{"id":28594,"date":"2017-01-27T16:33:35","date_gmt":"2017-01-27T16:33:35","guid":{"rendered":"https:\/\/encartesantropologicos.mx\/wordpress\/?page_id=28594"},"modified":"2018-02-26T18:57:00","modified_gmt":"2018-02-26T18:57:00","slug":"comite-editorial","status":"publish","type":"page","link":"https:\/\/encartes.mx\/en\/comite-editorial\/","title":{"rendered":"Editorial Comitee"},"content":{"rendered":"

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Editorial committee<\/strong><\/h1>\n

<\/h1>\n

Sarah Corona Berkin<\/h1>\n\"\"\n

PhD in Communication from the Catholic University of Louvain, Belgium. She is currently a professor-researcher in the Division of State and Society Studies at the University of Guadalajara. The central research topics are: Hegemonic discourses, public policies and cultural diversity. Analysis of oral, written, photographic and image speeches. Featured Posts: Between voices. Education snippets<\/em> (2007); The genie in the bottle <\/em>(1984); Looks interviews <\/em>(2002); "Books for the Wix\u00e1ritari: A history of integration, exclusion and emancipation" in Communication and society<\/em> (2013); Readers and formation of citizenships in Mexico: "Observations on the National Program Reading Rooms of CONACULTA" in Border studies <\/em>(2013); "Drawing gods in two communicative contexts" in Communication and society<\/em> (2009); "Indigenous photography in the rituals of social interaction" in Communication and society<\/em> (2006).<\/strong><\/span><\/p>\n

 <\/p>\n

Severine durin<\/h1>\n\"\"\n

Doctor in Anthropology from the Universit\u00e9 de Paris 3 - Sorbonne Nouvelle. Professor-Researcher at CIESAS, Northeast Unit. Her central research topics are: migration, gender and ethnicity; forced migration, public security and human rights. She is the author of numerous research articles and books on migration, ethnicity and gender. The works produced by the collective research projects under his charge stand out as Between lights and shadows. Insights into the indigenous people in the Monterrey metropolitan area<\/em> (coordinated by her in 2008); In Monterrey there is work for women. Processes of insertion of indigenous women in the metropolitan area of Monterrey<\/em> (2009); Urban ethnicities in the Americas. Processes of insertion, discrimination and multicultural policies<\/em> (coordinated by her in 2010) and Workers in the shade. Dimensions of Latin American domestic service <\/em>(coordinated by S\u00e9verine Durin, Mar\u00eda Eugenia de la O and Santiago Bastos in 2014).<\/p>\n

 <\/p>\n

Agustin Escobar<\/h1>\n\"\"\n

Doctor in Sociology from the University of Manchester, England, he is currently a professor-researcher at the Center for Research and Higher Studies in Social Anthropology (CIESAS), among his research topics is social mobility, labor studies and the labor market, inequality and inequality in urban contexts and gender and masculinities.<\/p>\n

Featured Posts: Where is science going in Mexico? <\/em>(2014); Strategic evaluation of social protection in Mexico <\/em>(et. al. 2013); Access to information, services and support in priority attention areas <\/em>(coordinator with Mercedes de la Rocha 2012); Poverty, conditional transfers and society <\/em>(coordinator with Mercedes de la Rocha 2012); "Migration, labor markets and international economy: Jalisco and the United States" in Multiple visions. Western Mexico from anthropology and history<\/em> (With Mercedes Gonz\u00e1lez de la Rocha and Bryan Roberts 2013); "The close and distant relationship between anthropology and sociology" in Concurrent looks. Anthropology in interdisciplinary dialogue <\/em>(with Mercedes Gonz\u00e1lez de la Rocha and Bryan Roberts 2013); "Poverty, conditional transfers and society" in Introduction. Poverty, conditional transfers and society <\/em>(with Mercedes Gonz\u00e1lez 2012); "Mexican Social Policy and Return Migrants" in Strategic analysis for development. Decent employment, income distribution and well-being<\/em> (2012).<\/p>\n

 <\/p>\n

Andres Fabregas Puig<\/h1>\n\"\"\n

Doctor in Social Anthropology in the Doctorate program of the Center for Research and Higher Studies in Social Anthropology (CIESAS), the central themes of his research are: Ethnohistory, Political Anthropology, Ecology, regions, borders, interculturality. Featured Posts: Anthropological research and professional training in Northern Mexico <\/em>(2014) Fabregas et al<\/em>; Emerging themes in the anthropology of the shores<\/em> (2014) Fabregas et al<\/em>; Production and teaching of university visual anthropology in Mexico<\/em> (2014) Fabregas et al; Chiapas mosaic <\/em>(2013); "The Mexico-Guatemala, Guatemala-Mexico border" in North border<\/em> (2014).<\/p>\n

