theory, history, cultural poetics, poetry, ethnography as text; Southeast Asia island, Latinos US, Mexico. Featured Posts: Editor, Cultural Citizenship in Island Southeast Asia: Nation and Belonging in the Hinterlands <\/em>(2003); Editor, of Anthropology of Globalization: A Reader<\/em>, (2001 with Jon Inda); Editor, Creativity \/ Anthropology <\/em>(1993, with Smadar Lavie and Kirin Narayan); Culture and Truth: The Remaking of Social Analysis<\/em> (1989); Editor, The Incas and the Aztecs, 1400-1800<\/em> (1982, with George Collier and John Wirth); Ilongot Headhunting. 1883-1974: A Study in Society and History <\/em>(1980).<\/p>\n

 <\/p>\n

Pablo Federico Seman<\/span><\/h2>\n\"\"\n

PhD in Social Anthropology from UFRGS-Brazil. He is Professor-Researcher at CONICET \/ UNSAM. His central themes of his research are: religion, mass literature, music. Main or most recent publications: Troubling Gender <\/em>(2012); Youth identities in Argentina: beyond Tango <\/em>(2012); Cumbia: Ethnicity, nation and gender in Latin America <\/em>(Compilation with Pablo Villa 2011); "Music, youth, hegemony and exits from adolescence" in Sociological Studies <\/em>(2016); \u201cTransversal and religious pluralism and catholiccentrism\u201d in Debates Do Ner (2014).<\/p>\n

 <\/p>\n

Hugo Jose Juarez<\/span><\/h2>\n\"\"\n

Doctor in Sociology from the Catholic University of Louvain, he is currently a researcher at the Institute of Social Research at the National Autonomous University of Mexico Research topics: Sociology of religion and culture, qualitative methodology, visual sociology, culture and politics in Bolivia .<\/p>\n

Featured Posts:The miracle is the word. Sociology of religious beliefs in a popular neighborhood in Mexico City<\/em> (2013); Light sleep, memory of a daily life <\/em>(2012); See and believe. Visual sociology essay in the El Ajusco neighborhood<\/em> (2012); Habitus cleave. Time in the theory of habitus \u201din Pierre Bourdieu<\/em> in Latin Magazine of Sociology (2012); \u201cFaith and generation. Analysis of a survey on religious beliefs and practices \u201din Alterities<\/em> (2012); "Religious pluralism in the El Ajusco neighborhood<\/em>" in New Age Social Studies<\/em> (2010).<\/p>\n

 <\/p>\n

Julia Tu\u00f1\u00f3n Pablos<\/span><\/h2>\n\"\"\n

Doctor in History from the Autonomous University of Mexico (UNAM). At present she works as a professor-researcher in the Directorate of Historical Studies (DEH) of the National Institute of Anthropology and History (INAH).<\/p>\n

Research topics: History of Mexican cinema in the classical period and history of women in Mexico. Featured Posts: Women. Between image and action<\/em>. In the series Historia illustrated de M\u00e9xico (2015); Education and Spanish exile in Mexico (2014); Body and spirit<\/em>. Celluliode doctors. <\/em>(2005); Women in Mexico. Remembering a story.<\/em> (2004); The faces of a myth. Female characters in the films of Emlio Indio Fern\u00e1ndez. <\/em>(2000); Women of light and shadow in Mexican cinema. The construction of an image.<\/em> (1998); Story of a dream: the Hollywood of Guadalajara. <\/em>(1987).<\/p>\n

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