 <\/p>\n

Carlos Yuri Flores Arenales<\/h1>\n\"\"\n

Doctor from Granada Center for Visual Anthropology, University of Manchester, England. He is a professor-researcher at the Autonomous University of the State of Morelos. His central research topics are visual anthropology, political violence and community reconstruction processes and access to justice in the Mayan region. His main publications include the following books, co-authored with Rachel Sieder:\u00a0Dos Justicias: interlegal and intercultural coordination in Guatemala <\/em>(2012); Authority, autonomy and indigenous law in postwar Guatemala <\/em>(2011). The articles in periodical publications "Mayan law and community video: experiences of collaborative anthropology" in\u00a0Icons<\/em> (2012); "Reflexions of an Ethnographic Filmaker-Maker: An Interview with Paul Henley, Director of the Granada Center for Visual Anthropology, University of Manchester", in American Anthropologist <\/em>(2009); "Visual anthropology. Distance or closeness with the anthropological subject?", In\u00a0New Anthropology <\/em>(2007). And the book chapter "Sharing Anthropology: Collaborative Video Experience among Maya Film-makers in Post-war Guatemala" in\u00a0Visual Interventions: Applied Visual Anthropology\u00a0<\/em>(Sarah Pink ed.), (2007). Also among his works include ethnographic documentaries Two Justices<\/em>\u00a0(Guatemala, 38 min. 2012); K'ixba'l (Shame)<\/em>\u00a0(Guatemala 37 min. 2010); with Mainor Pacay,\u00a0Rub'el Kurus (Under the Cross)<\/em>\u00a0co-production sponsored by the European Foundation for Human Rights, the Association of Friends of Development and Peace, and Ak'Kutan: \u201cBartolom\u00e9 de las Casas\u201d Center, Cob\u00e1n, Guatemala (1997). The latter deserved the first prize in the\u00a0Second Icaro Festival for video creation<\/em>, in the non-professional category. Antigua Guatemala (September 1999); as well as second place in the Indigenous Category in the Millennium Hispanic-American Meeting of Independent Video Documentary. Mexico City (June 2000).<\/p>\n

Dulce Mariana G\u00f3mez Salin<\/span>ace<\/span><\/h1>\n

 <\/p>\n

Norma Iglesias Prieto<\/h1>\n\"\"\n

Doctor in Sociology from the Complutense University of Madrid. She is a professor-researcher at San Diego State University and El Colegio de la Frontera Norte. His main lines of research include cultural processes on the northern border of Mexico, the visual arts, the media, identities and the study of gender. His most recent books are: \u00c1lvaro Huerta, Norma Iglesias Prieto and Donatha Brown (eds.), Contemporary Issues for People of Color Surviving and Thriving in the US Today. <\/em>Volume 5: Immigration and Migration <\/em>(2016, in press); Visual Arts Emergencies in Tijuana. Volume I. Global contexts and creativity <\/em>(2008).\u00a0<\/em><\/p>\n

Some of the most recent articles published in academic journals:<\/p>\n

The US-Mexico Border and Children's Social Imaginary: An Analysis of Wacha el Border and Beyond the Border \u201d, in\u00a0The American Studies Journal<\/em>\u00a0(Heidelberg, 2012); \u201cTransfrontera: The US-Mexican Border as Transnational Spacethe-US-Mexico-border-and-childrens-social-imaginary \/; "Transcending Limits: The US-Mexico Border in Film."\u00a0FIAR: Forum for Inter-American Research\u00a0<\/em>(Bielefeld, 2010). Some of his most recent book chapters: "Cross-border and creative processes" in Jos\u00e9 Manuel Valenzuela (ed.),\u00a0Cross-borders:<\/em>\u00a0The borders of the world and cultural processes<\/em> (2014); "Coming and Going: Transborder Visual Art in Tijuana", Rosana Blanco-Cano and Rita E. Urquijo-Ruiz (eds.), In Global Mexican Cultural Productions.\u00a0<\/em>(2011); "The Other Side of the Line", M. Dear, J. Ketchum, S. Luria, and D. Richardson (eds.), In GeoHumanities: Art, History and Text at the Edge of Place <\/em>(2011); "Transborderisms: Practices that Tear Down Walls", Ronald Real, in\u00a0Border Wall as Architecture <\/em>(2016, in press); Dario Seiguer and Norma Iglesias Prieto, \u201cCommuter Workers, Transborder Workers, or Transmigrants in the US-Mexican Border\u201d, in\u00a0Contemporary Issues for People of Color: Surviving and Thriving in the US Today (Vol. 5 Immigration and Migration) <\/em>(In press).<\/p>\n

 <\/p>\n

Maria Regina Martinez Casas<\/h1>\n\"\"\n

Doctor in Anthropological Sciences from the Autonomous University of Mexico, she is currently a professor-researcher at the Center for Research and Higher Studies in Social Anthropology (CIESAS), the central themes of her research are the Studies of language, ethnic relations and cultural identities.<\/p>\n

Featured Posts: Living invisible: the cultural resignification among urban Otom\u00edes in Guadalajara<\/em> (2007); "The different faces of mestizaje in Mexico" in Pigmentocracies. Ethnicity, race and color in Latin America <\/em>(with Emiko Sald\u00edvar, Ren\u00e9 Flores and Christina Sue, 2014); "Ethnicity and migration: the emergence of decentralized moral communities of the territory" in Migration and family in Hidalgo <\/em>(2014); "On the resistance to the displacement of indigenous languages in migration situations" in Sociolinguistic History of Mexico <\/em>(2014); "The linguistic dynamics of indigenous people in cities" in History of sociolinguistics in Mexico <\/em>(2013); "From the edge of informational eternity to the timelessness of ritual: urban indigenous people of the XXI century" in Multiple visions. Western Mexico from anthropology and history <\/em>(2013); "Social rights and inclusive development" in Indigenous languages in 21st century Mexico: between displacement and resistance<\/em> (2012).<\/p>\n

 <\/p>\n

Luz Maria Mohar<\/h1>\n\"\"\n

Doctor in Anthropology from the Universidad Iberoamericana. The central research topics are: Epigraphy and analysis of ethnohistoric sources, ethnohistory, historical, political and cultural processes. His publications include: The Map of Coatlichan in Mexican Archeology <\/em>(2013); A historical record in the multicolored images of the Mexican fund of the National Library of France in Codices and writings of Ancient Mexico <\/em>(2012); The Quinatzin map. Justice and human rights in ancient Mexico <\/em>(2004); The Quinatzin map. From brave warriors to wise and powerful rulers <\/em>(2001); General history of the State of Mexico, pre-Hispanic era, S. XVI<\/em> (1999).<\/p>\n

 <\/p>\n

Ricardo P\u00e9rez Montfort<\/h1>\n\"\"\n

Doctor from UNAM (1992). He is a Research Professor at CIESAS and at the Faculty of Philosophy, Letters of the UNAM and a subject professor at the College of History and the Division of Postgraduate Studies in History. He has a specialty in political processes and culture during the Mexican 19th and 20th centuries. It also deals with the history of drugs in Mexico, social discourse and intolerance, between l850-l940, as well as some aspects of the history of photography and cinema in Mexico and in Latin America. He has published 24 books and more than one hundred scientific articles that deal, among other topics, on the history of popular and peasant movements during the Mexican Revolution, the presence of German and Spanish interests in Mexico and their links with conservative groups, their relationships international and internal organization. For more than thirty years he has studied various aspects of popular culture, daily life and nationalism throughout the 19th and 20th centuries in both Mexico and Latin America. Main or most recent publications: Hispanismo and Falange, the imperial dreams of the Spanish right and Mexico<\/em>\u00a0(l992), Stamps of Mexican Popular Nationalism; Essays on popular culture and nationalism<\/em>\u00a0(1st ed. 1994-2nd ed. 2004),\u00a0Historians of Mexico in the 20th century<\/em>\u00a0(1995); Habits, norms and scandal; Press, crime and drugs during the late Porfiriato<\/em>\u00a0(1997);\u00a0Yerba, gum and powder. Drugs, environments and police in Mexico 1900-1940.<\/em> (1999);\u00a0Avatars of cultural nationalism<\/em> (2000, Garc\u00eda Cubas Award from the INAH, 2001);\u00a0Mexicans between two centuries<\/em>\u00a0(2003);\u00a0Popular expressions and cultural stereotypes in Mexico, XIX and XX centuries. Ten Essays<\/em>\u00a0(2007);\u00a0Everyday life, Imaginaries and Contexts. Essays of history and culture in Mexico 1850-1950\u00a0<\/em>(2009);\u00a0End of centuries End of cycles?\u00a0<\/em>(2013, coordinated in collaboration with Leticia Reina);\u00a0Looks, hopes and contradictions. Mexico and Spain 1898-1948<\/em> (2013);\u00a0Contemporary Mexico 1808-2014, Volume 4. Culture<\/em> (2015); The fandango and its cultivators: essays and interviews<\/em> (2015); Y\u00a0Tolerance and prohibition. Approaches to the social and cultural history of drugs in Mexico 1840-1940 <\/em>(2016).<\/p>\n

 <\/p>\n

Jose Manuel Valenzuela<\/h1>\n\"\"\n

Doctor in Social Sciences from the Colegio de M\u00e9xico, he is currently a professor-researcher in the Department of Cultural Studies at El Colegio de la Frontera Norte. The central areas of research: Culture and identity, cultural borders, social movements, youth cultures, urban sociology and popular culture. His most recent publications are: The system is anti-us. Youth cultures, movements and resistance <\/em>(2015); Juvenicide, Ayotzinapa and precarious lives in Latin America and Spain <\/em>(2015); Cross-borders. Frontiers of the world and cultural processes <\/em>(2014); Youth Troops. Cross-border cultures and identities <\/em>(coordinator, 2014); Welcome friends to Tijuana. Graffiti on the border<\/em> (2012); \u201cTijuana makes me happy. Pastiches, palimpsests and cultural sampling \u201din Voices of Mexico<\/em> (2013); "Narcoculture, violence and socio-anthropological sciences" in Contempt<\/em> (2012); "Narco (Corridos), meloframa and popular culture" in Versants<\/em> (2010); "Corrido \/ Narcotrafic" in Sons of the Mediterranean <\/em>(2008); "Cultural studies and the challenges of globalization" in Latin American Studies Association<\/em> (2006).<\/p>\n

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